The Miniatures of the Ashburnham Pentateuch
Title | The Miniatures of the Ashburnham Pentateuch PDF eBook |
Author | |
Publisher | |
Pages | |
Release | 1883 |
Genre | |
ISBN |
The Miniatures of the Ashburnham Pentateuch
Title | The Miniatures of the Ashburnham Pentateuch PDF eBook |
Author | Caspar René Gregory |
Publisher | |
Pages | 24 |
Release | 1883 |
Genre | Ashburnham Pentateuch |
ISBN |
The Miniatures of the Ashburnham Pentateuch. Edited by O. Von Gebhart. [The English of the Introduction and Descriptive Text by C.R. Gregory.].
Title | The Miniatures of the Ashburnham Pentateuch. Edited by O. Von Gebhart. [The English of the Introduction and Descriptive Text by C.R. Gregory.]. PDF eBook |
Author | Oscar von Gebhardt |
Publisher | |
Pages | 24 |
Release | 1883 |
Genre | |
ISBN |
The Jewish Origin of the Ashburnham Pentateuch Miniatures
Title | The Jewish Origin of the Ashburnham Pentateuch Miniatures PDF eBook |
Author | Joseph Gutmann |
Publisher | |
Pages | 18 |
Release | 1953 |
Genre | Illumination of books and manuscripts, Early Christian |
ISBN |
The Ashburnham Pentateuch and Its Contexts
Title | The Ashburnham Pentateuch and Its Contexts PDF eBook |
Author | Jennifer Awes Freeman |
Publisher | Boydell & Brewer |
Pages | 245 |
Release | 2022 |
Genre | Art |
ISBN | 1783276843 |
A fresh interpretation of an enigmatic illumination and its contexts.The Ashburnham Pentateuch is an early medieval manuscript of uncertain provenance, which has puzzled and intrigued scholars since the nineteenth century. Its first image, which depicts the Genesis creation narrative, is itself a site of mystery; originally, it presented the Trinity as three men in various vignettes, but in the early ninth century, by which time the manuscript had come to the monastery at Tours, most of the figures were obscured by paint, leaving behind a single creator. In this sense, the manuscript serves as a kind of hinge between the late antique and early medieval periods. Why was the Ashburnham Pentateuch's anthropomorphic image of the Trinity acceptable in the sixth century, but not in the ninth?This study examines the theological, political, and iconographic contexts of the production and later modification of the Ashburnham Pentateuch's creation image. The discussion focuses on materiality, the oft-contested relationship between image and word, and iconoclastic acts as "embodied responses". Ultimately, this book argues that the Carolingian-era reception and modification of the creation image is consistent with contemporaneous iconography, a concern for maintaining the absolute unity of the Trinity, as well as Carolingian image theory following the Byzantine iconoclastic controversy. Tracing the changes in Trinitarian theology and theories of the image offers us a better understanding of the mutual influences between art, theology, and politics during Late Antiquity and the early Middle Ages.nship between image and word, and iconoclastic acts as "embodied responses". Ultimately, this book argues that the Carolingian-era reception and modification of the creation image is consistent with contemporaneous iconography, a concern for maintaining the absolute unity of the Trinity, as well as Carolingian image theory following the Byzantine iconoclastic controversy. Tracing the changes in Trinitarian theology and theories of the image offers us a better understanding of the mutual influences between art, theology, and politics during Late Antiquity and the early Middle Ages.nship between image and word, and iconoclastic acts as "embodied responses". Ultimately, this book argues that the Carolingian-era reception and modification of the creation image is consistent with contemporaneous iconography, a concern for maintaining the absolute unity of the Trinity, as well as Carolingian image theory following the Byzantine iconoclastic controversy. Tracing the changes in Trinitarian theology and theories of the image offers us a better understanding of the mutual influences between art, theology, and politics during Late Antiquity and the early Middle Ages.nship between image and word, and iconoclastic acts as "embodied responses". Ultimately, this book argues that the Carolingian-era reception and modification of the creation image is consistent with contemporaneous iconography, a concern for maintaining the absolute unity of the Trinity, as well as Carolingian image theory following the Byzantine iconoclastic controversy. Tracing the changes in Trinitarian theology and theories of the image offers us a better understanding of the mutual influences between art, theology, and politics during Late Antiquity and the early Middle Ages.e image offers us a better understanding of the mutual influences between art, theology, and politics during Late Antiquity and the early Middle Ages.
A Note
Title | A Note PDF eBook |
Author | Annabelle Simon Cahn |
Publisher | |
Pages | 5 |
Release | 1966 |
Genre | |
ISBN |
Imaging the Early Medieval Bible
Title | Imaging the Early Medieval Bible PDF eBook |
Author | John Williams |
Publisher | Penn State Press |
Pages | 238 |
Release | 1999 |
Genre | Art |
ISBN | 0271017686 |
A unique exploration of the beginnings of biblical illustration and decoration.