Luck was with Bobby Goldsboro when Roy Orbison came through the area on tour. Orbison took on Goldsboro's band and Bobby stuck with him for the next three years. Bobby went solo and soon scored a modest hit with "Molly," a song that he despised. A short while later, however, he scored a top ten song with his own "See the Funny Little Clown." Other hits followed but his superb "Broomstick Cowboy" was mistakenly seen by many radio stations as a Vietnam War protest songs and they refused to play it. Going against the grain, a Detroit station did air it and it became #1 in that area. His "Honey" was the top record for 1968 reaching #1 on every chart. "Watching Scotty Grow" was also a big hit. The early 70s saw the excellent "Summer (The First Time)" make waves. England voted it the best summer song ever. Bobby hosted a top-rated TV variety program, The Bobby Goldsboro Show, wrote and produced an Easter special for Disney and took up oil painting, of which his art is highly regarded.

The humorist asked his readers to share their least favorite tunes and chronicles the hilarious responses. When funnyman Dave Barry asked readers about their least favorite tunes, he thought he was penning just another installment of his weekly syndicated humor column. But the witty writer was flabbergasted by the response when over 10,000 readers voted. “I have never written a column that got a bigger response than the one announcing the Bad Song Survey,” Barry wrote. Based on the results of the survey, Dave Barry’s Book of Bad Songs is a compilation of some of the worst songs ever written. Dave Barry fans will relish his quirky take. Music buffs too will appreciate this humorous stroll through the world’s worst lyrics. The only thing wrong with this book is that readers will find themselves unable to stop mentally singing the greatest hits of Gary Puckett. Praise for Dave Barry’s Book of Bad Songs “Barry is his usual puckish self, but the real surprise here is how funny many of the survey respondents are.” —Kirkus Reviews “Who can resist such a book?” —Publishers Weekly

Early '70s Radio focuses on the emergence of commercial music radio "formats," which refer to distinct musical genres aimed toward specific audiences. This formatting revolution took place in a period rife with heated politics, identity anxiety, large-scale disappointments and seemingly insoluble social problems. As industry professionals worked overtime to understand audiences and to generate formats, they also laid the groundwork for market segmentation. Audiences, meanwhile, approached these formats as safe havens wherein they could re-imagine and redefine key issues of identity. A fresh and accessible exercise in audience interpretation, Early '70s Radio is organized according to the era's five prominent formats and analyzes each of these in relation to their targeted demographics, including Top 40, "soft rock", album-oriented rock, soul and country. The book closes by making a case for the significance of early '70s formatting in light of commercial radio today.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

Bobby Vee got his break when Buddy Holly's plane crashed, killing all aboard. Vee's amateur combo answered a call for volunteers to carry on the ill-fated Winter Dance Party. It was a serendipitous beginning to one of the most successful careers in 60s music. Vee scored a #1 hit with the classic Take Good Care of My Baby and followed it with #2 Run to Him ensuring his place in history as one of the most consistent hit makers of his generation. His star dimmed when British groups took over, but bounced back with one of his biggest hits, "Come Back When You Grow Up". He racked up racked up 38 Top 100 hits. This looks at all of his recordings. Some of his best music came long after his name vanished from the music charts. He encountered Bob Dylan, worked with Leon Russell, achieved success with Holly's Crickets, and met the Beatles. Misfortune kept him from songs that became top hits for others.