This fourth Variorum collection of articles by Peter Linehan comprises items largely from the past decade. The studies represent further investigation of themes broached in earlier works, in particular the latest report on the movements of Cardinal John of Abbeville, and the related subjects of historiography and historians, the interplay of history and government, and aspects of sacral monarchy. Articles on Zamora's frustrated legal history and Zamora's cardinal extend the Castilian theme across the territorial frontier into the kingdom of Portugal, and two other items explore English ramifications and developments in papal procedures.

The setting of this volume is the Iberian Peninsula during the Middle Ages, where Christianity and Islam co-existed side by side as the official religions of Muslim al-Andalus on the one hand, and the Christian kingdoms in the north of the peninsula on the other. Its purpose is to examine the meaning of the word 'Mozarab' and the history and nature of the people called by that name; it represents a synthesis of the author's many years of research and publication in this field. Richard Hitchcock first sets out to explain what being a non-Muslim meant in al-Andalus, both in the higher echelons of society and at a humbler level. The terms used by Arab chroniclers, when examined carefully, suggest a lesser preoccupation with purely religious values than hitherto appreciated. Mozarabism in León and Toledo, two notably distinct phenomena, are then considered at length, and there are two chapters exploring the issues that arose, firstly when Mozarabs were relocated in twelfth-century Aragón, and secondly, in sixteenth-century Toledo, when they were striving to retain their identity.

A practical introduction and guide to the Gothispanic and Early Mozarabic Rite which materialized in the Gothic Kingdoms of Toledo and Oviedo from the sixth through the tenth centuries. This treatise rescues many essential details which have been otherwise left out in the texts and historiography concerning the Mozarabic Rite after the reforms undertaken by the Cardinal Cisneros in the 15th century. It showcases many of the primordial peculiarities which distinguish it from the now predominant Roman Rite: from architectural forms to objects used in the mass, liturgical colours and vesture. Because of its formative years take place before the Great Schism, it also exposes a fundamental link between the Greek and Latin traditions, as well as commonalities with the churches of Africa and Asia. The book has over 50 illustrations.

This volume commemorates the career of Richard Fletcher and his remarkable contribution to our understanding of the medieval world. The seventeen papers included here reflect the three main areas of Fletcher's scholarly endeavours: Church and society in medieval Spain; Christian-Muslim relations, and the history of the post-Roman world.

This book shows the influence of medieval musical manuscripts on the articulation of national identity in Enlightenment Spain. For the eighteenth century Jesuit Andrés Marcos Burriel (1719-1762) and his associate the calligrapher Francisco Palomares (1728-1796), the notation that preserved the music of the past was a central source in the study of history.