This study discusses the modernization process of Egypt and Turkey from the beginning of the 20th century through The Cairo Trilogy by Naguib Mahfouz and Cevdet Bey and Sons by Orhan Pamuk. These works of two Nobel Prize winning authors project the stories of three generations, reflecting the historical, social and cultural transformations Egypt and Turkey went through. In their generational novels, both, Mahfouz and Pamuk portray extended families that have close relationships which fade through time as each new generation moves away from the traditional lifestyles and tries to adopt a new way of life under the influences of the social and economic conditions of their countries. This book analyses the way each succeeding generation operates in the process of transition from conservatism to modernity in Egypt and Turkey by contextualizing book texts and shedding light on the modernization experiences of these two countries.

This collection of essays brings together scholarly examinations of a writer who—despite the prestige that the Nobel Prize has earned him—remains controversial with respect to his place in the literary tradition of his home country. This is in part because the positioning of Turkey itself in relation to the cultural divide between East and West has been the subject of a debate going back to the beginnings of the modern Turkish state and earlier. The present essays, written mostly by literary scholars, range widely across Pamuk’s novelistic oeuvre, dealing with how the writer, often adding an allegorical level to the personages depicted in his experimental narratives, portrays tensions such as those between Western secularism and traditional Islam and different conceptions of national identity.

Explores existential and political themes in Orhan Pamuk's work and investigates the apparent contradictions in an arena where Islam and democracy are often seen as opposing and irreconcilable terms. Existential themes delve into literary nuances in Pamuk that discuss love, happiness, suffering, memory and death.

The Turkish Novel and the Quest for Rationality offers an alternative genealogy of the emergence and development of the Turkish novel by situating the genre in an intellectual framework motivated by conceptions of reason and rationality in the Turkish modernization project.

This work provides extensive critical analysis of Orhan Pamuk's work. The contributors establish Pamuk as a universal author whose contributions to the genre of novel have not only enriched our understanding of modern Turkish literature, but have generated discussions on national identity.

Displacing Fictions of Orhan Pamuk: Beyond the Bridge questions the prevailing relevance and violence of the bridge metaphor for literature through new readings of Orhan Pamuk. This book argues that despite its association with connection, dialogue, and reconciliation, the bridge is an inherently violent structure that controls movement by regulating it. Drawing on deconstruction and Derrida, the author argues for a rethinking of the intrinsic connection between the bridge and the writings of Orhan Pamuk. Exploring Pamuk’s significance as an author of the world literature canon, this book investigates the history and theory of the discipline as a bridge. Identifying new metaphors in Pamuk’s work, Hande Gürses shows the political potential of moving beyond the bridge. As people, lands, and ideas keep moving, Displacing Fictions of Orhan Pamuk argues for an urgent need for new metaphors to understand and represent the realities of our contemporary world.

A novel on Turkey featuring a group of students infatuated with a book. One of them has even abandoned his studies to make copies by hand so others can share it. It is never made clear what the book contains, but while the young are enthusiastic their elders think the contents are degenerate, another example of foreign influence ruining the country.