Winner of the 2003 PEN/Book-of-the-Month Club Translation Prize A NEW YORK REVIEW BOOKS ORIGINAL The nameless narrator of The Moon and the Bonfires, Cesare Pavese's last and greatest novel, returns to Italy from California after the Second World War. He has done well in America, but success hasn't taken the edge off his memories of childhood, when he was an orphan living at the mercy of a bitterly poor farmer. He wants to learn what happened in his native village over the long, terrible years of Fascism; perhaps, he even thinks, he will settle down. And yet as he uncovers a secret and savage history from the war—a tale of betrayal and reprisal, sex and death—he finds that the past still haunts the present. The Moon and the Bonfires is a novel of intense lyricism and tragic import, a masterpiece of twentieth-century literature that has been unavailable to American readers for close to fifty years. Here it appears in a vigorous new English version by R. W. Flint, whose earlier translations of Pavese's fiction were acclaimed by Leslie Fiedler as "absolutely lucid and completely incantatory."

Whilst a report on excavations at three stone circles and two fieldwalking projects in north-east Scotland may not seem very appealing this book does much to heighten public awareness and interest in such sites and re-connects us with the mysterious monuments of the past. This study of the sites of Tomnaverie (Deeside), Cothiemuir Wood (Donside) and Aikey Brae (Buchan) is written in an engaging and approachable style with plenty of illustrative material. Whilst the project was geared towards investigating the character, chronology, structural development and wider context of the stone circles, its results go much further in revealing how people used and perceived such sites and the landscape around them. Here, contextual information, discussion of methodology and objectives are combined with factual data and interpretation as the project members examine various aspects of the sites such as the characterisation (shape, colour and texture) of the stones used, construction techniques, evidence of burning, the presence of human remains and possible solar and lunar alignments. The proffering of new insights into the use and symbolism of the monuments is highly valuable, for example, the suggestion that we should perhaps consider the use of these stone circles during the hours of darkness rather than daylight, an idea first proposed by Aubrey Burl, requires us to re-think our preconceptions about monuments in the past. The rewards of painstaking excavation and trudging through muddy fields are evident in a publication such as this.

On June 23rd, 1950, Pavese, Italy's greatest modern writer received the coveted Strega Award for his novel Among Women Only. On August 26th, in a small hotel in his home town of Turin, he took his own life. Shortly before his death, he methodically destroyed all his private papers. His diary is all that remains and for this the contemporary reader can be grateful. Contemporary speculation attributed this tragedy to either an unhappy love aff air with the American film star Constance Dawling or his growing disillusionment with the Italian Communist Party. His Diaries, however, reveal a man whose art was his only means of repressing the specter of suicide which had haunted him since childhood: an obsession that finally overwhelmed him. As John Taylor notes, he possessed something much more precious than a political theory: a natural sensitivity to the plight and dignity of common people, be they bums, priests, grape-pickers, gas station attendants, office workers, or anonymous girls picked up on the street (though to women, the author could--as he admitted--be as misogynous as he was affectionate). Bitter and incisive, This Business of Living, is both moving and painful to read and stands with James Joyce's Letters and Andre Gide's Journals as one of the great literary testaments of the twentieth century.

Food Book of the Year at the 2019 André Simon Food and Drink Book Awards The Sunday Times Food Book of the Year 'A masterpiece' - Bee Wilson, The Sunday Times As featured on BBC Radio 4 The Food Programme 'Books of the Year 2018' 'This is an extraordinary piece of food writing, pitch perfect in every way. I couldn't love anyone who didn't love this book.' - Nigella Lawson Shortlisted for the Irish Book Awards - Eurospar Cookbook of the year 'Diana Henry's How to Eat a Peach is as elegant and sparkling as a bellini' - The Guardian 'Books of the Year' 'I adore Diana Henry's recipes - and this is a fantastic collection. They are simple, but also have a sense of occasion. The recipes come from all over the world and each menu has an evocative story to accompany it. Beautiful.' - The Times 'Best Books of the Year' '...her best yet...superb menus evoking place and occasion with consummate elegance' - Financial Times 'The recipes are superb but, above all, Diana writes like a dream' - Daily Mail 'Any book from Diana Henry is a joy and this canny collection of menus and stories is no exception' - delicious (As featured in delicious. magazine Top 10 Food Books of 2018) 'You can always rely on Diana Henry. Her prose is elegant and evocative, her recipes pure and delectably international. This is perhaps her best yet' - Tom Parker Bowles, The Mail on Sunday 'Essential Cookbooks Published This Year' 'No one quite captures a place, a moment, a taste and a memory like she does. If you've been there before, you're transported back but if you haven't not to worry, she takes you there with her' - The Independent 'Best Books of the Year' 'The stories associated with the meals are what draw you in' - The Herald 'The Year's Best Food Books' 'A life-enhancing book' - The London Evening Standard 'Best Cookbooks To Buy This Christmas' '...enchanting, evocative menus.' - iPaper 'One of my favourite food writers with a book of 25 themed menus that I can't wait to cook. This is top of my wish list!' - Good Housekeeping 'Favourite Reads to Gift' When Diana Henry was sixteen she started a menu notebook (an exercise book carefully covered in wrapping paper) in which she wrote up the meals she wanted to cook. She kept this book for years. Putting a menu together is still her favourite part of cooking. Menus aren't just groups of dishes that have to work on a practical level (meals that cooks can manage), they also have to work as a succession of flavours. But what is perhaps most special about them is the way they can create very different moods - menus can take you places, from an afternoon at the seaside in Brittany to a sultry evening eating mezze in Istanbul. They are a way of visiting places you've never seen, revisiting places you love and celebrating particular seasons. How to Eat a Peach contains many of Diana's favourite dishes in menus that will take you through the year and to different parts of the world.

Selected by Harper's Bazaar, Elle, Parade, Oprah.com, and MSN.com as one of the best books to read this summer! The seductive story of a dangerous love triangle, inspired by the infamous Nabokov marriage, with a spellbinding psychological thriller at its core. In the 1920s, Zoya Andropova, a young refugee from the Soviet Union, finds herself in the alien landscape of an elite all-girls New Jersey boarding school. Having lost her family, her home, and her sense of purpose, Zoya struggles to belong, a task made more difficult by the malice her peers heap on scholarship students and her new country's paranoia about Russian spies. When she meets the visiting writer and fellow Russian émigré Leo Orlov--whose books Zoya has privately obsessed over for years--her luck seems to have taken a turn for the better. But she soon discovers that Leo is not the solution to her loneliness: he's committed to his art and bound by the sinister orchestrations of his brilliant wife, Vera. As the reader unravels the mystery of Zoya, Lev, and Vera's fate, Zoya is faced with mounting pressure to figure out who she is and what kind of life she wants to build. Grappling with class distinctions, national allegiance, and ethical fidelity--not to mention the powerful magnetism of sex--Invitation to a Bonfire investigates how one's identity is formed, irrevocably, through a series of momentary decisions, including how to survive, who to love, and whether to pay the complicated price of happiness.

"There is only one pleasure, that of being alive. All the rest is misery," wrote Cesare Pavese, whose short, intense life spanned the ordeals of fascism and World War II to witness the beginnings of Italy's postwar prosperity. Searchingly alert to nuances of speech, feeling, and atmosphere, and remarkably varied, his novels offer a panoramic vision, at once sensual and finely considered, of a time of tumultuous change. This volume presents readers with Pavese's major works. The Beach is a wry summertime comedy of sexual and romantic misunderstandings, while The House on the Hill is an extraordinary novel of war in which a teacher flees through a countryside that is both beautiful and convulsed with terror. Among Women Only tells of a fashion designer who enters the affluent world she has always dreamed of, only to find herself caught up in an eerie dance of destruction, and The Devil in the Hills is an engaging road novel about three young men roaming the hills in high summer who stumble on mysteries of love and death.

Cesare Pavese (1908-1950), one of the great Italian writers of the twentieth century, was a poet, novelist and diarist. Disaffections includes all the poems he wrote during the last two decades of his life, including work originally deleted by the Fascist censors and poems discovered after his death. Pavese was a political and an artistic radical. He was drawn towards American poetry and music, to the people and the idiom of the Blues, to the big-heartedness of Whitman. He evokes the world and the voices of men and women who, as he did, felt torn between the call of city and country, work and repose, desire and solitude. His poems, without ornament or afflatus, focus lyric moments or tell, in longer lines, a story, or invoke an image or a desire. Turin was the wearying world of his working life and Santo Stefano was the small town of childhood holidays and returns. In 1950 he was awarded the Strega Prize. 'The trouble with these things is that they always come when one is already through with them and running after strange, different gods.' Later that year he killed himself.Geoffrey Brock has received several major awards in the United States for his own poetry and for his translations of Italian poetry.