In the 1960s the Air Force buried 1,000 ICBMs in pastures across the Great Plains to keep U.S. nuclear strategy out of view. As rural civilians of all political stripes found themselves living in the Soviet crosshairs, a proud Plains individualism gave way to an economic dependence on the military-industrial complex that still persists today.

The Oscar-shortlisted documentary Command and Control, directed by Robert Kenner, finds its origins in Eric Schlosser's book and continues to explore the little-known history of the management and safety concerns of America's nuclear aresenal. “A devastatingly lucid and detailed new history of nuclear weapons in the U.S. Fascinating.” —Lev Grossman, TIME Magazine “Perilous and gripping . . . Schlosser skillfully weaves together an engrossing account of both the science and the politics of nuclear weapons safety.” —San Francisco Chronicle A myth-shattering exposé of America’s nuclear weapons Famed investigative journalist Eric Schlosser digs deep to uncover secrets about the management of America’s nuclear arsenal. A groundbreaking account of accidents, near misses, extraordinary heroism, and technological breakthroughs, Command and Control explores the dilemma that has existed since the dawn of the nuclear age: How do you deploy weapons of mass destruction without being destroyed by them? That question has never been resolved—and Schlosser reveals how the combination of human fallibility and technological complexity still poses a grave risk to mankind. While the harms of global warming increasingly dominate the news, the equally dangerous yet more immediate threat of nuclear weapons has been largely forgotten. Written with the vibrancy of a first-rate thriller, Command and Control interweaves the minute-by-minute story of an accident at a nuclear missile silo in rural Arkansas with a historical narrative that spans more than fifty years. It depicts the urgent effort by American scientists, policy makers, and military officers to ensure that nuclear weapons can’t be stolen, sabotaged, used without permission, or detonated inadvertently. Schlosser also looks at the Cold War from a new perspective, offering history from the ground up, telling the stories of bomber pilots, missile commanders, maintenance crews, and other ordinary servicemen who risked their lives to avert a nuclear holocaust. At the heart of the book lies the struggle, amid the rolling hills and small farms of Damascus, Arkansas, to prevent the explosion of a ballistic missile carrying the most powerful nuclear warhead ever built by the United States. Drawing on recently declassified documents and interviews with people who designed and routinely handled nuclear weapons, Command and Control takes readers into a terrifying but fascinating world that, until now, has been largely hidden from view. Through the details of a single accident, Schlosser illustrates how an unlikely event can become unavoidable, how small risks can have terrible consequences, and how the most brilliant minds in the nation can only provide us with an illusion of control. Audacious, gripping, and unforgettable, Command and Control is a tour de force of investigative journalism, an eye-opening look at the dangers of America’s nuclear age.

They called themselves the Arabian Knights. They were six Yemeni-American friends, a gang of high-school soccer stars, a band of brothers on the grim side streets of Lackawanna's First Ward, just a stone's throw from Buffalo. Later, people would argue about why they left western New York in the spring of 2001 to attend an al-Qaeda camp. Some said they traveled to Afghanistan to become America's first sleeper cell—terrorists slumbering while they awaited orders from on high. Others said that their ill-fated trip was a lark, an adventurous extension of their youthful wrestling with what it meant to be Muslim in America. Dina Temple-Raston returns to Lackawanna to tell the story of a group of young men—born and brought up in small town America—who left otherwise unremarkable lives to attend an al-Qaeda camp. Though they sought to quietly slip back into their roles as middle class Americans, the 9/11 attacks made that impossible. The Jihad Next Door is the story of pre-emptive justice in the age of terror. It follows a handful of ordinary men through an extraordinary time when Muslims in America are often instantly suspect, their actions often viewed through the most sinister lens.

The cranky exiled fae and the unawakened druid are out to save the world—right after they sort the recycling. Professor Bryce MacLeod has devoted his entire life to environmentalism. But how effective can he be in saving the planet when he can’t even get his surly neighbor to separate glass from paper? Former Queen’s Enforcer Mal Kendrick doesn’t think his life could get any worse: he’s been exiled from Faerie with a cursed and useless right hand. When he’s not dodging random fae assassins in the Outer World, he’s going toe-to-toe with his tree-hugging neighbor. And when he discovers that the tree hugger is really a druid, he’s certain the gods have it in for him—after all, there’s always a catch with druids. Then he’s magically shackled to the man and expected to instruct him in Supernatural 101. All right, now things couldn’t possibly get worse. Until a mysterious stranger offers a drunken Mal the chance to gain back all he’s lost—for a price. After Mal accepts, he discovers the real catch: an ancient secret that will change his and Bryce’s life forever. Ah, what the hells. Odds are they won’t survive the week anyway. The story text of this second edition of The Druid Next Door is identical to the first edition.

The US-Soviet arms race, told through the story of a colorful and visionary American Air Force officer—melding biography, history, world affairs, and science to transport the reader back and forth from individual drama to world stage. "Compulsively readable and important.” —The New York Times Book Review In this never-before-told story, Neil Sheehan—winner of the Pulitzer Prize and the National Book Award -- details American Air Force officer Bernard Schriever’s quest to prevent the Soviet Union from acquiring nuclear superiority, and describes American efforts to develop the unstoppable nuclear-weapon delivery system, the intercontinental ballistic missile, the first weapons meant to deter an atomic holocaust rather than to be fired in anger. In a sweeping narrative, Sheehan brings to life a huge cast of some of the most intriguing characters of the cold war, including the brilliant physicist John Von Neumann, and the hawkish Air Force general, Curtis LeMay.

America's global cultural impact is largely seen as one-sided, with critics claiming that it has undermined other countries' languages and traditions. But contrary to popular belief, the cultural relationship between the United States and the world has been reciprocal, says Richard Pells. The United States not only plays a large role in shaping international entertainment and tastes, it is also a consumer of foreign intellectual and artistic influences.Pells reveals how the American artists, novelists, composers, jazz musicians, and filmmakers who were part of the Modernist movement were greatly influenced by outside ideas and techniques. People across the globe found familiarities in American entertainment, resulting in a universal culture that has dominated the twentieth and twenty-first centuries and fulfilled the aim of the Modernist movement--to make the modern world seem more intelligible."Modernist America" brilliantly explains why George Gershwin's music, Cole Porter's lyrics, Jackson Pollock's paintings, Bob Fosse's choreography, Marlon Brando's acting, and Orson Welles's storytelling were so influential, and why these and other artists and entertainers simultaneously represent both an American and a modern global culture.