I was prompted to tell my story after the person Id loved for most of my life had betrayed my trust in the worst possible way. In sharing, perhaps a little light will be cast on the darkness of sexual abuse in families. Because its in the telling that the fear, which assists the deception and secrecy, is dispelled.

A collection of those oh-so-familiar sayings handed down from one generation to another ... Remember all those motherly sayings that were the bane of your existence when you were young? those real beauties like 'Don't put that in your mouth - you don't know where it's been!', and 'You'll thank me for this one day!', and the unforgettable 'Because I am your mother and I say so!' Sound familiar? thought so ... My Mother Always Used to Say is a condensed volume of the many motherly sayings we all remember from our childhood. they made us wince, they made us cry - and more often than not, they made us do exactly what she asked of us. Redesigned for a new generation, this classic gift book is a charming collection of sayings, wisdom and wit to remind you that no-one will ever love you like your mother. Many of these motherly sayings have made their way into the vocabularies of their daughters as they have become mothers themselves. Mums everywhere have always said 'You'll understand when you have children of your own,' and it seems that, as usual, they were right.

Short, searing glimpses of how race and gender shadow even the most intimate moments of women’s lives. While a mother can be defined as a creator, a nurturer, a protector—at the center of each mother is an individual who is attempting to manage her own fears, desires, and responsibilities in different and sometimes unexpected ways. In Know the Mother, author Desiree Cooper explores the complex archetype of the mother in all of her incarnations. In a collage of meditative stories, women—both black and white—find themselves wedged between their own yearnings and their roles as daughters, sisters, grandmothers, and wives. In this heart-wrenching collection, Cooper reveals that gender and race are often unanticipated interlopers in family life. An anxious mother reflects on her prenatal fantasies of suicide while waiting for her daughter to come home late one night. A lawyer miscarries during a conference call and must proceed as though nothing has happened. On a rare night out with her husband, a new mother tries convincing herself that everything is still the same. A politician's wife's thoughts turn to slavery as she contemplates her own escape: "Even Harriet Tubman had realized that freedom wasn't worth the price of abandoning her family, so she'd come back home. She'd risked it all for love." With her lyrical and carefully crafted prose, Cooper's stories provide truths without sermon and invite empathy without sentimentality. Know the Mother explores the intersection of race and gender in vignettes that pull you in and then are gone in an instant. Readers of short fiction will appreciate this deeply felt collection.

"Yes, a child may need six to eight wet diapers a day. But he needs six to eight wringing-wet diapers a day. That is the key word. Wringing. Chaz's diapers were damp. Just damp. Not wringing wet." Mother Knows Best is a remarkable memoir of resilience, perseverance, and miracles. In 1994, The Wall Street Journal published an article called "Dying for Milk: Some Mother's Trying in Vain to Breast-Feed, Starve Their Infants." Chaz Floyd was one of those infants. He may not have died from insufficient milk syndrome, but it did take his life. His mother spent a lot of time arguing with and praying to God. What happened to Chaz was purely preventable, if only doctors and nurses had listened when the first-time mom said that she felt like "something was wrong," and that she felt like "he wasn't getting enough."

The tale of the legendary golden flower is widely known. The story has been told many times and in many ways. But always the flower is coveted by an old witch to keep herself young and beautiful. And always the flower is used to save a dying queen, who then gives birth to a princess with magical hair. Not willing to lose the flower, the old witch steals the princess and locks her away in a high tower, raising her as her own. But the princess always finds out who she truly is and manages to defeat the old witch. And yet this is only half the story. So what of the old witch, Mother Gothel? Where does she come from? And how does she come across the magical golden flower? Here is one account that recounts a version of the story that has remained untold for centuries . . . until now. It is a tale of mothers and daughters, of youth and dark magic. It is a tale of the old witch.

“Moore captures the children’s complicated mix of feelings: embarrassment, defiance, pride, appreciation and, most palpably, love.” —The New York Times Academy Award–winning actress and New York Times–bestselling author of the Freckleface Strawberry series Julianne Moore pays homage to all the Muttis, Mammas, and Mamans who are from another country. A foreign mom may eat, speak, and dress differently than other moms—she may wear special clothes for holidays, twist hair in strange old-fashioned braids, and cook recipes passed down from grandma. Such a mom may be different than other moms, but . . . she is also clearly the best! Vividly illustrated by Meilo So, this funny and heartwarming picture book about growing up in multiple cultures celebrates the diverse world in which we live.

A compelling novel about four young women in wartime London, from the best-selling author of London Belles and My Sweet Valentine.