A collection of essays on America by the author of London Fields, Money and Yellow Dog. At the age of ten, when Martin Amis spent a year in Princeton, New Jersey, he was excited and frightened by America. As an adult he has approached that confusing country from many arresting angles, and interviewed its literati, filmmakers, thinkers, opinion-makers, leaders and crackpots with characteristic discernment and wit. Included in a gallery of Great American Novelists are Norman Mailer, Gore Vidal, Truman Capote, Joseph Heller, William Burroughs, Kurt Vonnegut, John Updike, Paul Theroux, Philip Roth and Saul Bellow. Amis also takes us to Dallas, where presidential candidate Ronald Reagan is attempting to liaise with born-again Christians. We glimpse the beau monde of Palm Beach, where each couple tries to out-Gatsby the other, and examine the case of Claus von Bulow. Steven Spielberg gets a visit, as does Brian de Palma, whom Amis asks why his films make no sense, and Hugh Hefner's sybaritic fortress and sanitized image are penetrated. There can be little that escapes the eye of Martin Amis when his curiosity leads him to a subject, and America has found in him a superlative chronicler.

A collection of essays on America by the author of London Fields, Money and Yellow Dog. At the age of ten, when Martin Amis spent a year in Princeton, New Jersey, he was excited and frightened by America. As an adult he has approached that confusing country from many arresting angles, and interviewed its literati, filmmakers, thinkers, opinion makers, leaders and crackpots with characteristic discernment and wit. Included in a gallery of Great American Novelists are Norman Mailer, Gore Vidal, Truman Capote, Joseph Heller, William Burroughs, Kurt Vonnegut, John Updike, Paul Theroux, Philip Roth and Saul Bellow. Amis also takes us to Dallas, where presidential candidate Ronald Reagan is attempting to liaise with born-again Christians. We glimpse the beau monde of Palm Beach, where each couple tries to out-Gatsby the other, and examine the case of Claus von Bulow. Steven Spielberg gets a visit, as does Brian de Palma, whom Amis asks why his films make no sense, and Hugh Hefner's sybaritic fortress and sanitised image are penetrated. There can be little that escapes the eye of Martin Amis when his curiosity leads him to a subject, and America has found in him a superlative chronicler.

NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • In this virtuosic, career-spanning collection, Martin Amis, "one of the most gifted novelists of his generation” (TIME), takes on James Joyce and Elvis Presley, Nabokov and English football, Jane Austen and Penthouse Forum, William Burroughs and Hillary Clinton, and more. "[Written] with intelligence and ardor and panache.... Speaks not just to a lifetime of reading but also to a fascination with individual writers." —The New York Times Here, Amis serves up fresh assessments of the classics and plucks neglected masterpieces off their dusty shelves. Above all, Amis is concerned with literature, and with the deadly cliches—not only of the pen, but of the mind and the heart. He tilts with Cervantes, Dickens and Milton, celebrates Bellow, Updike and Elmore Leonard, and deflates some of the most bloated reputations of the past three decades. On every page Amis writes with jaw-dropping felicity, wit, and a subversive brilliance that sheds new light on everything he touches.

A tantalizing collection of classic essays from one of the most gifted writers of his generation. • "The brainy, sarcastic, tender intelligence at the center of these pieces can make you laugh out loud: they can also move you to tears." —People Martin Amis brings the same megawatt wit, wickedly acute perception, and ebullient wordplay that characterize his novels. He encompasses the full range of contemporary politics and culture (high and low) while also traveling to China for soccer with Elton John and to London's darts-crazy pubs in search of the perfect throw. Throughout, he offers razor-sharp takes on such subjects as: American politics: "If history is a nightmare from which we are trying to awake, then the Reagan era can be seen as an eight-year blackout. Numb, pale, unhealthily dreamless: eight years of Do Not Disturb." Chess: "Nowhere in sport, perhaps in human activity, is the gap between the tryer and the expert so astronomical.... My chances of a chess brilliancy are the 'chances' of a lab chimp and a type writer producing King Lear." "His fascination with the observable world is utterly promiscuous: he will address a cathedral and a toilet seat with the same peeled-eyeball intensity." —John Updike

The year is 1970, and the youth of Europe are in the chaotic, ecstatic throes of the sexual revolution. Though blindly dedicated to the cause, its nubile foot soldiers have yet to realize this disturbing truth: that between the death of one social order and the birth of another, there exists a state of terrifying purgatory—or, as Alexander Herzen put it, a pregnant widow. Keith Nearing is stuck in an exquisite limbo. Twenty years old and on vacation from college, Keith and an assortment of his peers are spending the long, hot summer in a castle in Italy. The tragicomedy of manners that ensues will have an indelible effect on all its participants, and we witness, too, how it shapes Keith’s subsequent love life for decades to come. Bitingly funny, full of wit and pathos, The Pregnant Widow is a trenchant portrait of young lives being carried away on a sea of change.

The definitive collection of essays and reportage written during the past thirty years from one of most provocative and widely read writers--with new commentary by the author. For more than thirty years, Martin Amis has turned his keen intellect and unrivaled prose loose on an astonishing range of topics--politics, sports, celebrity, America, and, of course, literature. Now, at last, these incomparable essays have been gathered together. Here is Amis at the 2011 GOP Iowa Caucus, where, squeezed between "windbreakers and woolly hats," he pores over The Ron Paul Family Cookbook and laments the absence of "our Banquo," Herman Cain. He writes about finally confronting the effects of aging on his athletic prowess. He revisits, time and time again, the worlds of Bellow and Nabokov, his "twin peaks," masters who have obsessed and inspired him. Brilliant, incisive, and savagely funny, The Rub of Time is a vital addition to any Amis fan's bookshelf, and the perfect primer for readers discovering his fierce and tremendous talents for the first time.

She wakes in an emergency room in a London hospital, to a voice that tells her: "You're on your own now. Take care. Be good." She has no knowledge of her name, her past, or even her species. It takes her a while to realize that she is human -- and that the beings who threaten, befriend, and violate her are other people. Some of whom seem to know all about her. In this eerie, blackly funny, and sometimes disorienting novel, Martin Amis gives us a mystery that is as ambitious as it is intriguing, an investigation of a young woman's violent extinction that also traces her construction of a new and oddly innocent self.