Thomas Nesbitt is a divorced American writer in the midst of a rueful middle age. Living a very private life in Maine - in touch only with his daughter and still trying to reconcile himself to the end of a long marriage that he knew was flawed from the outset - he finds his solitude disrupted by the arrival, one wintry morning, of a box postmarked Berlin. The return address on the box - Dussmann - unsettles him completely. For it is the name of the woman with whom he had an intense love affair twenty-six years ago in Berlin - at a time when the city was cleaved in two, and personal and political allegiances were haunted by the deep shadows of the Cold War. Refusing initially to confront what he might find in that box, Thomas nevertheless finds himself forced to grapple with a past he has never discussed with any living person - and in the process relive those months in Berlin, when he discovered, for the first and only time in his life, the full, extraordinary force of true love. But Petra Dussmann - the woman to whom he lost his heart - was not just a refugee from a police state, but also someone who lived with an ongoing sorrow beyond dreams... and one which gradually rewrote both their destinies. In this, his tenth novel, Douglas Kennedy has written that rare thing: a love story as morally complex as it is tragic and deeply reflective. Brilliantly gripping, it is an atmospherically dense, ethically tangled tale of romantic certainty and conflicting loyalties, all set amidst a stunningly rendered portrait of Berlin in the final dark years before The Wall came down. Like all of Kennedy's previous, critically acclaimed bestselling novels, The Moment is both unputdownable and profound. Posing so many searching questions about why and how we fall in love - and the tangled way we project on to others that which our hearts seek - it is a love story of great epic sweep and immense emotional power.

The presidential election of 1968 forever changed American politics. In this character-driven narrative history, Aram Goudsouzian portrays the key transformations that played out over that dramatic year. It was the last "Old Politics" campaign, where political machines and party bosses determined the major nominees, even as the "New Politics" of grassroots participation powered primary elections. It was an election that showed how candidates from both the Left and Right could seize on "hot-button" issues to alter the larger political dynamic. It showcased the power of television to "package" politicians and political ideas, and it played out against an extraordinary dramatic global tableau of chaos and conflict. More than anything else, it was a moment decided by a contest of political personalities, as a group of men battled for the presidency, with momentous implications for the nation's future. Well-paced, accessible, and engagingly written, Goudsouzian's book chronicles anew the characters and events of the 1968 campaign as an essential moment in American history, one with clear resonance in our contemporary political moment.

Thomas Nesbitt is a divorced writer in the midst of a rueful middle age. Living a very private life in Maine, in touch only with his daughter and still trying to recover from the end of a long marriage, his solitude is disrupted one wintry morning by the arrival of a box that is postmarked Berlin.

Resulting from a near drowning incident as a child, Bellamy Lawrence lives with the effects of a traumatic brain injury, including profound hearing loss. Ostracized by her family, Bellamy expects to spend her adult life alone, illustrating children's books in the solace of her Rittenhouse Square apartment with her service dog Otis. But a spilled cup of coffee, and a chance meeting with local radio host Sofia Reyes turns every expectation Bellamy had for her life upside down, as she finds herself thrust into a whirlwind romance she never believed possible.

This engaging and inspirational book by Carl Lentz, the rock star pastor of Hillsong NYC, shows us the way toward a more connected, spiritually-grounded, and fulfilled life. When you think of a Christian pastor, you probably don’t envision a tattooed thirty-something who wears a motorcycle jacket, listens to hip-hop music, references The Walking Dead and Black Lives Matter in his sermons, and every Sunday draws a standing-room only crowd to a venue normally used for rock concerts—in godless New York City, no less. But then you clearly have never met Carl Lentz. As lead pastor of the first United States branch of global megachurch Hillsong, the former college basketball player is on a mission to make Christianity accessible in the 21st century. In Own The Moment, he shares the unlikely and inspiring story of how he went from being an average teenager who couldn’t care less about church to leading one of the country’s fastest-growing congregations—how one day he is trying to convince a Virginia Beach 7-Eleven clerk to attend his service, and just a few years later he is baptizing a global music icon in an NBA player’s Manhattan bathtub. Amid such candid personal tales, Lentz also offers illuminating readings of Bible passages and practical tips on how to live as a person of faith in an increasingly materialistic world. How do you maintain your values—and pass them onto your children—in a society that worships money and sex and fame? How do you embrace your flaws in this Instagram era that exalts the appearance of perfection? How do you forget about “living the dream” and learn to embrace the beauty of your reality? These are just a few of the many important questions Lentz answers in Own The Moment—a powerful book that redefines not just Christianity but spirituality as a whole.

From the creators of Six-Word Memoirs comes The Moment, a collection of personal stories from writers both famous and obscure revealing how a single instant changed their lives forever. An innocuous decision, an unforeseen accident, a chance conversation, a tag sale, a terrorist strike, a tweet . . . sometimes all it takes is a single moment to redirect the course of an entire life. In the tradition of Smith magazine’s Not Quite What I Was Planning and the sensational Six-Word Memoirs on Love & Heartbreak—and in the spirit of StoryCorps, the Moth, and This American Life—The Moment unveils everyday people’s inner lives in narratives of all shapes and sizes, with stories from six to 1,000 words, photographs, comics, illustrations, handwritten letters, and more. It’s enough to change your life forever.

Dance improvisation, the intriguing phenomenon of the creative process alive in the moving body, exists powerfully, sublimely - lending insight, solving problems, allowing moments of transcendence, diversion, and delight. Flourishing especially since the postmodern movement of the 1960s, it has come into its own in the performing arts. While there are many books containing ideas for developing improvisations, few have tackled the difficult questions: "What is dance improvisation?" "How does it work?" or "What is its body of knowledge?"The Moment of Movement goes beyond lists of improvisations and into the heart of improvising. As in their previous book, The Intimate Act of Choreography, the authors pursue both the philosophical and the practical. They begin by examining the creative process as it applies to movement and especially the kinesthetic way in which the body knows and uses movement. They answer the often unstated and pertinent questions of the novice; investigate the particular skills and traits needed by the leader; consider ways of working with specific populations; and provide challenging material for advanced movers. They discuss the use of music, and the specific situation of improvisation in performance. For leaders who want to design their own improvisations, they trace the evolution of an idea into an actual content and structure. They also address the controversial issue of the legitimacy of improvisation in an academic curriculum. A final chapter presents hundreds of improvs and improv ideas, grouped into units and cross-referenced.The Moment of Movement is not tied to any one point of view. The authors' presentation of a broad range of material is flexible enough for use by choreographers, directors, educators, and therapists. In its perceptive investigation of the experiential and conceptual aspects of dance improvisation, this book articulates the ephemeral.