The Mormon presence in nineteenth-century Missouri was uneasy at best and at times flared into violence fed by misunderstanding and suspicion. By the end of 1838, blood was shed, and Governor Lilburn Boggs ordered that Mormons were to be “exterminated or driven from the state.” The Missouri persecutions greatly shaped Mormon faith and culture; this book reexamines Mormon-Missourian history within the sociocultural context of its time. The contributors to this volume unearth the challenges and assumptions on both sides of the conflict, as well as the cultural baggage that dictated how their actions and responses played on each other. Shortly after Joseph Smith proclaimed Jackson County the site of the “New Jerusalem,” Mormon settlers began moving to western Missouri, and by 1833 they made up a third of the county’s population. Mormons and Missourians did not mix well. The new settlers were relocated to Caldwell County, but tensions still escalated, leading to the three-month “Mormon War” in 1838—capped by the Haun’s Mill Massacre, now a seminal event in Mormon history. These nine essays explain why Missouri had an important place in the theology of 1830s Mormonism and was envisioned as the site of a grand temple. The essays also look at interpretations of the massacre, the response of Columbia’s more moderate citizens to imprisoned church leaders (suggesting that the conflict could have been avoided if Smith had instead chosen Columbia as his new Zion), and Mormon migration through the state over the thirty years following their expulsion. Although few Missourians today are aware of this history, many Mormons continue to be suspicious of the state despite the eventual rescinding of Governor Boggs’s order. By depicting the Missouri-Mormon conflict as the result of a particularly volatile blend of cultural and social causes, this book takes a step toward understanding the motivations behind the conflict and sheds new light on the state of religious tolerance in frontier America.

This book is the first comprehensive study of nineteenth-century Mormon architecture and city planning. Professor Hamilton examines the doctrine of Zion, which led to an elaborate hierarchy of building types - temples, tabernacles, meetinghouses, tithing offices, priesthood halls and domestic dwellings. His account, augmented by 135 original and historical photographs, provides a fascinating example of how religious teachings and practices are expressed in planned communities and architectural forms.

Many Mormon dreams flourished in Missouri. So did many Mormon nightmares. The Missouri period--especially from the summer of 1838 when Joseph took over vigorous, personal direction of this new Zion until the spring of 1839 when he escaped after five months of imprisonment--represents a moment of intense crisis in Mormon history. Representing the greatest extremes of devotion and violence, commitment and intolerance, physical suffering and terror--mobbings, battles, massacres, and political “knockdowns”--it shadowed the Mormon psyche for a century. Leland Gentry was the first to step beyond this disturbing period as a one-sided symbol of religious persecution and move toward understanding it with careful documentation and evenhanded analysis. In Fire and Sword, Todd Compton collaborates with Gentry to update this foundational work with four decades of new scholarship, more insightful critical theory, and the wealth of resources that have become electronically available in the last few years. Compton gives full credit to Leland Gentry's extraordinary achievement, particularly in documenting the existence of Danites and in attempting to tell the Missourians’ side of the story; but he also goes far beyond it, gracefully drawing into the dialogue signal interpretations written since Gentry and introducing the raw urgency of personal writings, eyewitness journalists, and bemused politicians seesawing between human compassion and partisan harshness. In the lush Missouri landscape of the Mormon imagination where Adam and Eve had walked out of the garden and where Adam would return to preside over his posterity, the towering religious creativity of Joseph Smith and clash of religious stereotypes created a swift and traumatic frontier drama that changed the Church.