At publication date, a free ebook version of this title will be available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. The Monastery Rules discusses the position of the monasteries in pre-1950s Tibetan Buddhist societies and how that position was informed by the far-reaching relationship of monastic Buddhism with Tibetan society, economy, law, and culture. Jansen focuses her study on monastic guidelines, or bca’ yig. The first study of its kind to examine the genre in detail, the book contains an exploration of its parallels in other Buddhist cultures, its connection to the Vinaya, and its value as socio-historical source-material. The guidelines are witness to certain socio-economic changes, while also containing rules that aim to change the monastery in order to preserve it. Jansen argues that the monastic institutions’ influence on society was maintained not merely due to prevailing power-relations, but also because of certain deep-rooted Buddhist beliefs.

The late 1920s... Convicted of murdering his father, Artiom Goriainov is serving a sentence of several years on the Solovki Archipelago. Artiom is a strong young man who survives all facets of the hell that is the Soviet camps: hunger, cold, betrayal, the death of friends, a failed escape attempt and a love affair. Unlike the many political prisoners at Solovki, he has no strong convictions. He is an everyman who, like the Virgil of Solovki, simply narrates what is happening in front of his eyes. His only motivation is to survive. Founded in the 15th century on an archipelago in the White Sea, from 1923 the monastery became a “camp of special designation,” the foundation stone of the Soviet GULAG system. The novel describes a period when Solovki was being converted from a re-education camp for “socially damaging elements” into what eventually became a mass labor camp. The notion of a Utopia for “forging new human beings,” complete with a library, athletic events, and research laboratories, eventually mutated into a hell of despotism and brutality. Published with the support of the Institute for Literary Translation, Russia

Set in the 16th century when Elizabeth I ruled England, and her cousin, Mary, ruled Scotland, The Monastery depicts the religious tension and restlessness that existed along Scotland’s border. While Elizabeth ruled with her Anglican beliefs, Mary was a Catholic, and with much of their culture intermixing, this sowed unrest. While this feud between the Catholic church and the Anglican heretical church rages on, two families, the Glendenning's and the Avanel’s, mourn the loss of their patriarch. The Avanel widow and her daughter, Mary, move to the Tower of Glendeareg, a property of the Kennaquhair monastery. After the death of the Avanel widow, a mysterious black book containing heretic hymns and writings is found with her possessions. Scandalized and angered by the difference in religious views, the monks confiscate the book. Yet, despite their adamance, the book mysteriously finds its way back to the Tower of Glendeareg. As a state of lawlessness and religious intolerance prevailed over the region, Sir Walter Scott depicts two families as they experience grief, rivalry, love, and supernatural encounters. With a mix of romance, conflicted theology, humor, and supernatural events, The Monastery by Sir Walter Scott is unique and fascinating. First published two hundred years ago in 1820, The Monastery is one of the many additions to Sir Walter Scott’s Waverly series, and though is among the lessen known of Scott’s novels, is praised for its evocative setting and relatable characters. Centered around a fictious representation of the famed Melrose Abbey, a convent destroyed by English troops in 1385, The Monastery provides a detailed and intimate representation of the turmoil the differences in religion caused, especially along the ill-policed border of Scotland. This edition of The Monastery by Sir Walter Scott now features an eye-catching new cover design and is printed in a font that is both modern and readable. With these accommodations, this edition of The Monastery crafts an accessible and pleasant reading experience for modern audiences while restoring the original mastery and drama of Sir Walter Scott’s literature.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.