Laura Lee Hope is a pseudonym used by the Stratemeyer Syndicate for the Bobbsey Twins and several other series of children's novels. Actual writers taking up the pen of Laura Lee Hope include Edward Stratemeyer, Howard and Lilian Garis, Elizabeth Ward, Harriet (Stratemeyer) Adams, Andrew E. Svenson, June M. Dunn, Grace Grote and Nancy Axelrad. Laura Lee Hope was first used as a pseudonym in 1904 for the debut of the Bobbsey Twins.

"There, I think I have everything in that I'll need at Oak Farm." "Everything! Good gracious, Ruth, how quickly you pack! Why, I've oceans and oceans of things yet to go into my trunk! Oh, there are my scout shoes. I've been looking everywhere for them. I'll need them if I do any hiking in those war scenes," and Alice DeVere dived under a pile of clothing, bringing to light a muddy, but comfortable, pair of walking shoes. "I don't know what I'd do without them," she murmured.

Laura Lee Hope was a pseudonym used by the Stratemeyer Syndicate. The Stratemeyer Syndicate was the producer of a number of series for children and adults at the beginning of the twentieth-century, including the Nancy Drew mysteries, The Hardy Boys, the various Tom Swift series, The Bobbsey Twins and others. It pioneered the technique of producing long-running, consistent series of books using a team of freelance authors to write standardised novels, which were published under a pen name owned by his company. Actual writers taking up the pen of Laura Lee Hope include Howard and Lilian Garis, Elizabeth Ward, Edward Stratemeyer, Harriet (Stratemeyer) Adams, and Nancy Axelrad. Series written under this pseudonym include: The Bobbsey Twins, The Outdoor Girls, The Moving Picture Girls, Bunny Brown, Six Little Bunkers, Make Believe Stories and Blythe Girls.

Mr. Pertell and the film company return to Oak Farm to film a war drama based on the Civil War. Mr. Pertell plans to take advantage of the public's interest in war films due to the raging war in Europe. A Girl in Blue and a Girl in Gray is to feature especially prominent roles for Ruth and Alice as relatives on opposite sides of the war between the states.

A skilled tracker must take down a science experiment gone wrong in the Alaskan wilderness in this thriller from the bestselling author of Dark Visions. In an experiment to extend human life, scientists accidentally tap into the deepest recesses of the human mind and unleash a force that might well be a terrible curse. For in their desire to use a power they did not understand, they unintentionally unleash a force that will spell the end of Mankind if it cannot be destroyed. Now an infected creature is loose in the Alaskan wilderness, and the America military is forced to ask the world’s greatest tracker, Nathaniel Hunter, to locate the beast and destroy it before it reaches a populated area. Hunter can track anything, anywhere, anytime. But he is both horrified and shocked as he begins to follow the creature’s bloody path leading directly toward a city. For the beast is both more powerful and more merciless than any animal Hunter has tracked before. In fact, it seems to embody the most ancient and darkest heart of Man—a power that Mankind has always feared as the greatest Beast of Prey. And as Hunter closes on the beast and the final, bloody battle approaches, he frantically realizes that the scientists may have succeeded all too well in their experiment to extend human life for it may have become unkillable…. Praise for Hunter “Huggins pacing is nonstop; his visual imagination is so compelling….Pure entertainment.”—Publishers Weekly