This book will help you to understand the man behind his poetry.

When Doug Gosling was diagnosed with Prostate Cancer at the relatively young age of forty-nine, it was the beginning of an incredible journey of profound discovery. As he says, I came to realize that cancer was really two diseases in one; a physical disease of the body and also an emotional disease a cancer of the mind, if you will. In The Wolf at my Door, Doug engages us in a deep and open discussion of the two faces of this deadly disease. His incredible story has relevance to people with any type of cancer and, equally, for those who love and care for them. The Wolf at my Door discusses in vivid detail the various stages of cancer diagnosis, treatment, recovery and recurrence and explores the deep emotional impact that cancer has on the person with the disease and on their loved ones. It is an intensely intimate story told with no holds barred, dealing openly with difficult subjects such as depression, spirituality, fear of recurrence, incontinence, sexual function and death. It will inform and often entertain, offering tremendous insight to anyone touched by cancer. This book will help you!

"Like Trotsky, I did not leave home with the proverbial one-and-six in my pocket. I come from a family of landed gentry . . . [and] could have chosen the path of comfort and safety, for even in apartheid South Africa, there is still that path for those who will collaborate. But I chose the path of struggle and uncertainty."--from the Preface Born into the small social elite of black South Africa, Phyllis Ntantala did not face the grinding poverty so familiar to other South African blacks. Instead, her struggle was that of a creative, articulate woman seeking fulfillment and justice in a land that tried to deny her both. The widow of Xhosa writer and historian A.C. Jordan and mother of African National Congress leader Z. Pallo Jordan, she and her family experienced a period of tremendous change in South Africa and also in the United States, where they moved during the 1960s. She discovers similarities in the two countries, including the arrogance of power. Anchored in history and culture, A Life's Mosaic sharply reveals the world and the people of South Africa. As the story of a political exile, it represents the dislocations that have caused universal suffering in the second half of the twentieth century. Phyllis Ntantala discusses the cruelty of racism, the cynicism of political solutions, and the hopes of those who live in both a world of exile and a world of dreams.

Where Faith Meets Culture is a Radix magazine anthology. What does Radix usually contain? Interviews and features. Reviews of significant books, films, and CDs. Informed opinions in "The Last Word." Eye-catching graphics. Mind-stretching prose. Image-rich poetry. Radix assumes that Christians live in the real world and takes lay Christians seriously. As one subscriber wrote: "Radix is a more worldly magazine than one would expect from its deep commitment to Christ." Radix monitors the cultural landscape, questions assumptions, and introduces new voices, remaining deeply rooted in Christ. Sociologist Robert Bellah wrote in a Radix article: "Though social scientists say a lot about the self, they have nothing to say about the soul and as a result the modern view finds the world intrinsically meaningless." Radix continues to talk about meaning and hope in a culture that has lost its way. The articles in this volume reflect the magazine's wide-ranging interests: literature, art, music, theology, psychology, technology, discipleship, and spiritual formation. They're written by some of the outstanding authors whose work has graced our pages over the years: Peggy Alter, Kurt Armstrong, Robert Bellah, Bob Buford, Krista Faries, David Fetcho, Susan Fetcho, Sharon Gallagher, David W. Gill, Joel B. Green, Os Guinness, Virginia Hearn, Walter Hearn, Donald Heinz, Margaret Horwitz, Mark Labberton, Henri Nouwen, Earl Palmer, Susan Phillips, Dan Ouellette, Steve Scott, and Luci Shaw.

Interweaving academic theory, (auto)ethnography, and memoir-styled narrative, Christopher M. Driscoll explores what the “white devil” trope means for understanding and responding to tensions emerging from toxic white masculinity. The book provides a historical and philosophical account of the “white devil” as it appears in the stories and myths of various black religious and philosophical traditions, particularly as these traditions are expressed through the contemporary cultural expression of hip-hop. Driscoll argues that the trope of the white devil emerges from a self-hatred in many white men that is concealed (and revealed) through various defence mechanisms – principally, anger – and the book provides rich ground to discuss the relationship between perceptions of self (i.e. who we are), emotional regulation, and our behaviour towards others (i.e. how we act).

Every Step of the Way celebrates the tenth anniversary of South Africa's first democratic election but also seeks to widen and promote a conversation about South Africa's contested pasts.

This book traces the history of mob violence in North and South Carolina, probing the origins of a phenomenon that has left an open wound in the American psyche. Lynching marked the violent outer boundaries of race and class relations in the American South between Reconstruction and the civil rights era. Everyday interactions could easily escalate into mob violence and did so thousands of times. Bruce E. Baker examines this important aspect of American history by studying seven lynchings in North and South Carolina and looking behind the superficial accounts and explanations provided at the time to explain the deeper causes and wider contexts of these events. Many studies of lynching begin only after Reconstruction had ended and African- Americans found themselves with little political power. This Mob Will Surely Take My Life, however, provides the most thorough study yet written of the Ku Klux Klan's most violent episode - the killing of thirteen black militia members in Union, South Carolina, in 1871- to argue that this act of mob violence set the stage in important ways for the entire lynching era. Enmities born in Reconstruction lingered afterwards and lay behind an 1887 lynching in York County, South Carolina. As lynching became an unsurprising part of life in the South, African-Americans even found that they could use it themselves, in one case to punish a child's killer and in another to settle a church's factional squabbles. The book ends with a discussion of the varied forces that opposed lynching and how, by the 1930s, they had begun to be effective.