'Why does he write those ghastly plays that the whole of Paris flocks to see? And why does he paint such lifelike portraits that everyone recognizes themselves?' Moliere, The Impromptu at Versailles This volume brings together four of Moliere's greatest verse comedies covering the best years of his prolific writing career. Actor, director, and playwright, Moliere (1622-73) was one of the finest and most influential French dramatists, adept at portraying human foibles and puncturing pomposity. The School for Wives was his first great success; Tartuffe, condemned and banned for five years, his most controversial play. The Misanthrope is his acknowledged masterpiece, and The Clever Women his last, and perhaps best-constructed, verse piece. In addition this collection includes a spirited attack on his enemies and a defence of his theatre, in the form of two sparkling short plays, The School for Wives Criticized and The Impromptu at Versailles. Moliere's prose plays are available in a complementary Oxford World's Classics edition, Don Juan and Other Plays. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Misanthrope * The Doctor in Spite of Himself * The Miser * The Would-Be Gentleman * The Mischievous Machinations of Scapin * The Learned Women * The Imaginary Invalid “The comedy,” Molière once quipped, “is excellent, and they who deride it deserve to be derided.” Written during the triumphant final years of Molière’s career, these seven works represent the mature flowering of his artistry and the most profound development of his vision of humanity. They are essential to appreciating the full genius of this greatest and best-loved French comic author. With an Introduction by Donald M. Frame and an Afterword by Lewis C. Seifert

Translates seven plays of Molière and comments upon the background of each dramatization.

In this highly accessible introduction, Brian Nelson provides an overview of French literature - its themes and forms, traditions and transformations - from the Middle Ages to the present. Major writers, including Francophone authors writing from areas other than France, are discussed chronologically in the context of their times, to provide a sense of the development of the French literary tradition and the strengths of some of the most influential writers within it. Nelson offers close readings of exemplary passages from key works, presented in English translation and with the original French. The exploration of the work of important writers, including Villon, Racine, Molière, Voltaire, Balzac, Flaubert, Zola, Proust, Sartre and Beckett, highlights the richness and diversity of French literature.

This book critically analyzes the body of English language translations Moliere’s work for the stage, demonstrating the importance of rhyme and verse forms, the creative work of the translator, and the changing relationship with source texts in these translations and their reception. The volume questions prevailing notions about Moliere’s legacy on the stage and the prevalence of comedy in his works, pointing to the high volume of English language translations for the stage of his work that have emerged since the 1950s. Adopting a computer-aided method of analysis, Ploix illustrates the role prosody plays in verse translation for the stage more broadly, highlighting the implementation of self-consciously comic rhyme and conspicuous verse forms in translations of Moliere’s work by way of example. The book also addresses the question of the interplay between translation and source text in these works and the influence of the stage in overcoming formal infelicities in verse systems that may arise from the process of translation. In so doing, Ploix considers translations as texts in and of themselves in these works and the translator as a more visible, creative agent in shaping the voice of these texts independent of the source material, paving the way for similar methods of analysis to be applied to other canonical playwrights’ work. The book will be of particular interest to students and scholars in translation studies, adaptation studies, and theatre studies

The definitive guide to Molière's world and his afterlife, this is an accessible contextual guide for academics, undergraduates and theatre professionals alike. Interdisciplinary and diverse in scope, each chapter offers a different perspective on the social, cultural, intellectual, and theatrical environment within which Molière operated, as well as demonstrating his subsequent impact both within France and across the world. Offering fresh insight for those working in the fields of French Studies, Theatre and Performance Studies and French History, Molière in Context is an exceptional tribute to the premier French dramatist on the 400th anniversary of his birth.

In critical readings of ten of Moliere's most important plays, this book argues that a rivalry that endangers order by collapsing differences structures the works and provides a key to their understanding. Moliere's great comic characters all want desperately something that they cannot have. The objects of their desire may vary, but the presence of desire itself remains a constant. In L'Ecole des femmes. Amolphe wants, above all, to avoid cuckoldry. The title character in Dom Juan covets women. The bourgeois Monsieur Jourdain does all in his power to become a gentleman in Le Bourgeois gentilhomme, and the eponymous character in George Dandin views his woes as the price of an ill-fated marriage that he had hoped would elevate him to noble rank. Le malade imaginaire, Argan, has a seemingly crazy desire to be sick. The list could go on.