Three excommunicated nuns, Nora, Agnes, and Celeste, join a paranormal unit sanctioned by the Catholic Church, in the hopes for redemption in God's eyes. As empaths, their jobs are to verify reports of demonic possession, and when their boss, Father MacLeod, is persuaded to investigate a house in a small New Hampshire town, the three women are chosen to assess these claims. Goffstown police files detail numerous extraordinary occurrences at the Moore house, including seven gruesome, unsolved killings.

Originally published: New York: Holt, Rinehart and Winston, c1974.

After her grandmother's death Sarah Parsons, nearly sixteen, delights in exploring her family's centuries-old Maryland estate with new friend Jackson, but soon she is having vivid visions of her ancestors, one of whom may be a threat to Sarah's autis

An Apple Books Best of the Month Selection A Publishers Weekly Summer Reads 2020 Editors’ Pick A Library Journal “12 Novels Featuring Protagonists on the Autism Spectrum” Selection A chilling murder in a prestigious prep school is at the heart of this riveting novel from acclaimed author Charlie Donlea, featuring forensic reconstructionist Rory Moore and her psychologist partner, Lane Phillips. Inside the walls of Indiana’s elite Westmont Preparatory High School, expectations run high and rules are strictly enforced. But in the woods beyond the manicured campus sits an abandoned boarding house, infamous among Westmont’s students as a late-night hangout. Here, only one rule applies: don’t let your candle go out—unless you want the Man in the Mirror to find you . . . One year ago, two students were killed there in a grisly slaughter. The case has become the focus of a hit podcast, The Suicide House. Though a teacher was convicted of the murders, questions remain. The most urgent: why so many students who survived that horrific night have returned to the boarding house—to kill themselves. Rory is working on the podcast with Lane, recreating the night of the killings in order to find the elusive answers. But the more they learn, the more convinced they are that the sinister game inside Westmont Prep hasn’t ended. It thrives on secrecy and silence. And for its players, there may be no way to win—or to survive . . .

What if you just trusted the whisper of calling placed on your heart? Kathy Izard was volunteering at Charlotte’s Urban Ministry Center when an unlikely meeting with a homeless man changed the course of her life. She realized that serving at the soup kitchen was feeding her soul, but not actually solving the needs of the homeless population. Rather than brush it off and avoid what she now felt called to take on, she quit her job and took on what seemed like an insurmountable task—building housing for Charlotte’s homeless. Woven together with this uplifting story of social action is Kathy’s personal struggle with faith, forgiveness and fulfillment. In telling her story, Kathy invites you to consider rewriting your own. What’s calling you? As crazy at it seems, it may be crazier not to try. This book will push you to do so much more than you ever thought possible.

Taking on the thorny ethics of owning and selling property as a white woman in a majority Black city and a majority Bangladeshi neighborhood with both intelligence and humor, this memoir brings a new perspective to a Detroit that finds itself perpetually on the brink of revitalization. In 2016, a Detroit arts organization grants writer and artist Anne Elizabeth Moore a free house—a room of her own, à la Virginia Woolf—in Detroit’s majority-Bangladeshi “Banglatown.” Accompanied by her cats, Moore moves to the bungalow in her new city where she gardens, befriends the neighborhood youth, and grows to intimately understand civic collapse and community solidarity. When the troubled history of her prize house comes to light, Moore finds her life destabilized by the aftershocks of the housing crisis and governmental corruption. This is also a memoir of art, gender, work, and survival. Moore writes into the gaps of Woolf’s declaration that “a woman must have money and a room of one’s own if she is to write”; what if this woman were queer and living with chronic illness, as Moore is, or a South Asian immigrant, like Moore’s neighbors? And what if her primary coping mechanism was jokes? Part investigation, part comedy of a vexing city, and part love letter to girlhood, Gentrifier examines capitalism, property ownership, and whiteness, asking if we can ever really win when violence and profit are inextricably linked with victory.