Where Is the Hope in Grief for a Young Amish Widow? Sylvia has been nearly paralyzed with grief and anxiety since the tragic death of her husband, father, and brother in a traffic accident. She tries to help in the family’s greenhouse while caring for her two young children, but she prefers not to have to deal with customers. Her mother’s own grief causes her to hover over her children and grandchildren, and Sylvia seeks a diversion. She takes up birdwatching and soon meets an Amish man who teaches her about local birds. But Sylvia’s mother doesn’t trust Dennis Weaver, and as the relationship sours, mysterious attacks on the greenhouse start up again.

"Hush little baby, close your eyes, Mama loves you, Papa loves you ... so do I!"--Back cover.

“If Thoreau drank more whiskey and lived in the desert, he’d write like this.”—High Country News Welcome to the land of wildfire, hypothermia, desiccation, and rattlers. The stark and inhospitable high-elevation landscape of Nevada’s Great Basin Desert may not be an obvious (or easy) place to settle down, but for self-professed desert rat Michael Branch, it’s home. Of course, living in such an unforgiving landscape gives one many things to rant about. Fortunately for us, Branch—humorist, environmentalist, and author of Raising Wild—is a prodigious ranter. From bees hiving in the walls of his house to owls trying to eat his daughters’ cat—not to mention his eccentric neighbors—adventure, humor, and irreverence abound on Branch’s small slice of the world, which he lovingly calls Ranting Hill.

A blue mockingbird chides a red mockingbird for singing the same song, but they find when they sing together, they make beautiful music

Mysterious Events Plague a Greenhouse in Pennsylvania’s Amish Country When Vernon King, his son, and son-in-law are involved in a terrible accident, three women are left to cope with their deaths, as they become the sole providers of the family they have left. The women’s only income must come from the family greenhouse, but someone seems to be trying to force them out of business. Amy King has just lost her father and brother, and her mother needs her to help run the family’s greenhouse. It doesn’t seem fair to ask her to leave a job she loves, when there is still a sister and brother to help. But Sylvia is also grieving for her husband while left to raise three children, and Henry, just out of school, is saddled with all the jobs his father and older brother used to do. As Amy assumes her new role, she also asks Jared Riehl to put their courtship on hold. When things become even more stressful at the greenhouse, will Amy crumble under the pressure?

Late summer 1941. Louisianas piney woods are engulfed by a tidal wave of soldiers engaged in the largest army maneuvers ever undertaken on American soil. For many of these young men, as well as the isolated Southern communities, life will never be the same. Although no one knows it, our nation will be at war in three months. Elizabeth Reed is a young Louisiana schoolteacher who dislikes soldiers. Harry Miller is a Wisconsin soldier who hates Louisiana. It only makes sense that they should meet and fall in love. Their story begins with a bulletan empty cartridge tossed from a truckload of soldiers. The note inside it will change the destinies of these two young people. In the midst of large-scale battles between the red and blue armies, Harry and Elizabeth are each fighting their own war with dark secrets from their pasts. They have nothing in common except mutual desires to escape these pasts. In spite of clashing at every turn, they run right into each others arms as they jointly learn that the hardest person to forgive is yourself. Within this clash of cultures lies the core message of A Spent Bullet. Rural Louisiana is never the same, and neither are the soldiers who learn about Louisiana mud, mosquitoes, and misery mixed with memorable Southern hospitality. More than a love story, A Spent Bullet recreates a memorable but largely forgotten time in Louisiana and our nations history. Told in the warm and touching style loved by readers of his previous eight books, Curt Iles weaves a story of love, history, and redemption.

The story of the impactful partnership between humans and mockingbirds, both scientifically and culturally over the centuries, written for young adults by award-winning nonfiction powerhouse Phil Hoose. The Northern mockingbird’s brilliant song—a loud, bright, liquid sampling of musical notes and phrases—has made it a beloved companion and the official bird of five states. Many of our favorite songs and poems feature mockingbirds. Mockingbirds have been companions to humans for centuries. Many Native American myths and legends feature mockingbirds, often teaching humans to speak. Thomas Jefferson’s mockingbird, “Dick”, was the first White House pet. John James Audubon’s portrait of a rattlesnake raiding a mockingbird’s nest sparked outrage in the world of art. Atticus Finch’s somber warning to his children, “Remember, it’s a sin to kill a Mockingbird,” is known throughout the world. Some jazz musicians credit mockingbirds with teaching them a four-note call that says, “Break’s over.” And mockingjays—a hybrid between jabberjays and mockers—are a symbol of the rebel cause in the Hunger Games trilogy. But in the early 1900s the mocker was plummeting toward extinction. Too many had been trapped, sold, and caged. Something had to be done. To the rescue came a powerful and determined group of women. Now, National Book Award and Newbery honor-winner Phillip Hoose brings the story of the important and overlooked connection between humans and mockingbirds—past, present, and future. It is the third volume of his bird trilogy. Duet is a study in the power of song. As author Steve Sheinkin puts it, “This book will change how you listen to the world.”