Accompanying CD-ROM contains digital facsimile of the Murthly Hours with commentary.

Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illuminators, book binders) with labour-intensive processes using exclusive and sometimes exotic materials (parchment made from dozens or hundreds of skins, inks and paints made from prized minerals, animals and plants), books were expensive and built to last. They usually outlived their owners. Rather than discard them when they were superseded, book owners found ways to update, amend and upcycle books or book parts. These activities accelerated in the fifteenth century. Most manuscripts made before 1390 were bespoke and made for a particular client, but those made after 1390 (especially books of hours) were increasingly made for an open market, in which the producer was not in direct contact with the buyer. Increased efficiency led to more generic products, which owners were motivated to personalise. It also led to more blank parchment in the book, for example, the backs of inserted miniatures and the blanks ends of textual components. Book buyers of the late fourteenth and throughout the fifteenth century still held onto the old connotations of manuscripts—that they were custom-made luxury items—even when the production had become impersonal. Owners consequently purchased books made for an open market and then personalised them, filling in the blank spaces, and even adding more components later. This would give them an affordable product, but one that still smacked of luxury and met their individual needs. They kept older books in circulation by amending them, attached items to generic books to make them more relevant and valuable, and added new prayers with escalating indulgences as the culture of salvation shifted. Rudy considers ways in which book owners adjusted the contents of their books from the simplest (add a marginal note, sew in a curtain) to the most complex (take the book apart, embellish the components with painted decoration, add more quires of parchment). By making sometimes extreme adjustments, book owners kept their books fashionable and emotionally relevant. This study explores the intersection of codicology and human desire. Rudy shows how increased modularisation of book making led to more standardisation but also to more opportunities for personalisation. She asks: What properties did parchment manuscripts have that printed books lacked? What are the interrelationships among technology, efficiency, skill loss and standardisation?

English translation of a variety of texts from women's books of hours, with introduction, notes, and an interpretive essay. The book of hours is said to have been the most popular book owned by the laity in the later Middle Ages. This volume brings together a selection of texts taken from books of hours known to have been owned by women. While some will be familiar from bibles or prayer-books, others have to be sought in specialist publications, often embedded in other material, and a few have not until now been available at all in modern editions or translations. The texts arecomplemented by an introduction setting the book of hours in its context, an interpretive essay, glossary and annotated bibliography.

This lively story has never been told before: the complete history of women's reading and the ceaseless controversies it has inspired. Belinda Jack's groundbreaking volume travels from the Cro-Magnon cave to the digital bookstores of our time, exploring what and how women of widely differing cultures have read through the ages. Jack traces a history marked by persistent efforts to prevent women from gaining literacy or reading what they wished. She also recounts the counter-efforts of those who have battled for girls' access to books and education. The book introduces frustrated female readers of many eras—Babylonian princesses who called for women's voices to be heard, rebellious nuns who wanted to share their writings with others, confidantes who challenged Reformation theologians' writings, nineteenth-century New England mill girls who risked their jobs to smuggle novels into the workplace, and women volunteers who taught literacy to women and children on convict ships bound for Australia. Today, new distinctions between male and female readers have emerged, and Jack explores such contemporary topics as burgeoning women's reading groups, differences in men and women's reading tastes, censorship of women's on-line reading in countries like Iran, the continuing struggle for girls' literacy in many poorer places, and the impact of women readers in their new status as significant movers in the world of reading.

In Kind Neighbours Tom Turpie explores devotion to Scottish saints and their shrines in the later middle ages. He provides fresh insight into the role played by these saints in the legal and historical arguments for Scottish independence, and the process by which first Andrew, and later Ninian, were embraced as patron saints of the Scots. Kind Neighbours also explains the appeal of the most popular Scottish saints of the period and explores the relationship between regional shrines and the Scottish monarchy. Rejecting traditional interpretations based around church-led patriotism or crown patronage, Turpie draws on a wide range of sources to explain how religious, political and environmental changes in the later middle ages shaped devotion to the saints in Scotland.

Until 2015, Pradeep Sebastian was a contented bibliophile, quite far from the serious book collector anxiously checking his email alerts. Things, however, took a dramatic turn when he chanced upon fine press books - printed on a handpress, from metal type pressed into dampened handmade paper, the tactility and typographic beauty of letterpress books instantly captivated him. There was no looking back. In absorbing prose, the author retraces his fulfilling journey of collecting fine books online, his new-found love for modern calligraphic and illuminated manuscripts, and his discovery of the masters of bookmaking - be it the cloistered nuns who printed impeccable fine press books, or the famous printer who lived in a one-room apartment at a YMCA with his small handpress tucked under his bed. Peppered with vivid anecdotes and delightful conversations, The Book Beautiful is as much about the love for fine books as it is about the pleasures of bibliophily - the camaraderie between fellow collectors and dealers, bibliographic connoisseurship, the thrill of the chase, and the joy of striking a juicy bargain.