When most of us take a backward glance at the 1920s, we may think of prohibition and the jazz age, of movies stars and flappers, of Harold Lloyd and Mary Pickford, of Lindbergh and Hoover--and of Black Friday, October 29, 1929, when the plunging stock market ushered in the great depression. But the 1920s were much more. Lynn Dumenil brings a fresh interpretation to a dramatic, important, and misunderstood decade. As her lively work makes clear, changing values brought an end to the repressive Victorian era; urban liberalism emerged; the federal bureaucracy was expanded; pluralism became increasingly important to America's heterogeneous society; and different religious, ethnic, and cultural groups encountered the homogenizing force of a powerful mass-consumer culture. "The Modern Temper "brings these many developments into sharp focus.

Lamentation of death is the traditional elegiac focus, but in the twentieth century the elegy has become characterized as well by the mourning of other kinds of loss—those personal, familial, romantic, cultural, and philosophical privations and dispossessions that have so greatly shaped the modern sensibility. According to John B. Vickery, a profound elegiac temper is itself the major trait of twentieth-century culture, registered in attitudes ranging from regret, sorrow, confusion, anger, anxiety, doubt, and alienation to outright despair. He transforms our understanding of the elegy and its relation to modernism in The Modern Elegiac Temper. Vickery offers in-depth readings of a broad sampling of British and American poems written from World War I to the present. He considers works of overlooked poets such as Vernon Watkins, George Barker, and Edith Sitwell while also attending to canonical writers such as T. S. Eliot, Ezra Pound, W. H. Auden, and Wallace Stevens. Taking a text-oriented rather than author- or theory-oriented approach, he discusses in turn the personal, love, cultural, and philosophical elegy and shows how war, the Great Depression, the Holocaust, and other major historical events influenced poets’ elegiac expressions. By suggesting ways in which the individual-centered concerns of the traditional elegy metamorphose under the depersonalizing lens of high modernism, Vickery reveals the modern elegy to be a finely calibrated instrument for reading and expressing, absorbing and reflecting, the modern temperament.

"While modernists are currently so mired in the question of who did what to whom during World War II that they have lost a sense of intellectual urgency, the study of medieval literature and culture has never been more alive or at a more interestingly innovative stage." -- from the Introduction Medievalism and the Modernist Temper brings major and outstanding younger medievalists into confrontation with the notion of medievalism itself in order to chart the directions the field has taken in the past and may take in the future. The collection not only explores modern conceptions of cultural patterns in the Middle Ages but also makes a significant contribution to the wider field of sociology of knowledge in the humanities. In its largest sense, it is a study of the institution of modern scholarship, using medieval literature as a focus. Contributors are R. Howard Bloch, Alain Boureau, E. Jane Burns, Michael Camille, Alain Corbellari, John M. Ganim, John M. Graham, Hans Ulrich Gumbrecht, Suzanne Fleischman, David Hult, Carl Landauer, Seth Lerer, Stephen G. Nichols, Per Nykrog, and Jeffrey M. Peck. "This highly original, polemical and paradigm-shifting book challenges academics to look more closely at the ideological foundations of the very disciplines we practice. Perhaps its most extraordinary contribution to literary studies as a whole (and it emerges with luminous clarity from the editors' Introduction) is to offer a new, historicized means of reviving what was once known as 'source studies.'" -- Jody Enders, University of California, Santa Barbara

"To an astonishing extent, the 1920s resemble our own era, at the turn of the twenty-first century; in many ways that decade was a precursor of modern excesses....Much of what we consider contemporary actually began in the Twenties." -- from the Introduction The images of the 1920s have been indelibly imprinted on the American imagination: jazz, bootleggers, flappers, talkies, the Model T Ford, Babe Ruth, Charles Lindbergh's history-making flight over the Atlantic. But it was also the era of the hard-won vote for women, racial injustice, censorship, widespread social conflict, and the birth of organized crime. Bookended by the easy living of the Jazz Age, when the booze and money flowed seemingly without end, and the crash of '29 that led to breadlines and a level of human suffering not seen since World War I, New World Coming is a lively, entertaining, and all-encompassing chronological account of an age that defined America. Chronicling what he views as the most consequential decade of the past century, Nathan Miller -- an award-winning journalist and five-time Pulitzer nominee -- paints a vivid portrait of the 1920s, focusing on the men and women who shaped that extraordinary time, including, ironically, three of America's most conservative presidents: Harding, Coolidge, and Hoover. In the Twenties, the American people soared higher and fell lower than they ever had before. As unprecedented economic prosperity and sweeping social change dazzled the public, the sensibilities and restrictions of the nineteenth century vanished, and many of the institutions, ideas, and preoccupations of our own age emerged. With scandal, sex, and crime the lifeblood of the tabloids, the contemporary culture of celebrity and sensationalism took root and journalism became popular entertainment. By discarding Victorian idealism and embracing twentieth-century skepticism, America became, for the first time, thoroughly modernized. There is hardly a dimension of our present world, from government to popular culture, that doesn't trace its roots to the 1920s, and few decades are more intriguing or significant today. The first comprehensive view of the era since Only Yesterday, Frederick Lewis Allen's 1931 classic, New World Coming reveals this remarkable age from the vantage point of nearly a century later. It's all here -- the images and the icons, the celebrities and the legends -- in a book that will resonate with history readers, 1920s aficionados, and Americans everywhere.

“A delightful, dark, and entertaining romp . . . Molly Tanzer is at the top of her form in this beautifully constructed novel.” — Jeff VanderMeer, best-selling author of the Southern Reach trilogy Victorian London is a place of fluid social roles, vibrant arts culture, fin-de-siècle wonders . . . and dangerous underground diabolic cults. Fencer Evadne Gray cares for none of the former and knows nothing of the latter when she’s sent to London to chaperone her younger sister, aspiring art critic Dorina. At loose ends after Dorina becomes enamored with their uncle’s friend, Lady Henrietta “Henry” Wotton, a local aristocrat and aesthete, Evadne enrolls in a fencing school. There, she meets George Cantrell, an experienced fencing master like she’s always dreamed of studying under. But soon, George shows her something more than fancy footwork—he reveals to Evadne a secret, hidden world of devilish demons and their obedient servants. George has dedicated himself to eradicating demons and diabolists alike, and now he needs Evadne’s help. But as she learns more, Evadne begins to believe that Lady Henry might actually be a diabolist . . . and even worse, she suspects Dorina might have become one too. Combining swordplay, the supernatural, and Victorian high society, Creatures of Will and Temper reveals a familiar but strange London in a riff on Oscar Wilde’s The Picture of Dorian Gray that readers won't soon forget. “An artful, witty, Oscar Wilde pastiche with the heart of a paranormal thriller.” — Diana Gabaldon, best-selling author of Outlander

Gwendolyn Wright’s USA is an engaging account the evolution of American architecture, from the late nineteenth century to the twenty-first.