The New York Times bestselling author of Every Dark Corner returns to Baltimore, where a father-daughter reunion puts innocent victims in the sights of a stone-cold killer… Baltimore PI Clay Maynard routinely locates missing children for clients, but his own daughter—stolen by his ex-wife—has eluded him for years. Until she turns up right under his nose… Since she was a child, Taylor Dawson believed the lie her mother told her: that her father was a monster. But now she has a chance to get to know the real Clay while doing real work as an equine therapist, which includes helping two girls whose mother was brutally murdered. She might even find something deeper with her boss’s handsome son, Ford Elkhart, whose eyes are so haunted. But just as Taylor feels her life opening up to new family, work, and friends, a danger lurks in the darkness—one that will show Taylor the face of true evil…

Emma Milsom thought a job with director/playwright Teddy Winters would help her put her life back together. She hadn’t counted on the presence of British actor Sebastian Brand in the dilapidated old theater. Sebastian was the foremost actor in horror films, adept at playing monsters of every sort, and his behavior in real life wasn’t much of an improvement. Rumors of accidents and death followed him, and Emma should have had enough sense to keep her distance. But Sebastian was mesmerizing, and just as obsessed with her. As the accidents began to escalate, Emma didn’t know whom to trust. She just knew it shouldn’t be Sebastian. Was he trying to seduce her, or kill her? Or perhaps both. (Previously published in a Silhouette Shadows anthology)

Monster in the Closet is a history of the horrors film that explores the genre's relationship to the social and cultural history of homosexuality in America. Drawing on a wide variety of films and primary source materials including censorship files, critical reviews, promotional materials, fanzines, men's magazines, and popular news weeklies, the book examines the historical figure of the movie monster in relation to various medical, psychological, religious and social models of homosexuality. While recent work within gay and lesbian studies has explored how the genetic tropes of the horror film intersect with popular culture's understanding of queerness, this is the first book to examine how the concept of the monster queer has evolved from era to era. From the gay and lesbian sensibilities encoded into the form and content of the classical Hollywood horror film, to recent films which play upon AIDS-related fears. Monster in the Closet examines how the horror film started and continues, to demonize (or quite literally "monsterize") queer sexuality, and what the pleasures and "costs" of such representations might be both for individual spectators and culture at large.

Private Investigator Clay Maynard locates missing children for clients, but has nearly given up hope of finding his own daughter, cruelly stolen from him by his ex-wife 23 years ago. Equine therapist Taylor Dawson has chosen to intern at Daphne Montgomery-Carter's stables so that she can observe the program's security director - her father, Clay Maynard. Trying to reconcile the man she's getting to know with the monster her mother described, Taylor never expects to become the target of a real monster. Neither does she expect to fall for Ford Elkhart, who is dealing with his own demons. Taylor starts to imagine a permanent life in Baltimore. But not if the real monster gets to her first...