Edited and translated by Daniel Gerould and C.S. Durer, foreword by Jan Kott. Painter, playwrights, novelist, aesthetician, philosopher, and expert on drugs, Stanislaw Ignacy Witkiewicz - or Witkacy, as he called himself - remains Poland's outstanding figure in the arts between the two world wars. This volume brings together three of Witkiewicz's best works for the stage as well as a selection from his critical writing. The plays deal with the author's principal themes and obsessions: the dilemma of the artist in the twentieth century; the revolutions in science and politics; and the bankruptcy of all ideology, the decline of western civilization, and the coming of totalitarianism. Yet, far from being solemn or even serious in tone, these apocalyptic dramas are permeated with grotesque humor and characterized by a wild theatricality that particularly appeals to contemporary sensibility.

"Maribel Broomstick" is the story of a little girl with impossibly curly hair. She really wants straight smooth hair, but along the way -- thanks to her friends -- she learns that being different sometimes means being special. It's a simple story with a strong message. If you have curly hair (or know someone who does), you get it.

NATIONAL BESTSELLER • A “hilarious, heartbreaking, and edgy” (Newsweek) memoir on modern motherhood. In our mothers’ day there were good mothers, indifferent mothers, and occasionally, great mothers. Today we have only Bad Mothers: If you work, you’re neglectful; if you stay home, you’re smothering. If you discipline, you’re buying them a spot on the shrink’s couch; if you let them run wild, they will be into drugs by seventh grade. Is it any wonder so many women refer to themselves at one time or another as a “bad mother”? Writing with remarkable candor, and dispensing much hilarious and helpful advice along the way—Is breast best? What should you do when your daughter dresses up as a “ho” for Halloween?—Ayelet Waldman says it's time for women to get over it and get on with it in this wry, unflinchingly honest, and always insightful memoir on motherhood in today's world.

"With a distinct minority of American families living the two-parent, one-worker lifestyle touted as the norm," the authors examine the question: "Do most mothers now qualify as 'bad' mothers in one way or another?"--Cover.

Theorists of child development, for the most part, have taken white, middle class, Euro-American children as the norm. These "typical" children, however, are exposed to two major enculturating influences that are by no means common across cultures: formal schooling and parents who consciously attempt to serve as teachers at home. Providing an important contribution toward a more universal understanding of child development, this book concentrates on children of the Kpelle-speaking people of West Africa, who grow up neither spending thousands of hours in quiet study nor receiving a heavy dose of parent tutelage. Acknowledging the centrality of play in children's lives, the Kpelle expect their children to play "on the mother ground," or open spaces adjacent to the areas where adults are likely to be working. Here, children observe the work that adults do as they engage in voluntary activities or "routines" that serve a clear enculturating function. With photographs and vivid first-hand description, the author demonstrates the impact of games, folklore, and other routines on early development among the Kpelle and in other non-Western cultures. He persuasively argues that such enduring routines for raising children as those observed in the Kpelle village are universal and not limited to rural societies, though they take a variety of forms depending on the society. Ethnographically rich and theoretically sophisticated, the book provides a sound empirical foundation for a practice-based theory of child development.

Eschewing hair-splitting for the sport of it, González takes a fresh look at the notion of subjectivity and the nature of the self in seven essays. With reference to Camus, Cocteau, Gabriel Marcel, Ortega and Enrique Anderson Imbert, he explores diverse topics from the aesthetic vision and moral courage to the absurd. His nuanced and sensitive writing draws the reader on an introspective journey through a portal that subtly shifts the perception of human reality.