Music Trade Review

Music Trade Review
Title Music Trade Review PDF eBook
Author
Publisher
Pages 648
Release 1879
Genre Music
ISBN

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Musical Opinion and Music Trade Review

Musical Opinion and Music Trade Review
Title Musical Opinion and Music Trade Review PDF eBook
Author
Publisher
Pages 918
Release 1910
Genre Music
ISBN

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The Music Trade Review

The Music Trade Review
Title The Music Trade Review PDF eBook
Author
Publisher
Pages 424
Release 1954
Genre Music trade
ISBN

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MTR; Music Trades Review

MTR; Music Trades Review
Title MTR; Music Trades Review PDF eBook
Author
Publisher
Pages 428
Release 1894
Genre Music trade
ISBN

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Musical Opinion and Music Trade Review

Musical Opinion and Music Trade Review
Title Musical Opinion and Music Trade Review PDF eBook
Author
Publisher
Pages 918
Release 1909
Genre Music
ISBN

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The Music Trade Review

The Music Trade Review
Title The Music Trade Review PDF eBook
Author
Publisher
Pages 440
Release 1956
Genre Music trade
ISBN

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The Music Trade in Georgian England

The Music Trade in Georgian England
Title The Music Trade in Georgian England PDF eBook
Author Michael Kassler
Publisher Routledge
Pages 309
Release 2017-07-05
Genre Business & Economics
ISBN 1351542168

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In contrast to today's music industry, whose principal products are recorded songs sold to customers round the world, the music trade in Georgian England was based upon London firms that published and sold printed music and manufactured and sold instruments on which this music could be played. The destruction of business records and other primary sources has hampered investigation of this trade, but recent research into legal proceedings, apprenticeship registers, surviving correspondence and other archived documentation has enabled aspects of its workings to be reconstructed. The first part of the book deals with Longman & Broderip, arguably the foremost English music seller in the late eighteenth century, and the firm's two successors - Broderip & Wilkinson and Muzio Clementi's variously styled partnerships - who carried on after Longman & Broderip's assets were divided in 1798. The next part shows how a rival music seller, John Bland, and his successors, used textual and thematic catalogues to advertise their publications. This is followed by a comprehensive review of the development of musical copyright in this period, a report of efforts by a leading inventor, Charles 3rd Earl Stanhope, to transform the ways in which music was printed and recorded, and a study of Georg Jacob Vollweiler's endeavour to introduce music lithography into England. The book should appeal not only to music historians but also to readers interested in English business history, publishing history and legal history between 1714 and 1830.