This book studies the properties of imperative clauses in the context of a theory of Universal Grammar. The analysis, based on data from a wide range of languages, accounts for patterns in the interaction of imperative mood with phenomena like negation, restrictions on grammatical subjects, and the possibility of embedding imperative clauses.

This book presents a new cross-linguistic analysis of gender and its effects on morphosyntax. It addresses questions including the syntactic location of gender features; the role of natural gender; and the relationship between syntactic gender features and the morphological realization of gender. Ruth Kramer argues that gender features are syntactically located on the n head ('little n'), which serves to nominalize category-neutral roots. Those gender features are either interpretable, as in the case of natural gender, or uninterpretable, like the gender of an inanimate noun in Spanish. Adopting Distributed Morphology, the book lays out how the gender features on n map onto the gender features relevant for morphological exponence. The analysis is supported by an in-depth case study of Amharic, which poses challenges for previous gender analyses and provides clear support for gender on n. The proposals generate a typology of two- and three-gender systems, with the various types illustrated using data from a genetically diverse set of languages. Finally, further evidence for gender being on n is provided from case studies of Somali and Romanian, as well as from the relationship between gender and other linguistic phenomena including derived nouns and declension class. Overall, the book provides one of the first large-scale, cross-linguistically-oriented, theoretical approaches to the morphosyntax of gender.

This book deals with Albanian, including the dialects spoken in Southern Italy, and with the Aromanian spoken in Southern Albania. These languages are set in the context of current generative research on syntax, morphology, language variation and contact – yielding insights into key morphosyntactic notions of case, agreement, complementation, and into phenomena such as Differential Object Marking, the Person Case Constraint, linkers and control.

The book investigates the synatctic distribution of the Algonquian Conjuct verb from the theoretical perspective of the Minimalist Program.

The legendary Greek figure Orpheus was said to have possessed magical powers capable of moving all living and inanimate things through the sound of his lyre and voice. Over time, the Orphic theme has come to indicate the power of music to unsettle, subvert, and ultimately bring down oppressive realities in order to liberate the soul and expand human life without limits. The liberating effect of music has been a particularly important theme in twentieth-century African American literature. The nine original essays in Black Orpheus examines the Orphic theme in the fiction of such African American writers as Jean Toomer, Langston Hughes, Claude McKay, James Baldwin, Nathaniel Mackey, Sherley Anne Williams, Ann Petry, Ntozake Shange, Alice Walker, Gayl Jones, and Toni Morrison. The authors discussed in this volume depict music as a mystical, shamanistic, and spiritual power that can miraculously transform the realities of the soul and of the world. Here, the musician uses his or her music as a weapon to shield and protect his or her spirituality. Written by scholars of English, music, women's studies, American studies, cultural theory, and black and Africana studies, the essays in this interdisciplinary collection ultimately explore the thematic, linguistic structural presence of music in twentieth-century African American fiction.

The imperative clause is one of three major sentence types that have been found to be universal across the languages of the world. Compared to declaratives and interrogatives, the imperative type has received comparatively less attention. Using compelling empirical evidence, this cutting-edge study presents a new linguistic theory of imperatives.

This volume examines several aspects of the syntax of imperative clauses in English and in a variety of other Germanic languages in the context of the challenge that apparent optional movement poses for the Minimalist Programme.