She sees the moon following her, how far will he go?

When Helen Mae was a young child, she was awestruck as she watched the moon follow her home from family trips. This story illustrates those adventures. So take some trips of your own and watch the moon follow you home.

The Cadillac V-16 was conceived in secrecy in the middle of the Roaring Twenties, when incomes were rising, prosperity seemed endless and the car business was beginning to break from a traditional emphasis on function over form. But by the time the Cadillac V-16 reached showrooms in 1930, the nation was falling headlong into the Great Depression, and it soon became a rare relic of the boom before the crash. That is why in the mid-1960s, when Christopher Cummings was an adolescent car enthusiast, the oldest Cadillac V-16s were a dream just out of reach. This memoir tells the story of a boy who grew up loving cars, learned everything he could about them, and acquired quite a few impressive models for himself, while always looking forward to the day he would, by surprising circumstance, find the automobile of his dreams. Early chapters reveal the adventure Cummings underwent renovating his first car at age 13. Over the course of his teenage years he would work to acquire three classic Cadillacs: a 1941 Cadillac Series 7523 seven-passenger touring sedan, a 1941 Cadillac Series 61 coupe, and a 1931 Cadillac Series 355A Fleetwood Cabriolet. Later chapters recount the painstaking effort he put into renovating and maintaining those coveted vehicles. The story culminates with Cummings' unexpected acquisition of the car that earned the motto "Standard of the World," the 1930 V-16 Imperial Sedan limousine. In all, this memoir bears witness to an elegant sample of the best that the Classic era of automotive history had to offer.

William Hoffman is a master storyteller, and Follow Me Home reveals him at his inimitable best. In these eleven brilliantly observed, superbly crafted stories, he explores one of the most secret places of the human heart—the corner where we keep hidden the small and precious supply of whatever it is that lets us persist, and sometimes even triumph, in the face of life’s inescapable diminishments and losses. In Hoffman’s characters, the content of this inner reservoir varies greatly. For the hill farmer in “Abide with Me,” it is a form of direct grace granted to him in a near-death vision. For the disabled veteran in “Night Sport,” it is a bitter concoction of disillusionment and raw truth carried home from a distant war. For the quietly retired minister in “Sweet Armageddon,” unexpectedly given a glimpse of the life he long ago forsook, it is a prayerful wish for annihilation. On a less apocalyptic scale, in the haunting “Points,” a once-great horseman finds sustenance in a remembered world of elegance and courage—a world that, like his skills, is rapidly fading. In “Dancer,” a bereft and lonely woman retreats into the music of her youth, birds becoming quarter notes that fill the sky. In “Expiation,” a self-made executive after many years comes to terms with his own childhood, even though it means ending the lie on which his marriage is built. And in “Coals,” a maid and cook calls on her own reserves of spirit to bring her employer a renewal of life. Set in the small towns, cities, hills, and seascapes of Virginia—territory Hoffman knows as well as any writer ever has—the stories of Follow Me Home reveal to us men and women we know and care about, for in their struggles, win or lose, we recognize ourselves.

This collection of short stories recalls an era when the village was the centre of life in the Caribbean island of St Vincent and the Grenadines. Nostalgic, but not sentimental, these stories are based on real events and relate the experiences of a range of characters striving to make a name for themselves; they are people in search of a larger stage.The title story, The Moon is Following Me, paints a picture of school life as it was in the seventies. It features a headmaster who is fond of rum and a teacher who works for half a day only, but it is essentially a story of young love and hope. Take for Two relates the story of Archie, who, on the night he is leaving on a contract to America, is asked by his sweetheart for a ‘special dress’ as a present. When he returns three months later with a wedding dress, he is met with disappointment.Spanish Ladies is based on the murder of a 17-year-old by a preacher. Even now, from this distance, it is painful to recall. The fourth story tells of an unlikely love, brought about by music, and the final story, Taste For Freedom, is an attempt to recreate the early years after the Emancipation.The stories are at times funny and unsettling but rarely sad. These are ‘real’ people, individual, ambitious, mad, vengeful, naïve: they are like villagers everywhere.

What would you do for love? Would you kill? Would you die? Would you give up your soul? British soldier, Dr James Sharpe, returned from Afghanistan a changed man. Like most war veterans haunted by deadly choices and the horrors of battle, James struggles against his demons. Unlike other ex-soldiers, his demons are real. Transformed in the heat of a desert battlefield, James Sharpe is now a vampire. Struggling London artist, Gabriel Dare, has his own secrets - like who he really is, and why he lived on the streets before lodging with Dr Sharpe; like the ghosts he used to see, that made others question his sanity. James knows Gabriel is the best thing in his life, but questions his ability to love and fears he's a danger to all. Gabriel knows there's something different about his enigmatic landlord, but can't deny his attraction. When some of Gabriel's street friends go missing, he discovers that London is full of monsters - real, vicious, otherworldly monsters. The two men join forces with a clairvoyant cop and a Peer of the Realm to uncover the truth, for it seems the vampire who sired James is back in London - with a diabolical agenda that threatens the entire nation.

A breathtaking middle-grade novel about happiness, loss, and an unforgettable dog named Flip “This story convinced me all over again that love and imagination are life’s biggest magic.” —Rebecca Stead, author of Newbery Award winner When You Reach Me Ben Coffin has never been one for making friends. As a former foster kid, he knows people can up and leave without so much as a goodbye. Ben prefers to spend his time with the characters in his favorite sci-fi books…until he rescues an abandoned mutt from the alley next-door to the Coney Island Library. Scruffy little Flip leads Ben to befriend a fellow book-lover named Halley—yes, like the comet—a girl unlike anyone he has ever met. Ben begins thinking of her as “Rainbow Girl” because of her crazy-colored clothes and her laugh, pure magic, the kind that makes you smile away the stormiest day. Rainbow Girl convinces Ben to write a novel with her. But as their story unfolds Ben’s life begins to unravel, and Ben must discover for himself the truth about friendship and the meaning of home. Paul Griffin’s breathtaking middle-grade debut will warm your heart as much as it breaks it. "Full of pace and laughter, bruises and heart. Paul Griffin is the sort of writer you're torn between telling the whole world about and keeping all to yourself."—Markus Zusak, author of Printz Honor Winner The Book Thief “‘Friendship’ is an absolutely beautiful, heart-expanding book. I cried, but more than that I felt this giant balloon of love for everyone. This story convinced me all over again that love and imagination are life’s biggest magic. It’ll make you want to grab hold of everyone important to you and lick them on the nose.” —Rebecca Stead, author of Newbery Award winner When You Reach Me "Some books change the way you see the world. Some change the way you breathe. This book will leave you breathless. This is Paul Griffin's best book yet—and that's really saying something." —Patricia McCormick, author of National Book Award Finalist Sold "When Friendship Followed Me Home is both a beautiful book, and an honest book; it is, in fact, beautiful because it is honest. We see the pain of loss, and the glory of community. We see love in its many forms, and we witness the truth that love goes on despite all barriers. Cheer for Ben and Halley: it is kids like these who are our hope.” —Gary D. Schmidt, author of Okay for Now