Introduction -- Part I. Musical Privilege. Legal Privilège and Musical Production ; Social Privilège and Musician-Masons -- Part II. Property. Private Property : Music and Authorship ; Public Servants ; Cultural Heritage : Music as Work of Art ; National Industry : Music as a "Useful" Art and Science -- Postlude : A "Detractor" Breaks his "Silence" -- Conclusion : Privilege by Any Other Name.

Filling a significant gap in current scholarship, the fourteen original essays that make up this volume individually and collectively reflect on the relationship between music and Orientalism in the British Empire over the course of the long nineteenth century. The book is in four themed sections. 'Portrayal of the East' traces the routes from encounter to representation and restores the Orient to its rightful place in histories of Orientalism. 'Interpreting Concert Music' looks at one of the principal forms in which Orientalism could be brought to an eager and largely receptive - yet sometimes resistant - mass market. 'Words and Music' investigates the confluence of musical and Orientalist themes in different genres of writing, including criticism, fiction and travel writing. Finally, 'The Orientalist Stage' discusses crucial sites of Orientalist representation - music theatre and opera - as well as tracing similar phenomena in twentieth-century Hindi cinema. These final chapters examine the rendering of the East as 'unachievable and unrecognizable' for the consuming gaze of the western spectator.

Anya’s safe and predictable life as a kitchen servant in the palace of the High King is disrupted when she is given a new assignment: deliver a gift to the people of a far-off land. The gift contains a message that will help turn the tides in their battle against the darkness that threatens to overtake the land and the citizens of the kingdom who live there. Anya, and her faithful guide, Pari, a shaggy sheepdog, arrive in a strange land called Chicago with seven days to find the one who is waiting for the gift and willing to receive the call. But will the growing darkness in this land and the growing weight of the burden she carries keep her from completing her mission? Will she find the one she seeks before her time runs out? Will she even survive the journey?

Includes music.

How does everyday law practice relate to Jesus' call to follow him in servanthood? For students considering a career in law as well as for seasoned attorneys, this honest and accessible book from Robert F. Cochran Jr. casts an encouraging vision for how lawyers can love and serve their neighbor in every facet of their work.

Are you really surprised to discover that a woman might have a mind of her own? When Lélio thinks he can ditch and cash in on the rich woman he has promised to marry, in order to become the husband of an even wealthier 'girl from Paris', he enlists the help of his attractive new friend, the Chevalier. What he doesn't know is that the Chevalier is none other than this same 'girl from Paris' disguised as a man, and that her project is to publicly expose the depths of his sexual cynicism. A self-declared 'modern', Marivaux is a pioneer in the exploration of human feeling, asking in this play not only what do we hide from others, but what are we hiding from ourselves? Martin Crimp's version of Pierre Marivaux's The False Servant received its premiere at the National Theatre, London, in 2004 and was revived at the Orange Tree Theatre, London, in June 2022. 'Marivaux's scepticism, irony and fascination with money and sex make him seem peculiarly modern.' Guardian 'Thrills, chills, and belly laughs - this addictively adult comedy has got the lot.' Daily Telegraph

This book explores the role of the ubiquitous nurse character found in over one hundred operas and provides insight into opera nurses’ unique musical and dramatic journey from servant to sister, and women’s perceived place and status on the opera stage and in society.