Welcome to Bohring-home to 453 people, 2,053 alligators, and one monster curse. Correction: home to 454 people, now that Kick Winter is living in the swamp Hollows with her Grandma Missouri, the town (fake) psychic. Bohring is anything but boring for Kick who has already blown a hole through the kitchen floor, befriended a chicken-eating gator, and discovered that the town's hundred-year curse is upon them. It's the Bohring curse and all the kids are about to become monsters-or so the legend goes. People are worried-except for Kick. She knows there's a scientific explanation for everything, especially curses and monsters. But Kick is the new kid in school and she's determined to make a name for herself . . . by pretending to be psychic. According to her calculations: one teeny-tiny life + (fake) psychic skills = popularity. But when kids start disappearing and glowing creatures start showing up, Kick's theory quickly evaporates in a puff of foul-smelling swamp gas. Can Kick use her (real) science smarts to prove the curse is a hoax? Or is it just-maybe-sort of-somehow possible the curse is here? Author Romily Bernard weaves a fast-paced middle-grade mystery filled with humor and scientific intrigue, set in a perfectly eerie Southern town.

Throughout history, arguments for and against the existence of God have been largely confined to philosophy and theology, while science has sat on the sidelines. Despite the fact that science has revolutionized every aspect of human life and greatly clarified our understanding of the world, somehow the notion has arisen that it has nothing to say about the possibility of a supreme being, which much of humanity worships as the source of all reality. This book contends that, if God exists, some evidence for this existence should be detectable by scientific means, especially considering the central role that God is alleged to play in the operation of the universe and the lives of humans. Treating the traditional God concept, as conventionally presented in the Judeo-Christian and Islamic traditions, like any other scientific hypothesis, physicist Stenger examines all of the claims made for God's existence. He considers the latest Intelligent Design arguments as evidence of God's influence in biology. He looks at human behavior for evidence of immaterial souls and the possible effects of prayer. He discusses the findings of physics and astronomy in weighing the suggestions that the universe is the work of a creator and that humans are God's special creation. After evaluating all the scientific evidence, Stenger concludes that beyond a reasonable doubt the universe and life appear exactly as we might expect if there were no God. This paperback edition of the New York Times bestselling hardcover edition contains a new foreword by Christopher Hitchens and a postscript by the author in which he responds to reviewers' criticisms of the original edition.

Spring has come to Munchem Academy. The snow is melting, the roof is leaking, and Mr. Larimore is now in charge. Mattie is worried, though. Mr. Larimore is taking the whole "let's help Headmaster Rooney get back on his feet" thing seriously, and he's whispering all sorts of suggestions to the highly suggestible Rooney. Then there's the matter of the school's weather. It's getting . . . strange. Mini-tornados sweep up out of nowhere. Rain pours inside. And there was that snowstorm-that yellow snowstorm-that lasted for two days. Once Mattie, Caroline, and Eliot figure out what's causing the chaos (the Weather-matic 9000), who's causing the chaos (Mr. Larimore), and why it's a chaotic an idea (weather weapons!), they need to act. Fast. There's only one thing to do: save Mr. Larimore-and the world-from Mr. Larimore. It's a tall order for a short kid, but Mattie has a plan. After all, what's a little breaking and entering among friends?

A collection of scholarship on monsters and their meaning—across genres, disciplines, methodologies, and time—from foundational texts to the most recent contributions Zombies and vampires, banshees and basilisks, demons and wendigos, goblins, gorgons, golems, and ghosts. From the mythical monstrous races of the ancient world to the murderous cyborgs of our day, monsters have haunted the human imagination, giving shape to the fears and desires of their time. And as long as there have been monsters, there have been attempts to make sense of them, to explain where they come from and what they mean. This book collects the best of what contemporary scholars have to say on the subject, in the process creating a map of the monstrous across the vast and complex terrain of the human psyche. Editor Jeffrey Andrew Weinstock prepares the way with a genealogy of monster theory, traveling from the earliest explanations of monsters through psychoanalysis, poststructuralism, and cultural studies, to the development of monster theory per se—and including Jeffrey Jerome Cohen’s foundational essay “Monster Theory (Seven Theses),” reproduced here in its entirety. There follow sections devoted to the terminology and concepts used in talking about monstrosity; the relevance of race, religion, gender, class, sexuality, and physical appearance; the application of monster theory to contemporary cultural concerns such as ecology, religion, and terrorism; and finally the possibilities monsters present for envisioning a different future. Including the most interesting and important proponents of monster theory and its progenitors, from Sigmund Freud to Julia Kristeva to J. Halberstam, Donna Haraway, Barbara Creed, and Stephen T. Asma—as well as harder-to-find contributions such as Robin Wood’s and Masahiro Mori’s—this is the most extensive and comprehensive collection of scholarship on monsters and monstrosity across disciplines and methods ever to be assembled and will serve as an invaluable resource for students of the uncanny in all its guises. Contributors: Stephen T. Asma, Columbia College Chicago; Timothy K. Beal, Case Western Reserve U; Harry Benshoff, U of North Texas; Bettina Bildhauer, U of St. Andrews; Noel Carroll, The Graduate Center, CUNY; Jeffrey Jerome Cohen, Arizona State U; Barbara Creed, U of Melbourne; Michael Dylan Foster, UC Davis; Sigmund Freud; Elizabeth Grosz, Duke U; J. Halberstam, Columbia U; Donna Haraway, UC Santa Cruz; Julia Kristeva, Paris Diderot U; Anthony Lioi, The Julliard School; Patricia MacCormack, Anglia Ruskin U; Masahiro Mori; Annalee Newitz; Jasbir K. Puar, Rutgers U; Amit A. Rai, Queen Mary U of London; Margrit Shildrick, Stockholm U; Jon Stratton, U of South Australia; Erin Suzuki, UC San Diego; Robin Wood, York U; Alexa Wright, U of Westminster.

Howard Boward, a 13-year-old boy-genius with a chip on his shoulder is too smart for his own good. He has troubles making friends—possibly because he complains so much. Until one day a science experiment goes haywire, and Howard creates a best friend for himself—Franklin—who also happens to be a monster. Creating Franklin was an accident, not like Howard was playing God or anything—or so Howard tells himself. Franklin and Howard are having so much fun, Howard decides to create more “friends,” using DNA from kids at school. Only, these friends aren’t quite as friendly. Soon there’s a major mess and Howard has to sort it all out before the monsters destroy their human counterparts. But terminating the monsters proves harder than he imagined. They didn’t choose to be monsters; they can’t go against their innate nature. Howard finds himself facing consequences for playing God. Getting rid of the monsters means learning to tame his own inner beast, and Howard begins to understand the meaning of free will and true friendship

Sinceits founding by Jacques Waardenburg in 1971, Religion and Reason has been a leading forum for contributions on theories, theoretical issues and agendas related to the phenomenon and the study of religion. Topics include (among others) category formation, comparison, ethnophilosophy, hermeneutics, methodology, myth, phenomenology, philosophy of science, scientific atheism, structuralism, and theories of religion. From time to time the series publishes volumes that map the state of the art and the history of the discipline.

What if you had to relive the same five days over and over? And what if at the end of it, your boyfriend is killed... And you have to watch. Every time. You don’t know why you’re stuck in this nightmare. But you do know that these are the rules you now live by: Wake Up. Run. Die. Repeat. Now, the only way to escape this loop is to attempt something crazy. Something dangerous. Something completely unexpected. This time...you’re not going to run. Combining heart-pounding romance and a thrilling mystery, Never Apart is a stunning story you won’t soon forget.