When a race of elegant, superintelligent dogs arrives in twenty-first-century New York, they become instant celebrities, but, unable to adjust to the modern world and confronted with an incurable disease, they construct a fantastic castle and barricade themselves inside.

Maggie gets a dog from her parents. He turns out to be one strange dog!

The twentieth anniversary of a postmodern classic, blending the gothic novel with bleeding-edge science fiction After a century of cruel experimentation, a haunted race of genetically and biomechanically uplifted canines are created by the followers of a mad nineteenth-century Prussian surgeon. Possessing human intelligence, speaking human language, fitted with prosthetic hands, and walking upright on their hind legs, the monster dogs are intended to be super soldiers. Rebelling against their masters, however, and plundering the isolated village where they were created, the now wealthy dogs make their way to New York, where they befriend the young NYU student Cleo Pira and—acting like Victorian aristocrats—become reluctant celebrities. Unable to reproduce, doomed to watch their race become extinct, the highly cultured dogs want no more than to live in peace and be accepted by contemporary society. Little do they suspect, however, that the real tragedy of their brief existence is only now beginning. Told through a variety of documents—diaries, newspaper clippings, articles for Vanity Fair, and even a portion of an opera libretto—Kirsten Bakis’s Lives of the Monster Dogs uses its science-fictional premise to launch a surprisingly emotional exploration of the great themes: love, death, and the limits of compassion. A contemporary classic, this edition features a new introduction by Jeff VanderMeer.

Maggie realizes her new dog, Poocher, is strange. His eyes glow an evil red. And those puppy teeth? Deadly fangs. Who will save Maggie from Poocher?

Almost everyone likes dogs, even those who prefer cats as pets. So it's not surprising that writers have devoted a great deal of verbiage indeed to describe their ongoing love affair with the canine breed. You'll find herein all kinds of tales focusing on dogs: science fiction stories, mysteries, horror tales, westerns, memoirs, humorous accounts, and first-person doggie narratives. There are well-known pieces by writers such as Jack London, James Oliver Curwood, Washington Irving, Saki, E. C. Tubb, John Gregory Betancourt, Robert Hood, and Jack Dann--and stories by authors who are relatively unknown today. Here are twenty-five marvelous tales of dogs and their interactions with humans, plus five bonus poems: "The Call of the Wild," by Jack London "My Friend Bobby," by Alan E. Nourse "Neb," by Robert Reginald "My Friend," by Anonymous [poem] "Kerfol," by Edith Wharton "The Monster," by S. M. Tenneshaw "Tinker," by E. Nesbit "Phantom Dogs," by Elliott O'Donnell "The Dogs of Hannoie," by E. C. Tubb "Warlock," by Gordon Stables [poem] "Spaniel and Newfoundland Dogs," by Edward Jesse "A Dog of Flanders," by Ouida "Guard Dog," by Robert Hood "Rip Van Winkle," by Washington Irving "Stories of Dog Sagacity," by W. H. G. Kingston "The Best Friend," by Meribah Philbrick Abbott [poem] "Grab a Knife and Save a Life," by Mark E. Burgess "Kazan," by James Oliver Curwood "Mercy's Reward," by Sir Edwin Arnold [poem] "Snap: The Story of a Bull-Terrier," by Ernest Thompson Seton "Dogs Questing," by John Gregory Betancourt "The Widow's Dog," by Mary Russell Mitford "The Beast of Space," by F. E. Hardart "Oil of Dog," by Ambrose Bierce "Spirit Dog," by Jack Dann "Little Doggerel," by Robert Reginald [poem] "A Pilgrim," by Robert W. Chambers "The Open Window," by Saki "Memoirs of a Yellow Dog," by O. Henry "The Sound of the Barkervilles," by Robert Reginald. And don't forget to search this ebook store for "Wildside Megapack" to see more volumes in the series, including more animal stories (like Cats), plus mysteries, adventure stories, westerns, ghost stories, science fiction -- and much, much more!

For more than 50 years John Clute has been reviewing science fiction and fantasy. As Scores demonstrates, his devotion to the task of understanding the central literatures of our era has not slackened. There are jokes in Scores, and curses, and tirades, and apologies, and riffs; but every word of every review, in the end, is about how we understand the stories we tell about the world. Following on from his two previous books of collected reviews (Strokes and Look at the Evidence) this book collects reviews from a wide variety of sources, but mostly from Interzone, the New York Review of Science Fiction, and Science Fiction Weekly. Where it has seemed possible to do so without distorting contemporary responses to books, these reviews have been revised, sometimes extensively. 125 review articles, over 200 books reviewed in more than 214,000 words.

The War God Continent was vast and endless. The nine forbidden lands were filled with a rain of blood and gore. The Four Great Sacred Grounds had forged countless peerless experts. The mysterious youth who had walked out from the forbidden area. A man. A saber. He stepped on the geniuses and the strong, becoming a supreme wargod. And all of this, from the moment Mu Tian arrived ...