In a fascinating look at this architectural phenomenon, Chad Randl tells the story of the "triangle" house from prehistoric Japan to its lifestyle-changing heyday in the 1960s. Includes an appendix with a complete set of blueprints.

Based on long-term ethnographic research in the art worlds of Istanbul and Berlin, The National Frame rethinks the politics of art by focusing on the role of art in state governance. It argues that artistic practices, arts patronage and sponsorship, collecting and curating art, and the modalities of censorship continue to be refracted through the conceptual lens of the nation-state, despite the globalization of the arts. By examining discussions of the civilizing function of art in Turkey and Germany and particularly moments in which art is seen to cede this function, The National Frame reveals the histories of violence on which the production, circulation, and, very understanding of art are predicated. Karaca examines this darker side of art in two cities in which art and its institutions have been intertwined with symbolic and material dispossession. The particularities of German and Turkish contexts, both marked by attempts to claim modern nationhood through the arts; illuminate how art is staked to memory and erasure, resistance and restoration; and why art has been at once vital and unwieldy for national projects. As art continues to be called upon to engage the past and imagine different futures, The National Frame explores how to reclaim art’s emancipatory potential.

Simple and beautifully illustrated introduction to the use of reciprocal frame structures in architecture.

How organizations can use practices developed by expert designers to solve today's open, complex, dynamic, and networked problems. When organizations apply old methods of problem-solving to new kinds of problems, they may accomplish only temporary fixes or some ineffectual tinkering around the edges. Today's problems are a new breed—open, complex, dynamic, and networked—and require a radically different response. In this book, Kees Dorst describes a new, innovation-centered approach to problem-solving in organizations: frame creation. It applies “design thinking,” but it goes beyond the borrowed tricks and techniques that usually characterize that term. Frame creation focuses not on the generation of solutions but on the ability to create new approaches to the problem situation itself. The strategies Dorst presents are drawn from the unique, sophisticated, multilayered practices of top designers, and from insights that have emerged from fifty years of design research. Dorst describes the nine steps of the frame creation process and illustrates their application to real-world problems with a series of varied case studies. He maps innovative solutions that include rethinking a store layout so retail spaces encourage purchasing rather than stealing, applying the frame of a music festival to understand late-night problems of crime and congestion in a club district, and creative ways to attract young employees to a temporary staffing agency. Dorst provides tools and methods for implementing frame creation, offering not so much a how-to manual as a do-it-yourself handbook—a guide that will help practitioners develop their own approaches to problem-solving and creating innovation.

Looking to get your A-Frame fix in a fun, new colorful way? Cozy up with The A-Frame Coloring Book for some mid-century mindfulness that celebrates these unmistakable architectural icons! The A-Frame Coloring Book: Volume One features thirteen unique A-Frame cabins from all corners of the United States. Each featured A-Frame includes one interior and exterior coloring page, showcasing each location and its attention to detail, both inside and out. From a ship-inspired cabin perched above the rocky Maine coastline to a sleek, modern masterpiece under the towering redwoods of the Pacific Northwest, this coloring book serves to celebrate these wonderfully unique and picture-perfect homes. What's more, all of the houses that appear in the first volume of The A-Frame Coloring Book are available to rent on short-term vacation rental sites (like Airbnb and VRBO), making each page a potential getaway destination. So get ready to doodle on some of the cutest A-Frames around - and perhaps even plan your next vacation while you do! A-Frames featured in The A-Frame Coloring Book: Volume One: A-FRAME CHALET A-FRAME HAUS THE ALPINE A-FRAME BLACK A-FRAME VERMONT BOHO A-FRAME CEDAR BLOOM A-FRAME INVERNESS A-FRAME PROWHOUSE THE TREEHOUSE TYE HAUS THE VERMONT A-FRAME WHISKEY RIDGE CHALET THE WILSON HAUS

Midcentury spaces made new: A-Frame homes from rustic to ultra-modern, mountain retreats to seaside getaways. The A-Frame home surged in popularity in the 1950s, and has captured the public’s imagination with its playfully modern, steep-sloping roofline ever since. The Modern A-Frame celebrates seventeen diverse accounts of these minimalists cabins reinvented for the twenty-first century. Nostalgic escapes, heritage homes, full-time simplicity, and artists at work categorize the A-frames whose engaging stories are shared. Whether fabricated from a 1960s kit or as a new build via retro inspiration, the variety of styles and homeowners in this photo-driven collection beautifully captures the romance of a classic structure, which beckons to travelers and homebuyers today, just as it did sixty years ago. Perfect for the architectural enthusiast, midcentury-minded designer, or armchair traveler. Ben Rahn has been photographing architecture and interiors for more than twenty years. He founded A-Frame Studio in 2003 out of a desire to combine his love of design with his keen photographic eye. His work has been recognized internationally and has appeared in publications such as Dwell, Wallpaper, Conde Naste Traveller, and more. He lives in Toronto, Canada.

Inspired by Michel Foucault's The Order of Things, this book tells a story about epochal change in the modern world. Like Foucault, Nicholas Onuf is concerned with how we moderns think about ourselves and our world, but in this book he emphasizes the conceptual links in the ways we think, talk, get things done, conduct ourselves, and run societies, from age to age. As with his previous work, Onuf emphasizes the "rules for rule" that have solidified over time through repeated behaviors that work themselves out into a system of social uniformity and hierarchy. Rules set out who is a member of society, establish goals, provide opportunities to act, and dictate who sits on top -- in other words, what any political society looks like in a particular time and place. This book looks at the political society that has evolved since the Renaissance, or what might be called "the modern world," in order to consider what is yet to come. Onuf argues that modernity, although consisting of a succession of epochs or ages separated by great ruptures, has continued to change within the confines of a "mightie frame" (a turn of phrase he borrows from John Milton). Epoch by epoch, this frame has linked the limits of our knowledge, à la Michel Foucault, to conditions of rule, and it points to a plausible ethics for what comes next. But unlike Foucault, Onuf argues that modernism marked an end to societal and political transitions, and that we have entered a period during which established conditions of rule are likely to be reinforced -- and the mighty frame will grow ever mightier.