"Galicia is the least known and the least written about of all the little kingdoms that go to the making of Spain. Her boundaries have been greatly reduced since the days when the Romans divided the Peninsula into five provinces and called one of them Galicia".The irruption of the Saracens in 713 again changed the aspect of the Peninsula, and the limits of Galicia were contracted; but Spanish geographers to this day call her a reino, or kingdom, and divide her into four little provinces 'Coru'a, Pontevedra, Orense, and Lugo." The history of this little known Spanish kingdom examines geography, early history, architecture, emigration, farming, monasteries and other topics. Chapters include: Ancient Galicia; The Geography of Galicia; The First Golden Age; The Salve Regina; The Language of Galicia; Pilgrims to Santiago; The Architecture of Galicia; The Cathedral of Santiago; The Portico de Gloria; Sculptured Capitals; The Royal Hospital; The Colegiata de Sar; La Coru'a; Emigration; Rosalia Castro; Santiago de Compostela; Galicia's Livestock; Padron; La Bellisima Noya; Pontevedra; Vigo and Tuy; Orense; Monforte and Lugo; Betanzos and Ferrol; The Great Monasteries of Galicia; Trees, Fruits, and Flowers; and Dives Callaecia. A map of Galicia, 105 illustrations (mostly photographs), a bibliography, and an index to full names, places and subjects add to the value of this work.

When Flory's ancestors are forced to leave Spain during the time of the Spanish Inquisition, they take with them their two most precious possessions—the key to their old house and the Ladino language. When Flory flees Europe during World War II to begin a new life in the United States, she carries Ladino with her, along with her other precious possessions—her harmoniku and her music. But what of the key? Discover the story of Ladino singer Flory Jagoda.

English with excerpts in Spanish and French.

A collection of songs for Medium Low voice, composed by Charles Franí_ois Gounod.

From the exhilarating impact of Isaac Albeniz at the beginning of the century to today's complex and adventurous avant-garde, this complete interpretive history introduces twentieth-century Spanish music to English-speaking readers. With graceful authority, Tomas Marco, award-winning composer, critic, and bright light of Spanish music since the 1960s, covers the entire spectrum of composers and their works: trends and movements, critical and popular reception, national institutions, influences from Europe and beyond, and the effect of such historic events as the Spanish Civil War and the death of Franco. Marco's penetrating aesthetic critiques are threaded throughout each phase of this rich account. Marco provides detailed coverage of the key figures, induding a chapter devoted entirely to Manuel de Falla--Spain's most celebrated twentieth-century composer--and a panoramic survey of recent arrivals on the contemporary music scene. Exploring the rise and fall of the zarzuela, the author highlights innovative works in this authentic Spanish genre. He analyzes the attempts to find an audience for Spanish opera; demonstrates the flowering of symphonic and chamber music at the beginning of this century; traces currents such as romanticism, impressionism, and neoclassicism; and tracks the influence of Spain's distinctive regional folk traditions. Covering musical innovation after Spain's emergence from its period of isolation, Marco notes the speed with which many composers absorbed the work of Stravinsky and Bartok, the twelve-tone system, aleatory forms, electronic techniques, and other European developments. English-speaking scholars, musicians, critics and general readers have for decades been without full information on the rich and varied work coming out of Spain in this century. This lively history fills a long-felt need and fills it superbly, with the knowledge and insights of a major figure in the musical world.

Rondón tells the engaging story of salsa's roots in Puerto Rico, Cuba, Colombia, the Dominican Republic, and Venezuela, and of its emergence and development in the 1960s as a distinct musical movement in New York. Rondón presents salsa as a truly pan-Caribbean phenomenon, emerging in the migrations and interactions, the celebrations and conflicts that marked the region. Although salsa is rooted in urban culture, Rondón explains, it is also a commercial product produced and shaped by professional musicians, record producers, and the music industry. --from publisher description.