This collection of essays offers a historical reappraisal of what musical modernism was, and what its potential for the present and future could be. It thus moves away from the binary oppositions that have beset twentieth-century music studies in the past, such as those between modernism and postmodernism, between conceptions of musical autonomy and of cultural contingency and between formalist-analytical and cultural-historical approaches. Focussing particularly on music from the 1970s to the 1990s, the volume assembles approaches from different perspectives to new music with a particular emphasis on a critical reassessment of the meaning and function of the legacy of musical modernism. The authors include scholars, musicologists and composers who combine culturally, socially, historically and aesthetically oriented approaches with analytical methods in imaginative ways.

"In this book Jill Pearlman argues that Gropius did not effect changes alone and, further, that the Harvard Graduate School of Design was not merely an offshoot of the Bauhaus. - She offers a crucial missing piece to the story - and to the history of modern architecture - by focusing on Joseph Hudnut, the school's dean and founder."--BOOK JACKET.

The seven essays included in this volume move beyond the famed Ashcan School to recover the lesser known work of Robert Henri's women students. The contributors, who include well-known scholars of art history, American studies, and cultural studies demonstrate how these women participated in the "modernizing" of women's roles during this era.

"This collection of essays offers a historical reappraisal of what musical modernism was, and what its potential for the present and future could be. It thus moves away from the binary oppositions that have beset twentieth-century music studies in the past, such as those between modernism and postmodernism, between conceptions of musical autonomy and of cultural contingency and between formalist-analytical and cultural-historical approaches. Focussing particularly on music from the 1970s to the 1990s, the volume assembles approaches from different perspectives to new music with a particular emphasis on a critical reassessment of the meaning and function of the legacy of musical modernism. The authors include scholars, musicologists and composers who combine culturally, socially, historically and aesthetically oriented approaches with analytical methods in imaginative ways."--Provided by publisher.

Includes eight main essays as well as contributions from Elizabeth A.T. Smith, this volume documents the Case Study House Progam, carried out between 1945 and 1966 where 36 experimental prototype houses were built by leading Californian architects.

Recent insights into the nature of representation and power relations have signaled an important shift in perspective on anthropology: from a fieldwork-based "science" of culture to an interpretive activity bound to the discursive and ideological process called "text-making." This collection of essays reflects the ongoing cross-fertilization between literary criticism and anthropology. Focusing on texts written or influenced by anthropologists between 1900 and 1945, the work relates current perspectives on anthropology's discursive nature to the literary period known as "Modernism.". The essays, each demonstrating anthropology's profound influence on this important cultural movement, are organized according to discourse type: from the comparativist text of Frazer, to the ethnographies of Boas, Benedict, Mead, and Hurston, and on to the surrealist experiments of the College de Sociologie. Meanwhile the book's orientation shifts from essays that approach anthropology from the vantage points of literariness and textual power to those that contemplate what bearing the junction of cultural theory and anthropology can have upon present and future social institutions. In addition to the editor, contributors include Vincent Crapanzano, Deborah Gordon, Richard Handler, Arnold Krupat, Francesco Loriggio, Michele Richman, Marty Roth, Marilyn Strathern, Robert Sullivan, John B. Vickery, and Steven Webster. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The first monograph on American midcentury textile pioneer and interior designer Ruth Adler Schnee This monograph presents the work of textile and interior designer Ruth Adler Schnee (b. 1923), still in active practice at age 96, affirming her pivotal role in the development of the modern interior. At the core of this volume, published to accompany the first major museum retrospective of Adler Schnee's work, is the body of textile patterns she has created over the course of her prolific seven-decade career, including the screen-printed fabrics that helped define midcentury American modernism as well as their later iterations as woven textiles. One of the first women to receive an MFA in Design from the Cranbrook Academy of Art, these designs have been the thread that connects Adler Schnee's diverse production and many professional networks, crossing between her and her husband's retail entrepreneurship and her interior design commissions and architectural collaborations (Adler Schnee is also famed for her collaborations with Alexander Girard, Minoru Yamasaki and Frank Lloyd Wright). With more than 80 color plates, an illustrated chronology and three critical essays, Ruth Adler Schnee: Modern Designs for Living presents the definitive narrative of the designer's oeuvre. Contributors include Susan Brown, who provides a survey of Adler Schnee's textile designs and production, Deborah Lubera Kawsky, who narrates a biographical sketch of the designer's life and business, and Ian Gabriel Wilson, who presents a historical analysis of Adler Schnee's interior design commissions and architectural collaborations. A history of midcentury modern American design through the work of one of its under-recognized protagonists, Ruth Adler Schnee: Modern Designs for Living is an essential, long-overdue volume.