The Musee d'Orsay contains one of the most magnificent collections of 19th- and early 20th-century art in the world. Limited to the years between 1848 and 1914, the collection showcases Impressionist and Postimpressionist favorites by Monet, Renoir, Cassatt, Van Gogh, Seurat, and Signac. In addition, Realist, Nabis, Symbolist, and Fauvist movements are represented in works by Millet, Gauguin, Redon, and Matisse. The light-filled galleries are also ideal for viewing the sculpture. Works in other media include furniture, objets d'art, architecture, photography, jewelry, and glassware. This book's color plates depict many of the masterpieces, and the text traces the roots of the core collection within the context of developing and changing art trends.

In this volume, examples of Post-Impressionism from one of the world's premier art museums provide an overview of innovations ushered in by the popular movement. Representing a pivotal moment in the history of European art, the Post-Impressionists created some of the most recognizable and stylistically inventive paintings of the modern era. Published to accompany a major exhibition, this book presents over one hundred celebrated paintings from the unparalleled collection of Paris's Musee d'Orsay. Focusing on the decades around 1900, this publication presents late Impressionist landmarks by Monet and Renoir; early modern masterpieces by Cezanne, Gauguin, Toulouse-Lautrec, and Van Gogh; and avant-garde canvases by the Nabis painters Denis, Bonnard, and Vuillard. The volume also provides a unique look at the Musee d'Orsay's outstanding collection of Pointillism, including works by artists such as Seurat and Signac. Together these works offer a fresh assessment of seismic transitions in the European art world at the turn of the twentieth century that ushered in the birth of modern painting and produced lasting treasures of its own.

Hundreds of paintings are reproduced in a guide to the Paris museum and accompanied by essays by a renowned art historian on Realism, Impressionism, Symbolism, and many other topics

This comprehensive book traces the origins and progression of photography from its humble beginnings in daguerreotypes to the gradual mastering of photographic portraits, techniques, and negatives. The wider use of photography in journalism, for documenting architecture and art movements, and its capacity to produce piercing perspectives on the social and political climate of the nineteenth and twentieth centuries are all carefully evaluated, as well as the work of amateurs such as Zola who tried their hand at this revolutionary art form. Twenty-five years after the inauguration of France's first permanent exhibition devoted solely to photography, the Musée d'Orsay continues in its innovative and original thread. This book bears testimony to the unique nature of the museum's collection, noted for its rare finds, their quality, and the sheer number of works it holds (more than fifty-five thousand). The collection's most-treasured works are exposed here, including a portrait of Baudelaire by Nadar and the recently acquired portrait of Man Ray by Stieglitz.