For decades, eighteenth-century Paris had been declining into a baroque backwater. Spectacles at the opera, once considered fit for a king, had become "hell for the ears," wrote playwright Carlos Goldoni. Then, in 1774, with the crowning of Louis XVI and Marie-Antoinette, Paris became one of the world's most vibrant musical centers. Austrian composer Christophe-Willibald Gluck, protege of the queen, introduced a new kind of tragic opera--dramatic, human and closer to nature. The expressive pantomime known as ballet d'action, forerunner of the modern ballet, replaced stately court dancing. Along the boulevards, people whistled lighter tunes from the Italian opera, where the queen's favorite composer, Andre Modeste Gretry, ruled supreme. This book recounts Gluck's remaking of the grand operatic tragedy--long symbolic of absolute monarchy--and the vehement quarrels between those who embraced reform and those who preferred familiar baroque tunes or the sweeter melodies of Italy. The turmoil was an important element in the ferment that led to the French Revolution and the beheading of the queen.

For decades, eighteenth-century Paris had been declining into a baroque backwater. Spectacles at the opera, once considered fit for a king, had become "hell for the ears," wrote playwright Carlos Goldoni. Then, in 1774, with the crowning of Louis XVI and Marie-Antoinette, Paris became one of the world's most vibrant musical centers. Austrian composer Christophe-Willibald Gluck, protege of the queen, introduced a new kind of tragic opera--dramatic, human and closer to nature. The expressive pantomime known as ballet d'action, forerunner of the modern ballet, replaced stately court dancing. Along the boulevards, people whistled lighter tunes from the Italian opera, where the queen's favorite composer, Andre Modeste Gretry, ruled supreme. This book recounts Gluck's remaking of the grand operatic tragedy--long symbolic of absolute monarchy--and the vehement quarrels between those who embraced reform and those who preferred familiar baroque tunes or the sweeter melodies of Italy. The turmoil was an important element in the ferment that led to the French Revolution and the beheading of the queen.

This riveting book explores the little-known intimate life of Marie Antoinette and her milieu in a world filled with intrigue, infidelity, adultery, and sexually transmitted diseases. Will Bashor reveals the intrigue and debauchery of the Bourbon kings from Louis XIII to Louis XV, which were closely intertwined with the expansion of Versailles from a simple hunting lodge to a luxurious and intricately ordered palace. It soon became a retreat for scandalous conspiracies and rendezvous—all hidden from the public eye. When Marie Antoinette arrived, she was quickly drawn into a true viper's nest, encouraged by her imprudent entourage. Bashor shows that her often thoughtless, fantasy-driven, and notorious antics were inevitable given her family history and the alluring influences that surrounded her. Marie Antoinette's frivolous and flamboyant lifestyle prompted a torrent of scathing pamphlets, and Bashor scrutinizes the queen's world to discover what was false, what was possible, and what, although shocking, was most probably true. Readers will be fascinated by this glimpse behind the decorative screens to learn the secret language of the queen’s fan and explore the dark passageways and staircases of endless intrigue at Versailles.

Marie-Antoinette (1755–1793) continues to fascinate historians, writers, and filmmakers more than two centuries after her death. She became a symbol of the excesses of France’s aristocracy in the eighteenth century that helped pave the way to dissolution of the country’s monarchy. The great material privileges she enjoyed and her glamorous role as an arbiter of fashion and a patron of the arts in the French court, set against her tragic death on the scaffold, still spark the popular imagination. In this gorgeously illustrated volume, the authors find a fresh and nuanced approach to Marie-Antoinette’s much-told story through the objects and locations that made up the fabric of her world. They trace the major events of her life, from her upbringing in Vienna as the archduchess of Austria, to her ascension to the French throne, to her execution at the hands of the revolutionary tribunal. The exquisite objects that populated Marie-Antoinette’s rarefied surroundings—beautiful gowns, gilt-mounted furniture, chinoiserie porcelains, and opulent tableware—are depicted. But so too are possessions representing her personal pursuits and private world, including her sewing kit, her harp, her children’s toys, and even the simple cotton chemise she wore as a condemned prisoner. The narrative is sprinkled with excerpts from her correspondence, which offer a glimpse into her personality and daily life. Visually rich and engaging, Marie-Antoinette offers a fascinating look at the multifaceted life of France’s last, ill-fated queen.

The untold story of Marie-Antoinette's perfumer, Jean-Louis Fargeon. Montpellier, 1748: Jean-Louis Fargeon is born into a family of perfumers and soon becomes apprentice to his father's modest perfumery. But he dreams of the glittering court of Versailles and of becoming perfumer to the young queen, Marie Antoinette. His ambition carried him to Paris where his boutique became one of the most elegant and well-patronised in France. Concocting sumptuous perfumes and pomades for most of the French nobility, Fargeon eventually caught the attention of the queen. After meeting Marie Antoinette in the Trianon Palace, he began creating lavish bespoke scents that perfectly reflected her moods and personality. He served as her personal and exclusive perfumer for fourteen years until 1789 when the darkness of Revolution swept across France, its wrath aimed at the extravagance of a now hated queen. Fargeon, a lifelong supporter of the Republican cause but a purveyor to the court, was in a dangerous position. Yet he remained fiercely loyal to Marie Antoinette, beyond her desperate flight to Varennes, her execution and even through his own imprisonment and trial...

This compelling book begins on the 2nd of August 1793, the day Marie Antoinette was torn from her family’s arms and escorted from the Temple to the Conciergerie, a thick-walled fortress turned prison. It was also known as the “waiting room for the guillotine” because prisoners only spent a day or two here before their conviction and subsequent execution. The ex-queen surely knew her days were numbered, but she could never have known that two and a half months would pass before she would finally stand trial and be convicted of the most ungodly charges. Will Bashor traces the final days of the prisoner registered only as Widow Capet, No. 280, a time that was a cruel mixture of grandeur, humiliation, and terror. Marie Antoinette’s reign amidst the splendors of the court of Versailles is a familiar story, but her final imprisonment in a fetid, dank dungeon is a little-known coda to a once-charmed life. Her seventy-six days in this terrifying prison can only be described as the darkest and most horrific of the fallen queen’s life, vividly recaptured in this richly researched history.

France's iconic queen, Marie Antoinette, wrongly accused of uttering the infamous "Let them eat cake," was alternately revered and reviled during her lifetime. For centuries since, she has been the object of debate, speculation, and the fascination so often accorded illustrious figures in history. Married in mere girlhood, this essentially lighthearted child was thrust onto the royal stage and commanded by circumstance to play a significant role in European history. Antonia Fraser's lavish and engaging portrait excites compassion and regard for all aspects of the queen, immersing the reader not only in the coming-of-age of a graceful woman, but in the culture of an unparalleled time and place.