Antiques dealer Lara McClintoch leaves Toronto to head to Easter Island, where she comes face to face with murder as the giant Moai stone carvings bring together a delegation of experts--as well as a killer with a taste for revenge.

"First published in Japan in 1989 by Taokyao Sogensha Co., Ltd. as Kotao Pazuru"--Title page verso.

The co-owner of a Toronto antiques store, Lara McClintoch is obsessed with finding rare and beautiful artifacts. Her travels take her to the ends of the earth, where history jealously guards its treasures -- and where the mysteries of the past meet the dangers of the present... At an auction house in Toronto, Lara picks up a box of what she thinks are worthless Peruvian reproductions -- only to find that they are authentic artifacts of the Moche, an ancient people whose civilization predates the Incas. When her assistant is brutally attacked and her shop burned, Lara realizes that she is an unwitting link in a chain of black-market collectors. Now she must journey to Peru and do battle with an army of grave robbers who are as ruthless -- and deadly -- as the Moche warriors themselves...

Toronto shopkeeper Lara McClintoch heads for Bangkok to search for the truth about a missing antiques dealer, with only a fifty-year-old newspaper clipping about a murder and broken terracotta amulets as a clue to a deadly conspiracy and a family tragedy.

This collection of essays examines how college professors teach the genre of detective fiction and provides insight into how the reader may apply such strategies to his or her own courses. Multi-disciplinary in scope, the essays cover teaching in the areas of literature, law, history, sociology, anthropology, architecture, gender studies, cultural studies, and literary theory. Also included are sample syllabi, writing assignments, questions for further discussion, reading lists, and further aids for course instruction.

Like other fictional characters, female sleuths may live in the past or the future. They may represent current times with some level of reality or shape their settings to suit an agenda. There are audiences for both realism and escapism in the mystery novel. It is interesting, however, to compare the fictional world of the mystery sleuth with the world in which readers live. Of course, mystery readers do not share one simplistic world. They live in urban, suburban, and rural areas, as do the female heroines in the books they read. They may choose a book because it has a familiar background or because it takes them to places they long to visit. Readers may be rich or poor; young or old; conservative or liberal. So are the heroines. What incredible choices there are today in mystery series! This three-volume encyclopedia of women characters in the mystery novel is like a gigantic menu. Like a menu, the descriptions of the items that are provided are subjective. Volume 3 of Mystery Women as currently updated adds an additional 42 sleuths to the 500 plus who were covered in the initial Volume 3. These are more recently discovered sleuths who were introduced during the period from January 1, 1990 to December 31, 1999. This more than doubles the number of sleuths introduced in the 1980s (298 of whom were covered in Volume 2) and easily exceeded the 347 series (and some outstanding individuals) described in Volume 1, which covered a 130-year period from 1860-1979. It also includes updates on those individuals covered in the first edition; changes in status, short reviews of books published since the first edition through December 31, 2008.

The discovery of a 25,000-year-old archaeological treasure, a rekindled romance, and a suspicious suicide send Toronto antiques dealer Lara McClintoch on a quest to the city of Budapest. Reprint.