Originally published in 1934, this book examines the Modernist movement in Roman Catholicism from its beginnings around 1890 until its conclusion around 1910. Vidler examines the pre-Modernist condition of Catholicism in France, Germany, Italy and England and the outcome of the modernist movement both within and outside of the Catholic Church. This book will be of value to anyone with an interest in this tumultuous time in the development of Catholic theology.

In this provocative work of religious studies, Alec R. Vidler explores the intricate history of the Modernist movement within the Roman Catholic Church, and its complex relationship to issues of authority, interpretation, and tradition. A must-read for scholars of religious history and philosophy, The Modernist Movement in the Roman Church is a tour de force of intellectual inquiry. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Between 1890 and 1910 the Roman Catholic Church underwent a severe moral and intellectual crisis. A group of progressive Catholic scholars, later dubbed the 'modernists', challenged the authority of official Catholic teaching in many areas, basing their ideas on contemporary movements generally. The official reaction was at first discouraging and then openly hostile - most of the modernists were forced to leave the Church and their writings were placed in the Index. As one might expect, the accounts of the crisis by those who were closely involved in it are generally strongly partisan; moreover, its effects are still evident in present disputes in the Church but in 1972 the time came for an objective historical assessment of the major figures of the crisis as a means for understanding the movement as a whole. In this authoritative study Dr Barmann reconstructs in detail von Hugel's involvement in the modernist movement, particularly in England and rejects the received explanations of his survival in the Church.

Sehnsucht: The C. S. Lewis Journal, established by the Arizona C. S. Lewis Society in 2007, is the only peer-reviewed journal devoted to the study of C. S. Lewis and his writings published anywhere in the world. It exists to promote literary, theological, historical, biographical, philosophical, bibliographical and cultural interest (broadly defined) in Lewis and his writings. The journal includes articles, review essays, book reviews, film reviews and play reviews, bibliographical material, poetry, interviews, editorials, and announcements of Lewis-related conferences, events and publications. Its readership is aimed at academic scholars from a wide variety of disciplines, as well as learned non-scholars and Lewis enthusiasts. At this time, Sehnsucht is published once a year.

This is a compelling case study of a distinctive theological theme - the eschatological interpetation of the historical Jesus in Edwardian England - as an attempt to add greater precision to the history of theology in a neglected period. Looking at the impact of Adolf Harnack, Alfred Loisy, Albert Schweitzer and Johannes Weiss on biblical studies and theology before the First World War, Chapman argues that the future course of theology, in which eschatology played such a crucial role, was already mapped at this time. Assessing the work of William Sanday F.C. Burkitt and George Tyrrell, Chapman looks at the theological diplomacy between Britain, France and Germany and uncovers a cultural crisis that made eschatology such an appealing idea.