The Mirror of Laughter presents a theory of humor and laughter by examining their relationship to human behaviors. Kozintsev is especially interested in the relationship between biological and cultural factors that influence behaviors. He divides his work into four chapters, the first of which establishes a theme of the book, focusing on the study of meaning from the perspective of philosophy and psychology, while examining linguistic theories of humor. The second chapter examines biological data regarding laughter and the evolutionary origins of laughter and humor. It demonstrates the author's interest in studying humor objectively by detailing physiological reactions and underlying psychological issues. The third section on play, including linguistic play, distinguishes between orderly and disorderly play. While orderly play has no biological roots and is synonymous with culture, disorderly play is rooted in the pre-human past. The final chapter discusses the conflict between culture and nature and how culture has transformed the original semantics of laughter. Kozintsev seeks to understand the relationship between the biological, cultural, and social origins of humor and, from here, he seeks to create new understanding that only the alliance of several disciplines could provide. All of this is done while the author challenges many popular ideas of humor, such as that humor is inherently related to hostility. Originally written in Russian, this work makes great strides towards its goal, and it does so in an interesting and enlightening way.

"An absolutely dazzling entertainment. . . . Arousing on every level—political, erotic, intellectual, and above all, humorous." —Newsweek "The Book of Laughter and Forgetting calls itself a novel, although it is part fairy tale, part literary criticism, part political tract, part musicology, and part autobiography. It can call itself whatever it wants to, because the whole is genius." —New York Times Rich in its stories, characters, and imaginative range, The Book of Laughter and Forgetting is the novel that brought Milan Kundera his first big international success in the late 1970s. Like all his work, it is valuable for far more than its historical implications. In seven wonderfully integrated parts, different aspects of human existence are magnified and reduced, reordered and emphasized, newly examined, analyzed, and experienced.

The Laughing Mirror was inspired by fond memories of the author’s childhood. He used to go to an amusement park with his family. Standing in front of a funny mirror made them laugh because they saw that everyone looked different. His nephew, who was a little over two years old at the time, got scared when he looked at the mirror closely and started to cry. His mother picked him up and pointed out that the mirror reflected his face, eyes, and mouth, but it could also exaggerate them and make them funny. His nephew calmed down and curiously started to touch the mirror. The Laughing Mirror sends a message to children that they shouldn’t fear any mirrors. And animals, no matter what size or shape, could be our fun friends.

Famous professor Joseph Wieder was brutally murdered, and the crime was never solved. Years later when literary agent Peter Katz receives an incomplete memoir written by a student of the murdered professor, he becomes obsessed with solving the crime.

Ted Swartz and his Ted & Company TheaterWorks team are known for blending Bible stories with comedy and poignancy, and pushing the envelope on issues of faith and social justice. But who is Ted Swartz? Follow along in this engaging memoir as Swartz finds his way as a middle child in an eastern Pennsylvania traditional Mennonite home to his early work in the family butcher shop. Journey with Ted through the decision of uprooting his young family to attend seminary and then embracing life as a writer and actor. Get a glimpse into the friendship that led to the formation of the popular acting duo Ted & Lee. This uniquely honest backstage tour of an artist's life and mind combines side-splitting reminiscences, heart-rending accounts of loss, and touching stories of restored faith and love. Swartz's engaging humor blends with his own stories of triumph and tragedy, and helps readers understand their own sense of place and how they're shaped by those around them. Read the forward by Bryan Mclaren under the "Excerpt" tab and see what is already being said about the book under the "Quotes" tab! "Laughter Is Sacred Space is even funnier than Mennonite in a Little Black Dress—an authentic and profound snapshot of what it means to grow up and live Mennonite." —Howard Zehr, professor of restorative justice, Eastern Mennonite University "Ted Swartz is a gift. He unveils some of the most tragic pain and injustice of our world . . . but he knows that if we can't laugh then the devil has already won. Laughter reminds us that we know the end of the story—and in the end we see life conquer death and love triumph over hatred." —Shane Claiborne, author, activist, and lover of Jesus About the author Purchase Ted and Company scripts and DVDs

Kelly, Trasloof and James, through poetry, wit, fashion and photography seek to capture the imagination of their audience, reminding us to laugh in spite of the crude, the pain, the loss and that hope and possibilities exist parallel to all that is glum, if only we choose experience it.

There’s nothing funny about dying … or is there? Malachy McCourt, Jacquelyn Mitchard, and 22 more share hilarious and moving stories of confronting death. Exit Laughing makes death more approachable as it reveals the funny side of “passing on.” As painful as it is to lose a loved one, Exit Laughing shows us that in times of grief, humor can help us with coping and even healing. Best-selling author Amy Ferris explains how her mother’s dementia led to a permanent ban from an airline. Ellen Sussman writes of flying her mother's body home and watching the burial wardrobe spill out on the baggage carousel. Broadway and television actor Richard McKenzie shares the riotous story of a funeral procession led by a lost hearse. Bonnie Garvin even manages to find a heavy dose of dark humor in her parents’ three unsuccessful attempts at a double suicide. These stories, along with tales from Joshua Braff, Barbara Graham, Dianne Rinehart, and more, constitute a book whose purpose is to remind readers that when dealing with illness, aging, and dying, there is an important place for laugh-out-loud humor.