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"Stoddard was, next to Melville and Hawthorne, the most strikingly original voice in the mid-nineteenth-century American novel, a voice . . . that ought to gain a more sympathetic and perceptive hearing in our time than in her own."—from the Introduction The centerpiece of this volume is The Morgesons (1862), one of the few outstanding feminist bildungsromanae of that century. Additional selections include arresting short stories and provocative journalistic essays/reviews, plus a number of letters and manuscript journals that have never before been published. The texts are fully edited and documented.

"Stoddard was, next to Melville and Hawthorne, the most strikingly original voice in the mid-nineteenth-century American novel, a voice . . . that ought to gain a more sympathetic and perceptive hearing in our time than in her own."--from the Introduction The centerpiece of this volume is The Morgesons (1862), one of the few outstanding feminist bildungsromanae of that century. Additional selections include arresting short stories and provocative journalistic essays/reviews, plus a number of letters and manuscript journals that have never before been published. The texts are fully edited and documented.

Seminar paper from the year 2017 in the subject American Studies - Literature, grade: 3,0, University of Bonn, language: English, abstract: A woman’s life in nineteenth-century American society was limited to the domestic sphere, or the household as well as church, and restricted with regard to current and future duties as mothers and wives. While young girls on the one hand need to learn how to fulfill their future duties as mothers and wives, their mothers and teachers on the other hand need to pass their knowledge regarding these duties on to their daughters. Certain gender roles served as the framework for women in society, mainly shaped by the Cult of True Womanhood. Other factors that influenced the role of women were the therewith connected virtues, which a woman was supposed to embody, as well as the common and well-known definition of a ‘True Woman’. With regard to the protagonist in The Morgesons the author “simply disregards the ‘cult of true womanhood’” (Weir 430). Autonomy with regard to women was rare, or even non-existing, and normally unwished-for, especially from the perspective of men, husbands or fathers, who expected every woman to simply take care of household and descendants.

First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

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