Devoted to close readings of poets and their contexts from various postmodern perspectives, this book offers a wide-ranging look at the work of feminists and "post feminist" poets, working class poets, and poets of diverse cultural backgrounds, as well as provocative re-readings of such well-established and influential figures as Donald Davie, Ted Hughes, Geoffrey Hill, and Craig Raine. Contributors include many respected theorists and critics, such as Antony Easthope, C.L. Innes, John Matthias, Edward Larrissy, Linda Anderson, Eric Homberger, Alastair Niven, R.K. Meiners, and Cairns Craig, in addition to new writers working from new theoretical perspectives. Their approaches range from cultural theory to poststructuralism; each essayist addresses a general audience while engaging in debates of interest to postgraduates and specialists in the fields of twentieth-century poetry and cultural studies. The book's strength lies in its diversity at every level.

From established poets such as Andrew Motion and James Fenton, to mid-career poets such as Glyn Maxwell and Kathleen Jamie, to recent T.S. Eliot Prize-winner Alice Oswald, the work is fiercely intelligent, often irreverent, and engaged with traditional forms and an exhilirating range of styles. --Graywolf Press.

An inclusiveselection of women s poetry in English that features writers from 1900 through the present, thiscollection reflectsaspects of women s lives, such as work, childhood, God, and lust. Classic poems from Emily Dickinson, Elizabeth Bishop, and Sylvia Plath complement those from recent prize-winnersAlice Oswald, Deryn Rees-Jones, and Carol Ann Duffy. Showcasing the range, craft, intelligence, and skill of women s poetry, this compilation contains authors from Australia, Canada, the Caribbean, New Zealand, the United Kingdom, and the United States."

As well as representing many of the most important poets of the last 100 years, Strong Words charts many different stances and movements, from modernism to postmodernism, from futurism to the future theories of poetry.

Excerpt from The Modern Poets: An American-British Anthology Perspective, identify an allusion, turn a key that may help to make a first reading a comparatively full and easy one. Commentary cannot account for the ultimate values of any poem, but, by supplying points of information and {by suggesting interpretations, we can perhaps provide the bases on 'which these values may be discovered. We trust that most of the poems are self-contained and self explanatory. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.