“Exuberant, astute, and splendidly illustrated history of world art . . . draws fascinating parallels between artistic developments in Western and non-Western art.”—Publishers Weekly In this beautifully written story of art, Julian Bell tells a vivid and compelling history of human artistic achievements, from prehistoric stone carvings to the latest video installations. Bell, himself a painter, uses a variety of objects to reveal how art is a product of our shared experience and how, like a mirror, it can reflect the human condition. With hundreds of illustrations and a uniquely global perspective, Bell juxtaposes examples that challenge and enlighten the reader: dancing bronze figures from southern India, Romanesque sculptures, Baroque ceilings, and jewel-like Persian manuscripts are discussed side by side. With an insider’s knowledge and an unerring touch, Bell weaves these diverse strands into an invaluable introduction to the wider history of world art.

Christopher Peacocke presents a new theory of subjects of consciousness, together with a theory of the nature of first person representation. He identifies three sorts of self-consciousness—perspectival, reflective, and interpersonal—and argues that they are key to explaining features of our knowledge, social relations, and emotional lives.

It all starts, as these things sometimes do, with a dead man. He was a neighbour, not someone Abby knew well, but still, finding a body when you only came over to borrow a tin of tomatoes, that comes as a bit of a shock. At least, it should. And now she can't shake the feeling that if she hadn't gone into Simon's flat, if she'd had her normal Wednesday night instead, then none of what happened next would have happened. And she would never have met Melody Black . . . Wild and witty, searing and true, THE MIRROR WORLD OF MELODY BLACK is about the fine line that separates normal from not - and how life can spin, very swiftly, out of control.

In the mid-1990s, astronomers made history when they began to find planets orbiting stars in the Milky Way. More than eight hundred planets have been found since then, yet none of them is anything like Earth and none could support life. Now, armed with more powerful technology, planet hunters are racing to find a true twin of Earth. Science writer Michael Lemonick has unique access to these exoplaneteers, as they call themselves, and Mirror Earth unveils their passionate quest. Unlike competitors in other races, Geoff Marcy, Bill Borucki, David Charbonneau, Sara Seager, and others actually consult and cooperate with one another. But only one will be the first to find Earth's twin. Mirror Earth tells the story of their competition.

The World is My Mirror sparkles with a commonsensical humour, but Richard Bates is serious when it matters. Richard is an “ordinary bloke” with his own small business in England. A little less ordinary is this simple, yet profound, book about his experience of trying to find out the meaning of his life and what happened when the trying stopped. In straightforward language he takes us with him into an exploration of the very foundation of existence, while suggesting no special practices, no charismatic teachings—just investigation of a very practical nature.

Technology doesn't flow smoothly; it's the big surprises that matter, and Yale computer expert David Gelernter sees one such giant leap right on the horizon. Today's small scale software programs are about to be joined by vast public software works that will revolutionize computing and transform society as a whole. One such vast program is the "Mirror World." Imagine looking at your computer screen and seeing reality--an image of your city, for instance, complete with moving traffic patterns, or a picture that sketches the state of an entire far-flung corporation at this second. These representations are called Mirror Worlds, and according to Gelernter they will soon be available to everyone. Mirror Worlds are high-tech voodoo dolls: by interacting with the images, you interact with reality. Indeed, Mirror Worlds will revolutionize the use of computers, transforming them from (mere) handy tools to crystal balls which will allow us to see the world more vividly and see into it more deeply. Reality will be replaced gradually, piece-by-piece, by a software imitation; we will live inside the imitation; and the surprising thing is--this will be a great humanistic advance. We gain control over our world, plus a huge new measure of insight and vision. In this fascinating book--part speculation, part explanation--Gelernter takes us on a tour of the computer technology of the near future. Mirror Worlds, he contends, will allow us to explore the world in unprecedented depth and detail without ever changing out of our pajamas. A hospital administrator might wander through an entire medical complex via a desktop computer. Any citizen might explore the performance of the local schools, chat electronically with teachers and other Mirror World visitors, plant software agents to report back on interesting topics; decide to run for the local school board, hire a campaign manager, and conduct the better part of the campaign itself--all by interacting with the Mirror World. Gelernter doesn't just speculate about how this amazing new software will be used--he shows us how it will be made, explaining carefully and in detail how to build a Mirror World using technology already available. We learn about "disembodied machines," "trellises," "ensembles," and other computer components which sound obscure, but which Gelernter explains using familiar metaphors and terms. (He tells us that a Mirror World is a microcosm just like a Japanese garden or a Gothic cathedral, and that a computer program is translated by the computer in the same way a symphony is translated by a violinist into music.) Mirror Worlds offers a lucid and humanistic account of the coming software revolution, told by a computer scientist at the cutting edge of his field.

Following Journey Into the Flame—“a spiritual adventure of the first order” (New York Times bestselling author Felix Palma)—comes the second part in a post-apocalyptic trilogy about a set of ancient books that hold the key to humanity’s survival. In 2030, after the Great Disruption brought humanity to the brink of a second dark age, the Chronicles of Satraya were discovered, restoring hope in the world. But the secret powers in their pages remained largely unknown. There were some, however, who understood them. The Reges Hominum, the Kings of Men, a clandestine group influencing history from the shadows, sought to use their hidden gifts to regain world control. But their plans were foiled by an unlikely group: Alain Perrot, an eccentric old man and former member of the Council of Satraya; Special Agent Valerie Perrot, his daughter; and Logan Ford, a young painter who discovered he was the son of one of the Chronicles’ original finders, long since murdered in an effort to protect them. Soon, seemingly unrelated global events pull Logan and his allies into another contest with those enemies determined to bring a rising world back down. The earth’s still-recovering energy supply is put at risk. Illnesses spread. Earthquakes without epicenters shatter the land. And the only things holding the world together are the Chronicles, connected to a series of scattered, hidden mirrors around the globe. With T.R. Williams’s trademark excitement, mystery, magic, and deep wisdom, the second book in the Rising World trilogy ensures that you will never look at your reflection the same way again.