This resource is written for for students studying the economic and social development of Russia and the Soviet Union, as well as the nature of Russian government and its impact on the Russian people in this period.

To support study of History for the IB Diploma Paper 3, revised for first assessment in 2017. This coursebook covers Paper 3, History of Europe, Topic 12.in HL Option 4 of the syllabus for first assessment in 2017. Tailored to the Higher Level requirements of the IB syllabus and written by experienced IB History examiners and teachers, it offers authoritative and engaging guidance through the topic.

A Study Guide for Leo Tolstoy's "The Long Exile," excerpted from Gale's acclaimed Short Stories for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Short Stories for Students for all of your research needs.

"Heinemann Advanced History" offers a differentiation strategy, with books covering AS and A2. Exam preparation includes practice questions, advice on what makes a good answer and help for students on interpreting questions and planning essays.

"Heinemann Advanced History" offers a differentiation strategy, with books covering AS and A2. Exam preparation includes practice questions, advice on what makes a good answer and help for students on interpreting questions and planning essays.

This text offers coverage of the AS/A-Level course and includes sample exam questions and advice on what makes a good answer. It also features help for students on how to interpret the material and plan essays.

How did modernist poetry respond—both thematically and technically—to communism? In Red Modernism, Mark Steven asserts that modernism was highly attuned—and aesthetically responsive—to the overall spirit of communism. He considers the maturation of American poetry as a longitudinal arc, one that roughly followed the rise of the USSR through the Russian Revolution and its subsequent descent into Stalinism, opening up a hitherto underexplored domain in the political history of avant-garde literature. In doing so, Steven amplifies the resonance among the universal idea of communism, the revolutionary socialist state, and the American modernist poem. Focusing on three of the most significant figures in modernist poetry—Ezra Pound, William Carlos Williams, and Louis Zukofsky—Steven provides a theoretical and historical introduction to modernism’s unique sense of communism while revealing how communist ideals and references were deeply embedded in modernist poetry. Moving between these poets and the work of T. S. Eliot, Langston Hughes, Muriel Rukeyser, Gertrude Stein, Wallace Stevens, and many others, the book combines a detailed analysis of technical devices and poetic values with a rich political and economic context. Persuasively charting a history of the avant-garde modernist poem in relation to communism, beginning in the 1910s and reaching into the 1940s, Red Modernism is an audacious examination of the twinned history of politics and poetry.