The mummy came to life in the 1940s out of Universal Pictures' need to produce quick turnaround, low budget "B" movies. Universal produced The Mummy's Hand, The Mummy's Tomb, The Mummy's Ghost, and The Mummy's Curse (originally The Mummy's Return) and thus created a popular franchise that is still supported today by a following of loyal fans. (Universal was prompted to produce a remake of its Mummy films in 1999.) This book is devoted entirely to Universal's Mummy movies of the 1940s. It reveals lost action and dialogue by analyzing scenes that were edited out days before The Mummy's Hand was released to theaters, treats readers to other dialogue that was filmed and then cut down to almost nothing before being included in the films, and compares and contrasts the original story of The Mummy's Return to the final shooting script of what was later renamed The Mummy's Curse. Each of the films has its own chapter, and chapters are also devoted to the actors who played the heroes, heroines, high priests, victims, and mummies in the films, and to the filmmakers who brought the mummies to life.

In four brief chapters, readers learn important facts about the Egyptians' belief on life and death, stories and superstitions surrounding their gods and goddesses, and the origin of mummies. Original.

The mummy came to life in the 1940s out of Universal Pictures' need to produce quick turnaround, low budget "B" movies. Universal produced The Mummy's Hand, The Mummy's Tomb, The Mummy's Ghost, and The Mummy's Curse (originally The Mummy's Return) and thus created a popular franchise that is still supported today by a following of loyal fans. (Universal was prompted to produce a remake of its Mummy films in 1999.) This book is devoted entirely to Universal's Mummy movies of the 1940s. It reveals lost action and dialogue by analyzing scenes that were edited out days before The Mummy's Hand was released to theaters, treats readers to other dialogue that was filmed and then cut down to almost nothing before being included in the films, and compares and contrasts the original story of The Mummy's Return to the final shooting script of what was later renamed The Mummy's Curse. Each of the films has its own chapter, and chapters are also devoted to the actors who played the heroes, heroines, high priests, victims, and mummies in the films, and to the filmmakers who brought the mummies to life.

Describes the wide variety of ancient human corpses that are found, how they were preserved, and what archeologists can learn from them.

The Virtual Mummy is a thoroughly readable introduction to the nondestructive techniques used by contemporary researchers to analyze the artifacts and culture of ancient Egypt. It tells the captivating story of the "virtual unwrapping" of an Egyptian mummy and the interdisciplinary project that allowed researchers at the University of Illinois at Urbana-Champaign to investigate the person inside by way of an autopsy performed by computer. The mummy, acquired by the university's Spurlock Museum in 1989, was from the Fayum region of Egypt and is dated to about 100 a.d. Although other mummy projects have used destructive analytical techniques, the Spurlock mummy was never even unwrapped. Minute samples of loose material were taken for dating and for textile and wood analysis without affecting the integrity or display quality of the artifact. Faculty and staff members from area hospitals and University of Illinois departments including classics, anthropology, chemistry, textile sciences, and entomology were recruited by the Program on Ancient Technologies and Archaeological Materials for the project. The interdisciplinary team implemented a research plan that relied on medical imaging techniques including X rays and CT scans. They also utilized for the first time in the history of mummy research a Cray II supercomputer -- at the university's National Center for Supercomputing Applications -- to render three-dimensional images of the mummy's skull and body. Replete with illustrations, Sarah U. Wisseman's engaging chronicle of teamwork and research gives readers the chance to experience how ancient history melded with contemporary technology. The Virtual Mummy also includes a review of the development of mummification and a general history of mummy research.

A quirky history that offers a new way of understanding the myth of the mummy's curse. Roger Luckhurst provides a startling path through the cultural history of Victorian England and its colonial possessions.

Sofia is just a normal high school girl, worried about getting her homework done and looking cool in the lunchroom, when HE shows up: a devastatingly handsome new kid, mysteriously covered in decaying bandages and staring at her from the empty holes where his eyes should be. She thinks he's just a hipster, but is there more to this handsome stranger than meets the eye? Yes. He's a mummy. We're not really making a secret about this. The twist is he's a mummy. It's a book about a girl who falls in love with a mummy. We've read young adult books about teenage girls unknowingly falling in love with vampires, werewolves, angels, demons, fairies, mermen, warlocks, dreamwalkers, and trolls. Seriously, there was one about trolls. It's time for mummies, dammit. It's time for mummies.