Entries in the Traditional Story Writing Competition organized by the Namibia Oral Tradition Project, these eleven stories are from various communities in Namibia. They illustrate the dynamic and living tradition of the country's oral culture, and build awareness of the rich and diverse traditions. The Moon People tells of Kalahari desert people who, as the Moon dies for a short while and then grows and lives again, so they too will die for a short while before they walk to their country of the Moon.

Writing Namibia: Literature in Transition is a cornucopia of extraordinary and fascinating material which will be a rich resource for students, teachers and readers interested in Namibia. The text is wide ranging, defining literature in its broadest terms. In its multifaceted approach, the book covers many genres traditionally outside academic literary discourse and debate. The 22 chapters cover literature of all categories in Namibia since independence: written and performance poetry, praise poetry, Oshiwambo orature, drama, novels, autobiography, women’s writing, subaltern studies, literature in German, Ju|’hoansi and Otjiherero, children’s literature, Afrikaans fiction, story-telling through film, publishing, and the interface between literature and society. The inclusive approach is the book’s strength as it allows a wide range of subjects to be addressed, including those around gender, race and orature which have been conventionally silenced.

This book explores the relevance of classical ideas in the anthropology of time tothe way we understand history, participate in the events around us, and experienceour lives. Time is not just an abstract principle we live by or a local cultural construct: it is shaped, punctuated, organized, and suffered in complex ways by real people negotiating their lives and relations with others. Space may be opened up for politics, violence or revolutionary change within the framework of ceremonial markers of social time: holy days, festivals and carnivals. People create and recreate patterns in the way they imagine the past, present and future at such moments, through material objects, language, symbolic action and bodily experience. The rhythms of social life, including periodic episodes of sacred or special time, interact with 'historical events' in strange ways. They are fundamental not only to the human condition but to the making andremembering of history, as well as to what we recognize as the unexpected or abnormal. The Qualities of Time brings anthropologists and archaeologists together in a new conversation about the 'patterns' of our understanding and experience of time. The authors reflect on how we should interpret evidence about the distant past, andhow far the structuring of social time is a human universal. They also consider whether anthropology itself has been so oriented to the present it has still to develop ways of dealing with temporality. The interactions of time-structures, ceremonials, and specific historical events, including violence inspired by the millennium, are interrogated. The experience of individuals who feel the times are for them 'out of joint' is also examined. By combining socio-cultural, philosophical and historical approaches, thisthought-provoking book moves anthropological debates about time's qualities wellbeyond existing studies.This book explores the relevance of classical ideas in the anthropology of time toth

In this anthology, Vietnamese writers describe their experience of what they call the American War and its lasting legacy through the lens of their own vital artistic visions. A North Vietnamese soldier forms a bond with an abandoned puppy. Cousins find their lives upended by the revelation that their fathers fought on opposite sides of the war. Two lonely veterans in Hanoi meet years after the war has ended through a newspaper dating service. A psychic assists the search for the body of a long-vanished soldier. The father of a girl suffering from dioxin poisoning struggles with corrupt local officials. The twenty short stories collected in Other Moons range from the intensely personal to narratives that deal with larger questions of remembrance, trauma, and healing. By a diverse set of authors, including many veterans, they span styles from social realism to tales of the fantastic. Yet whether describing the effects of Agent Orange exposure or telling ghost stories, all speak to the unresolved legacy of a conflict that still haunts Vietnam. Among the most widely anthologized and popular pieces of short fiction about the war in Vietnam, these works appear here for the first time in English. Other Moons offers Anglophone audiences an unparalleled opportunity to experience how the Vietnamese think and write about the conflict that consumed their country from 1954 to 1975—a perspective still largely missing from American narratives.

A question the visitor to Windhoek may be asked is, What do you do if you fall into a Namibian river? The response is, Dust yourself off. The question provides an insight into the dry sense of humor of the inhabitants of this spacious, semi-desert and sparsely populated country. Sandwiched between Angola and South Africa continent, water remains Namibia's most precious commodity.