British intellectual life between the wars stood at the heart of modernity. The combination of a liberal, uncensored society and a large educated audience for new ideas made Britain a laboratory for novel ways to understand the world. The Morbid Age opens a window onto this creative but anxious era, the golden age of the public intellectual and scientist: Arnold Toynbee, Aldous and Julian Huxley, H. G. Wells, Marie Stopes and a host of others. Yet, as Richard Overy argues, a striking characteristic of so many of the ideas that emerged from this new age - from eugenics to Freud's unconscious, to modern ideas of pacifism and world government - was the fear that the West was facing a possibly terminal crisis of civilization. The modern era promised progress of a kind, but it was overshadowed by a growing fear of decay and death, an end to the civilized world and the arrival of a new Dark Age - even though the country had suffered no occupation, no civil war and none of the bitter ideological rivalries of inter-war Europe, and had an economy that survived better than most. The Morbid Age explores how this strange paradox came about. Ultimately, Overy shows, the coming of war was almost welcomed as a way to resolve the contradictions and anxieties of this period, a war in which it was believed civilization would be either saved or utterly destroyed.

In the tradition of Atul Gawande and Sherwin Nuland, Marc Agronin writes luminously and unforgettably of life as he sees it as a doctor. His beat is a nursing home in Miami that some would dismiss as ''God's waiting room.'' Nothing in the young doctor's medical training had quite prepared him for what he was to discover there. As Agronin first learned from ninety-eight-year-old Esther and, later, from countless others, the true scales of aging aren't one-sided - you can't list the problems without also tallying the hopes and promises. Drawing on moving personal experiences and in-depth interviews with pioneers in the field, Agronin conjures a spellbinding look at what aging means today - how our bodies and brains age, and the very way we understand aging.

British intellectual life between the wars stood at the heart of modernity. The combination of a liberal, uncensored society and a large educated audience for new ideas made Britain a laboratory for novel ways to understand the world. The Morbid Age opens a window onto this creative but anxious era, the golden age of the public intellectual and scientist- Arnold Toynbee, Aldous and Julian Huxley, H. G. Wells, Marie Stopes and a host of others. Yet, as Richard Overy argues, a striking characteristic of so many of the ideas that emerged from this new age - from eugenics to Freud's unconscious, to modern ideas of pacifism and world government - was the fear that the West was facing a possibly terminal crisis of civilization. The modern era promised progress of a kind, but it was overshadowed by a growing fear of decay and death, an end to the civilized world and the arrival of a new Dark Age - even though the country had suffered no occupation, no civil war and none of the bitter ideological rivalries of inter-war Europe, and had an economy that survived better than most. The Morbid Age explores how this strange paradox came about. Ultimately, Overy shows, the coming of war was almost welcomed as a way to resolve the contradictions and anxieties of this period, a war in which it was believed civilization would be either saved or utterly destroyed. This entertaining, thought-provoking and original book is a lesson in the power of ideas and language to shape popular fears in a rapidly changing world, as pertinent today as it was in the years between the wars.

This entertaining and educational book applies the tools of critical thinking to identify the common features and trends among misinformation campaigns. With illustrations drawn from conspiracy theorists and deniers of every stripe, the author teaches readers how rumors are started, and the rhetorical techniques and logical fallacies often found in misleading or outright false claims. What distinguishes real conspiracies from conspiracy theories, real science from pseudoscience, and actual history from bogus accounts purporting to be history? How does one evaluate the credibility of rumors and quotes or judge the soundness of legal arguments advanced by tax deniers? Readers will learn how to make these critical distinctions and also how to spot "evidence" that has been manufactured or manipulated in some way to create a false impression. At a time when average citizens are bombarded with false information every day, this entertaining book will prove to be not only a great read but also an indispensable resource.

From a leading British historian, the story of how fear of war shaped modern England By the end of World War I, Britain had become a laboratory for modernity. Intellectuals, politicians, scientists, and artists?among them Arnold Toynbee, Aldous Huxley, and H. G. Wells?sought a vision for a rapidly changing world. Coloring their innovative ideas and concepts, from eugenics to Freud?s unconscious, was a creeping fear that the West was staring down the end of civilization. In their home country of Britain, many of these fears were unfounded. The country had not suffered from economic collapse, occupation, civil war, or any of the ideological conflicts of inter-war Europe. Nevertheless, the modern era?s promise of progress was overshadowed by a looming sense of decay and death that would deeply influence creative production and public argument between the wars. In The Twilight Years, award-winning historian Richard Overy examines the paradox of this period and argues that the coming of World War II was almost welcomed by Britain?s leading thinkers, who saw it as an extraordinary test for the survival of civilization? and a way of resolving their contradictory fears and hopes about the future.

Containing more than 200 images from the archives of Charles S. Anderson Design Co. and a sharply hilarious text by the main writer and host of the legendary "Mystery Science Theater 3000," this is a kitsch and campy testament to America's love of horror.

Hilda Brooks is literally fading away from her anorexia/bulimia disorder-and losing whatever self-esteem she had. An attack by a werewolf in New York City not only changes Hilda into a fierce animal during nocturnal rampages, but impacts her "normal" life as well. Suddenly Hilda's eating disorder becomes a thing of the past. She evolves socially, no longer avoids people-rather she pursues them! Never again the "doormat", Hilda changes into a viable, assertive, twenty-first century woman. She is now a "Wolfbitch," empowered and emboldened. Hilda no longer fears food, she worships it-in the human form. Morbid Cravings is but one woman's journey into the often-troubled world of human relationships. It offers a pleasurable and frightening read, reaching beneath the surface of illusions to the tortured wellspring of prevalent and visible illnesses in today's world-illnesses suffered by so many women of all ages in all walks of life. This novel fosters a refreshingly new feminist outlook to the arena of werewolves and horror alike.