It all begins when Rocky follows Mick Strum around town while he sketches its people, animals and graveyard. Mick has been commissioned by Rocky's Kansas town to create a memorial to their war dead. As Rocky learns to respect Mick and his talents, he helps her to develop her own artistic sensibilities. But the townspeople see things in Mick's drawings that they don't want to know or accept about themselves. Can Mick help them accept one monument that will be meaningful to everyone?

Frames, Erasures, Graffiti --Writing in Relation --Guidestars, Tangles, Hauntologies.

Originally published to great acclaim in 1976, The American Monument has become one of the most sought-after photography publications of the 20th century. Long out of print, this second edition is once again available again for all to enjoy and own. Published in the same oversized format as the first editionwith exquisite duotone reproductions of the original 213 photographsthe album of post-bound single sheets can easily be disassembled for display. Considered by many, including Friedlander himself, to be one of his most important books, The American Monument has influenced generations of photographers, curators and art historians. The second edition includes the original essay by Eakins Press founder Leslie George Katz along with a new essay by eminent past NYCs Museum of Modern Arts photography curator and Friedlander scholar Peter Galassi, which illuminates the history and continued significance of this iconic artist and this early publication. The deeply influential American curator of photography at MoMA during the 1960s-70s, John Szarkowski (19272007), stated: I am still astonished and heartened by the deep affection of those pictures, by the photographers tolerant equanimity in the face of the facts, by the generosity of spirit, the freedom from pomposity and rhetoric. One might call this work an act of high artistic patriotism, an achievement that might help us reclaim that word from ideologues and expediters. Lee Friedlander is the recipient of three Guggenheim Fellowships as well as a MacArthur Fellowship. He has published more than 50 monographs since 1969, and exhibited extensively around the world for the past five decades, including a major retrospective at the MoMA, NY, in 2005.

The artist who created the statue for the Lincoln Memorial, John Harvard in Harvard Yard, and The Minute Man in Concord, Massachusetts, Daniel Chester French (1850–1931) is America's best-known sculptor of public monuments Monument Man is the first comprehensive biography of this fascinating figure and his illustrious career. Full of rich detail and beautiful archival photographs, Monument Man is a nuanced study of a preeminent artist whose evolution ran parallel to, and deeply influenced, the development of American sculpture, iconography, and historical memory. Monument Man was specially commissioned by Chesterwood / National Trust for Historic Preservation. The release will coincide with the fiftieth anniversary of the opening of Chesterwood, his country home and studio, as a public site and with a major renovation of the Lincoln Memorial. The book includes a comprehensive geographical guide to French's public work.

Traces the history of the National Mall in Washington, D.C., discussing its plan and structures, and considering how the concept of memorials and memorial space has changed since the nineteenth century.

'Peter Cossins is an engaging writer whose conversational style makes this an effortless yet interesting read. The cosy tone delivers a great deal with a good balance of history and anecdotes. If you wish to explore cycling beyond the Grand Tours this is the book.' - Carlton Kirby An awe-inspiring history of the five most legendary 'classic' races in world cycling. The Tour de France may provide the most obvious fame and glory, but it is cycling's one-day tests that the professional riders really prize. Toughest, longest and dirtiest of all are the so-called 'Monuments', the five legendary races that are the sport's equivalent of golf's majors or the grand slams in tennis. Milan–Sanremo, the Tour of Flanders, Paris–Roubaix, Liège–Bastogne–Liège and the Tour of Lombardy date back more than a century, and each of them is an anomaly in modern-day sport, the cycling equivalent of the Monaco Grand Prix. Time has changed them to a degree, but they remain as brutally testing as they ever have been. They provide the sport's outstanding one-day performers – the likes of Philippe Gilbert, Fabian Cancellara, Mark Cavendish, Tom Boonen, Peter Sagan and Thor Hushovd – with a chance to measure themselves against each other and their predecessors in the most challenging tests in world cycling. From the bone-shattering bowler-hat cobbles of the Paris–Roubaix (rumoured to be Bradley Wiggins' next challenge) to the insanely steep hellingen in the Tour of Flanders, each race is as unique as the riders who push themselves through extreme exhaustion to win them and enter their epic history. Over the course of a century, only Rik Van Looy, Eddy Merckx and Roger De Vlaeminck have won all five races. Yet victory in a single edition of a Monument guarantees a rider lasting fame. For some, that one victory has even more cachet than success in a grand tour. Each of the Monuments has a fascinating history, featuring tales of the finest and largest characters in the sport. In The Monuments, Peter Cossins tells the tumultuous history of these extraordinary races and the riders they have immortalised.