The effects of the great Evangelical Revival in 18th-century England were felt throughout the world, not least in America. Colin Podmore examines the role and importance of the Moravian Church in this process.

The Moravian Church became widely known and respected for its 'missions to the heathen', achieving a high reputation among the pious and with government. This study looks at its connections with evangelical networks, and its indirect role in the great debate on the slave trade, as well as the operations of Moravian missionaries in the field. The Moravians' decision, in 1764, to expand and publicise their foreign missions (largely to the British colonies) coincided with the development of relations between their British leaders and evangelicals from various denominations, among whom were those who went on to found, in the last decade of the century, the major societies which were the cornerstone of the modern missionary movement. These men were profoundly influenced by the Moravian Church's apparent progress, unique among Protestants, in making 'real' Christians among the heathen overseas, and this led to the adoption of Moravian missionary methods by the new societies. Dr Mason draws on a wide range of primary documents to demonstrate the influences of the Moravian Church on the missionary awakening in England and its contribution to the movement.

Focusing on the six decades that German Moravian missionaries worked in the British colony of Victoria, Australia, this book enriches understanding of colonial politics and the role of the non-British other in manipulating practice and policy in foreign realms. Central to the transnational nature of the book are questions of identity and of how individuals, and the organisations they worked for, can be seen as both colluders and opposers within nation-state borders and politics. It analyses the ways in which the Moravian missionaries navigated competing agendas within the colonial setting, especially those that impacted on their sense of personal vocation, their practices of conversion, and their understandings of the indigenous non-Christian peoples in the settler society of Victoria.

Questions have been raised in recent decades about the place of women in the eighteenth and nineteenth centuries, in church and society during a time of vast industrial change. These topics are broad, but can be seen in microcosm in one small area of the English Midlands: the parish of Madeley, Shropshire, in which Coalbrookdale became synonymous with the industrial age. Here, the evangelical Methodist clergyman John Fletcher (1729-1785) ministered between 1760 and 1785, among a population including Roman Catholics and Quakers, as well as people indifferent to religion. For nearly sixty years after his death, two women, Fletcher's widow and later her protege, had virtual charge of the parish, which became one of the last examples of Methodism within the Church of England. Through examining this specific locality, with its potential for religious tension and great social significance, this multidisciplinary collection of essays engages with developing areas of research. In addition to furthering knowledge of Madeley parish and its relation to larger themes of religion, gender and industry in eighteenth-century Britain, the impact of the Fletchers in nineteenth-century American Methodism is examined.

The Moravians, or Bohemian Brethren, early Protestants who settled in Pennsylvania and North Carolina in the eighteenth century, brought a musical repertoire that included hymns, sacred vocal works accompanied by chamber orchestra, and instrumental music by the best-known European composers of the day. Moravian composers -- mostly pastors and teachers trained in the styles and genres of the Haydn-Mozart era -- crafted thousands of compositions for worship, and copied and collected thousands of instrumental works for recreation and instruction. The book's chapters examine sacred and secular works, both for instruments -- including piano solo -- and for voices. The Music of the Moravian Church demonstrates the varied roles that music played in one of America's most distinctive ethno-cultural populations, and presents many distinctive pieces that performers and audiences continue to find rewarding. Contributors: Alice M. Caldwell, C. Daniel Crews, Lou Carol Fix, Pauline M. Fox, Albert H. Frank, Nola Reed Knouse, Laurence Libin, Paul M. Peucker, and Jewel A. Smith. Nola Reed Knouse, director of the Moravian Music Foundation since 1994, is active as a flautist, composer, and arranger. She is the editor of The Collected Wind Music of David Moritz Michael.

The period covered by this volume, roughly from Purcell to Elgar, has traditionally been seen as a dark age in British musical history. Much has been done recently to revise this view, though research still tends to focus on London as the commercial and cultural hub of the British Isles. It is becoming increasingly clear, however, that by the mid-eighteenth century musical activity outside London was highly distinctive in terms of its reach, the way it was organized, and its size, richness, and quality. There was an extraordinary amount of musical activity of all sorts, in provincial theatres and halls, in the amateur orchestras and choirs that developed in most towns of any size, in taverns, and convivial clubs, in parish churches and dissenting chapels, and, of course, in the home. This is the first book to concentrate specifically on musical life in the provinces, bringing together new archival research and offering a fresh perspective on British music of the period. The essays brought together here testify to the vital role played by music in provincial culture, not only in socializing and networking, but in regional economies and rivalries, demographics and class dynamics, religion and identity, education and recreation, and community and the formation of tradition. Most important, perhaps, as our focus shifts from London to the regions, new light is shed on neglected figures and forgotten repertoires, all of them worthy of reconsideration.

The Bloomsbury Dictionary of Eighteenth-Century German Philosophers is a landmark work. Covering one of the most innovative centuries for philosophical investigation, it features more than 650 entries on the eighteenth-century philosophers, theologians, jurists, physicians, scholars, writers, literary critics and historians whose work has had lasting philosophical significance. Alongside well-known German philosophers of that era-Gottfried Wilhelm Leibniz, Immanuel Kant, and Georg Wilhelm Friedrich Hegel-the Dictionary provides rare insights into the lives and minds of lesser-known individuals who influenced the shape of philosophy. Each entry discusses a particular philosopher's life, contributions to the world of thought, and later influences, focusing not only on their most important published writings, but on relevant minor works as well. Bibliographical references to primary and secondary source material are included at the end of entries to encourage further reading, while extensive cross-referencing allows comparisons to be easily made between different thinkers' ideas and practices. For anyone looking to understand more about the century when enlightenment thinking arrived in Germany and established conceits were challenged, The Bloomsbury Dictionary of Eighteenth-Century German Philosophers is a valuable, unparalleled resource.