This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1982.

In Book V of Plato's Republic, Socrates proposed that in an ideal society the most capable men and women must rule together equally. But as Natalie Harris Bluestone demonstrates in this cogent study, for generations the most influential classicists, historians of philosophy, and political theorists have ignored or rejected the idea of Philosopher Queens--of women serving as equal partners in the guiding of a just society. She also argues that in recent years many feminist writers, while correcting previous misconceptions, have allowed their sexual politics to distort their discussion of Plato's text. In confronting both male and female biases, Bluestone addresses some of the most debated issues of our time. She questions whether women have special qualities that make them naturally better or worse equipped for leadership than men, arguing convincingly against sociobiological views of gender differences. In defending the predominance of reason as the arbiter of excellence and the key to justice, she offers a spirited critique of current feminist theory. Her writing is personal, sometimes humorous, and yet rigorously analytic, as she reveals the difficulties inherent in philosophical discussions involving gender, the prevalence in the academy of discrimination against women, and the continuing importance of the issues Plato raised in the Republic.

By focusing the various difficulties encountered in applying theory to practical concerns, this book explores the reasons for the absence of a radical politics in Habermas's work. In doing so, it shows that certain political implications of the theory remain unexplored. The book articulates a unique application of Habermasian theory, the actual functioning of decision-making groups, the nature of deliberative interaction, and the kinds of judgments participants must make if they are to preserve their democratic process.

New essays on theological, political, and contemporary themes, by the Pulitzer Prize winner Marilynne Robinson has plumbed the human spirit in her renowned novels, including Lila, winner of the National Book Critics Circle Award, and Gilead, winner of the Pulitzer Prize and the National Book Critics Circle Award. In this new essay collection she trains her incisive mind on our modern political climate and the mysteries of faith. Whether she is investigating how the work of great thinkers about America like Emerson and Tocqueville inform our political consciousness or discussing the way that beauty informs and disciplines daily life, Robinson’s peerless prose and boundless humanity are on full display. What Are We Doing Here? is a call for Americans to continue the tradition of those great thinkers and to remake American political and cultural life as “deeply impressed by obligation [and as] a great theater of heroic generosity, which, despite all, is sometimes palpable still.”

A dazzling, genre-defying novel in verse from the author Delia Owens says “tackles the absurdities, injustices, and corruption of a continent” Ngũgĩ wa Thiong’o’s novels and memoirs have received glowing praise from the likes of President Barack Obama, the New Yorker, the New York Times Book Review, The Guardian, and NPR; he has been a finalist for the Man International Booker Prize and is annually tipped to win the Nobel Prize for Literature; and his books have sold tens of thousands of copies around the world. In his first attempt at the epic form, Ngũgĩ tells the story of the founding of the Gĩkũyũ people of Kenya, from a strongly feminist perspective. A verse narrative, blending folklore, mythology, adventure, and allegory, The Perfect Nine chronicles the efforts the Gĩkũyũ founders make to find partners for their ten beautiful daughters—called “The Perfect Nine” —and the challenges they set for the 99 suitors who seek their hands in marriage. The epic has all the elements of adventure, with suspense, danger, humor, and sacrifice. Ngũgĩ’s epic is a quest for the beautiful as an ideal of living, as the motive force behind migrations of African peoples. He notes, “The epic came to me one night as a revelation of ideals of quest, courage, perseverance, unity, family; and the sense of the divine, in human struggles with nature and nurture.”