Half Apache and orphaned, Edgar's trials begin on an Arizona reservation at the age of seven when he is run over by the mailman's jeep, after which he is taken from the hospital to a school for delinquents to a Mormon foster family, and eventually to an unexpected home on a quest for the mailman. Reader's Guide available. Reprint. 75,000 first printing.

A New York Times bestseller: "Udall masterfully portrays the hapless foibles and tragic yearnings of our fellow humans." —San Francisco Chronicle Golden Richards, husband to four wives, father to twenty-eight children, is having the mother of all midlife crises. His construction business is failing, his family has grown into an overpopulated mini-dukedom beset with insurrection and rivalry, and he is done in with grief: due to the accidental death of a daughter and the stillbirth of a son, he has come to doubt the capacity of his own heart. Brady Udall, one of our finest American fiction writers, tells a tragicomic story of a deeply faithful man who, crippled by grief and the demands of work and family, becomes entangled in an affair that threatens to destroy his family’s future. Like John Irving and Richard Yates, Udall creates characters that engage us to the fullest as they grapple with the nature of need, love, and belonging. Beautifully written, keenly observed, and ultimately redemptive, The Lonely Polygamist is an unforgettable story of an American family—with its inevitable dysfunctionality, heartbreak, and comedy—pushed to its outer limits.

Exploding with an unsettling exuberance, Brady Udall's stories traverse a geography of lost love, fragmented lives, and satisfying revenge. Shimmering with life, these eleven stories literally let loose--and leave readers with a raw yet romantic vision of the men and women in today's still-wild West.

Davy kills two men and leaves home. His father packs up the family in a search for Davy.

In an extraordinary tale of love and forgiveness, Mark Spragg brings us this novel of a complex, prodigal homecoming. Jean Gilkyson has a history of choosing the wrong men. After yet another night of argument turned to violence with her boyfriend, Roy, Jean knows it's time to leave—if not for herself, then for her ten-year-old daughter, Griff. But the only place they can afford to go is Ishawooa, Wyoming, where Jean's family is dead and her deceased husband's father Einar wishes Jean was too. Of course, Griff knows none of this—only that here in Wyoming, with a grandfather she has never known and his crippled friend Mitch, she may finaly be able to find a home.

In Michigan's Upper Peninsula, a dangerous rescue effort draws the ears and eyes of the entire country. A two-and-a-half-year-old girl has fallen down a mine shaft—"the only sound is an astonished tiny intake of breath from Ursula as she goes down, like a penny into the slot of a bank, disappeared, gone." It is as if all hope for life on the planet is bound up in the rescue of this little girl, the first and only child of a young woman of Finnish extraction and her Chinese-American husband. One TV viewer following the action notes that the Wong family lives in a decrepit mobile home and wonders why all this time and money is being "wasted on that half-breed trailer-trash kid." In response, the novel takes a breathtaking leap back in time to visit Ursula's most remarkable ancestors: a third-century-B.C. Chinese alchemist; an orphaned playmate of a seventeenth-century Swedish queen; Professor Alabaster Wong, a Chautauqua troupe lecturer (on exotic Chinese topics) traveling the Midwest at the end of the nineteenth century; her great-great-grandfather Jake Maki, who died at twenty-nine in a Michigan iron mine cave-in; and others whose richness and history are contained in the induplicable DNA of just one person—little Ursula Wong. Ursula's story echoes those of her ancestors, many of whom so narrowly escaped not being born that her very existence—like ours—comes to seem a miracle. Ambitious and accomplished, Ursula, Under is, most of all, wonderfully entertaining—a daring saga of culture, history, and heredity.

In search of love, absolution, or forgiveness, Charles Boatman leaves the Fraser Valley of British Columbia and returns mysteriously to Vietnam, the country where he fought twenty-nine years earlier as a young, reluctant soldier. But his new encounters seem irreconcilable with his memories. When he disappears, his daughter Ada, and her brother, Jon, travel to Vietnam, to the streets of Danang and beyond, to search for him. Their quest takes them into the heart of a country that is at once incomprehensible, impassive, and beautiful. Chasing her father’s shadow for weeks, following slim leads, Ada feels increasingly hopeless. Yet while Jon slips into the urban nightlife to avoid what he most fears, Ada finds herself growing closer to her missing father — and strong enough to forgive him and bear the heartbreaking truth of his long-kept secret. Bergen’s marvellously drawn characters include Lieutenant Dat, the police officer who tries to seduce Ada by withholding information; the boy Yen, an orphan, who follows Ada and claims to be her guide; Jack Gouds, an American expatriate and self-styled missionary; his strong-willed and unhappy wife, Elaine, whose desperate encounters with Charles in the days before his disappearance will always haunt her; and Hoang Vu, the artist and philosopher who will teach Ada about the complexity of love and betrayal. We also come to learn about the reclusive author Dang Tho, whose famous wartime novel pulls at Charles in ways he can’t explain. Moving between father and daughter, the present and the past, The Time in Between is a luminous, unforgettable novel about one family, two cultures, and a profound emotional journey in search of elusive answers.