Human impacts and emerging mega-trends such as climate change and energy scarcity will impact natural resource management in this century. This is especially true for deltas because of their ecological and economic importance and their sensitivity to climate change. The Mississippi delta is one of the largest in the world and has been strongly impacted by human activities. Currently there is an ambitious plan for restoration of the delta. This book, by a renown group of delta experts, provides an overview of the challenges facing the delta and charts - a way forward to sustainable management.

Weaving national narratives from stories of the daily lives and familiar places of local residents, Francoise Hamlin chronicles the slow struggle for black freedom through the history of Clarksdale, Mississippi. Hamlin paints a full picture of the town ov

In The Place with No Edge, Adam Mandelman follows three centuries of human efforts to inhabit and control the lower Mississippi River delta, the vast watery flatlands spreading across much of southern Louisiana. He finds that people’s use of technology to tame unruly nature in the region has produced interdependence with—rather than independence from—the environment. Created over millennia by deposits of silt and sand, the Mississippi River delta is one of the most dynamic landscapes in North America. From the eighteenth-century establishment of the first French fort below New Orleans to the creation of Louisiana’s Coastal Master Plan in the 2000s, people have attempted to harness and master this landscape through technology. Mandelman examines six specific interventions employed in the delta over time: levees, rice flumes, pullboats, geophysical surveys, dredgers, and petroleum cracking. He demonstrates that even as people seemed to gain control over the environment, they grew more deeply intertwined with—and vulnerable to—it. The greatest folly, Mandelman argues, is to believe that technology affords mastery. Environmental catastrophes of coastal land loss and petrochemical pollution may appear to be disconnected, but both emerged from the same fantasy of harnessing nature to technology. Similarly, the levee system’s failures and the subsequent deluge after Hurricane Katrina owe as much to centuries of human entanglement with the delta as to global warming’s rising seas and strengthening storms. The Place with No Edge advocates for a deeper understanding of humans’ relationship with nature. It provides compelling evidence that altering the environment—whether to make it habitable, profitable, or navigable —inevitably brings a response, sometimes with unanticipated consequences. Mandelman encourages a mindfulness of the ways that our inventions engage with nature and a willingness to intervene in responsible, respectful ways.

No one knew the Mississippi Delta more intimately or told its story more eloquently than did David L. Cohn (1894-1960). Between 1935 and 1960 he produced ten books including his best known, God Shakes Creation, later expanded into Where I Was Born and Raised -- and scores of articles and essays, including more than sixty such pieces in the Atlantic Monthly alone. One of his greatest frustrations, however, was not finding time to organize and prepare for publication the memoir he began in 1953. James C. Cobb discovered Cohn's memoir in 1985 in the David L. Cohn Collection at the University of Mississippi. Struck by its richness and convinced that it should be published, he undertook the task of arranging and editing the material. What Cobb has brought forth is an immensely valuableand entertaining work of both literary and historical significance that plots one extraordinary man's course through the changes of the twentieth century. Cohn was in essence a "cosmopolitan provincial," an observer who realized that the problems and circumstances of the Delta were at the same time unique and universal. A native of Greenville, he was educated at the University of Virginia and Yale University Law School. A brief but highly successful career in business allowed him to pursue his dream of being a writer. He traveled widely but remained faithful to his Delta roots, counting among his close friends both William Alexander Percy and Hodding Carter. He was intensely interested in politics and served as speechwriter for Democratic party leaders, including Adlai Stevenson, George McGovern, and Lyndon Johnson. Lamenting the trend toward overspecialization, Cohn did not shrink from expressing his views on a wide array of topics: race and religion, free trade and internationalism, technology and culture, and materialism and matrimony, among others. Southern to the marrow and an almost zealously patriotic American, he was also a Jew, and he managed a harmonious integration of all three identities rather than the separation or suppression of any one. In his Introduction, Cohn describes his memoir as "primarily an evocation of persons and places... the physical and spiritual terrain of my youth," a period that takes him from birth through approximately 1934. Cobb picks up the thread in a concluding essay, surveying Cohn's later life and analyzing his literary career in light of his southern origins, racial views, ethnic ties, and internationalist perspective. Perhaps better than any other single work by Cohn, The Mississippi Delta and the World reveals that he was a truly learned commentator on the human condition, one who benefited enormously both from his travels and from his determination to maintain his ties to the place where he was "born and raised."

In the Mississippi Delta, creativity, community, and a rich expressive culture persist despite widespread poverty. Over five years of extensive work in the region, author Ali Colleen Neff collected a wealth of materials that demonstrate a vibrant musical scene. Let the World Listen Right draws from classic studies of the blues as well as extensive ethnographic work to document the “changing same” of Delta music making. From the neighborhood juke joints of the contemporary Delta to the international hip-hop stage, this study traces the musical networks that join the region's African American communities to both traditional forms and new global styles. The book features the words and describes performances of contemporary artists, including blues musicians, gospel singers, radio and club DJs, barroom toast-tellers, preachers, poets, and a spectrum of Delta hip-hop artists. Contemporary Delta hip-hop artists Jerome “TopNotch the Villain” Williams, Kimyata “Yata” Dear, and DA F.A.M. have contributed freestyle poetry, extensive interview materials, and their own commentaries. The book focuses particularly on the biography of TopNotch, whose hip-hop poetics emerge from a lifetime of schoolyard dozens and training in the gospel church.

"Cotton obsessed, Negro obsessed," Rupert Vance called it in 1935. "Nowhere but in the Mississippi Delta," he said, "are antebellum conditions so nearly preserved." This crescent of bottomlands between Memphis and Vicksburg, lined by the Yazoo and Mississippi rivers, remains in some ways what it was in 1860: a land of rich soil, wealthy planters, and desperate poverty--the blackest and poorest counties in all the South. And yet it is a cultural treasure house as well--the home of Muddy Waters, B.B. King, Charley Pride, Walker Percy, Elizabeth Spencer, and Shelby Foote. Painting a fascinating portrait of the development and survival of the Mississippi Delta, a society and economy that is often seen as the most extreme in all the South, James C. Cobb offers a comprehensive history of the Delta, from its first white settlement in the 1820s to the present. Exploring the rich black culture of the Delta, Cobb explains how it survived and evolved in the midst of poverty and oppression, beginning with the first settlers in the overgrown, disease-ridden Delta before the Civil War to the bitter battles and incomplete triumphs of the civil rights era. In this comprehensive account, Cobb offers new insight into "the most southern place on earth," untangling the enigma of grindingly poor but prolifically creative Mississippi Delta.

New Yorkers Grant and his girlfriend Mariah decided on a whim to buy an old plantation house in the Mississippi Delta. This is their journey of discovery to a remote, isolated strip of land, three miles beyond the tiny community of Pluto. They learn to hunt, grow their own food, and fend off alligators, snakes, and varmints galore. They befriend an array of unforgettable local characters, capture the rich, extraordinary culture of the Delta, and delve deeply into the Delta's lingering racial tensions. As the nomadic Grant learns to settle down, he falls not just for his girlfriend but for the beguiling place they now call home.