TV portraits of the Miners' strike of 1984/5 stressed the violence of the pickets and responsible policing. This book challenges those images, looks at the impact of the strike on participants, and reflects on ongoing controversies and community pride. The book is organized into three parts. In early chapters participants look back. So, Peter Smith speaks of his honest determination not to become a 'professional sacked miner' and Siân James tells of her excitement and pride at her community's defence of a valued way of life. Political controversies are examined: Was the strike the result of careful planning (on the part of the Thatcher Government, and/or the NUM)? How and why were striking miners, at Orgreave in June 1984, injured, arrested and vilified? Why were miners determined not to be 'constitutionalized' or balloted out of their jobs? How did the BBC and ITV misrepresent police action and show miners as 'out of control'? Why did miners in Yorkshire, Nottinghamshire and elsewhere support, or oppose, the strike? The final section examines enduring issues especially the Orgreave Truth and Justice Campaign. Is a more critical assessment of Prime Minister Margaret Thatcher long overdue? Why is miners' history and heritage--as seen in the Durham Miners' Gala--so fondly celebrated?

Facing probable redundancy in his mid-fifties, South Elmsall miner Arthur Wakefield, fought for jobs and communities throughout the great strike of 1984/85. He also kept a marvellous diary, recording his experiences, impressions and events in considerable detail. The diary is a unique personal day by day account of the most bitter industrial dispute of the 20th century. Armed with nothing more than determination and a camera, he by-passed countless blockades and in the early hours of the morning he would join his colleagues at picket lines at pits, ports, power stations and works in many parts of Yorkshire, Nottinghamshire, Lancashire and the Midlands. He also attended many rallies and marches, and was a regular 'support the miners' collector in London. Arthur Wakefield was a key witness at the 'Battle of Orgreave', on 18 June 1984, which he describes as 'Monday, Bloody Monday', the 100th day of the strike. His descriptions of the 'Battle' contained here in this book have also helped produce an historical live re-enactment to be shown on Channel 4 in April.

This book combines radical history, critical geography, and political theory in an innovative history of the solidarity campaign in London during the 1984-5 miners’ strike. Thousands of people collected food and money, joined picket lines and demonstrations, organised meetings, travelled to mining areas, and hosted coalfield activists in their homes during the strike. The support campaign encompassed longstanding elements of the British labour movement as well as autonomously organised Black, lesbian and gay, and feminist support groups. This book shows how the solidarity of 1984-5 was rooted in the development of mutual relationships of support between the coalfields and the capital since the late 1960s. It argues that a culture of solidarity was developed through industrial and political struggles that brought together diverse activists from mining communities and London. The book also takes the story forward, exploring the aftermath of the miners’ strike and the complex legacies of the support movement up to the present day. This rich history provides a compelling example of how solidarity can cross geographical and social boundaries. This book is essential reading for students, scholars, and activists with an interest in left-wing politics and history.

In this rich memoir, the first of two volumes, Paul Farmer traces the story of A39, the Cornish political theatre group he co-founded and ran from the mid-1980s to the early 1990s. Farmer offers a unique insight into A39’s creation, operation, and artistic practice during a period of convulsive political and social change. The reader is plunged into the national miners’ strike and the collapse of Cornish tin mining, the impact of Thatcherism and ‘Reaganomics’, and the experience of touring Germany on the brink of reunification, alongside the influence on A39 of writers Bertolt Brecht, John McGrath and Keith Johnstone. Farmer, a former bus driver turned artistic director, details the theatre group’s inception and development as it fought to break down social barriers, attract audiences, and survive with little more than a beaten-up Renault 12, a photocopier and two second-hand stage lights at its disposal: the book traces the progress from these raw materials to the development of an integrated community theatre practice for Cornwall. Farmer’s candour and humour enliven this unique insight into 1980s theatre and politics. It will appeal to anyone with an interest in theatre history, life in Cornwall, and the relationship between performance and society during a turbulent era.

In addition to being the most bitter industrial dispute the coalminers' strike of 1984/5 was the longest national strike in British history. For a year over 100,000 members of the National Union of Mineworkers, their families and supporters, in hundreds of communities, battled to prevent the decimation of the coal industry on which their livelihoods and communities depended. Margaret Thatcher's government aimed to smash the most militant section of the British working class. She wanted to usher in a new era of greater management control at work and pave the way for a radical refashioning of society in favour of neo-liberal objectives that three decades later have crippled the world economy.??Victory required draconian restrictions on picketing and the development of a militarised national police force that made widespread arrests as part of its criminalisation policy. The attacks on the miners also involved the use of the courts and anti-trade union laws, restrictions on welfare benefits, the secret financing by industrialists of working miners and the involvement of the security services. All of which was supported by a compliant mass media but resisted by the collective courage of miners and mining communities in which the role of Women against Pit Closures in combating poverty and starvation was heroic. Thus inspired by the struggle for jobs and communities an unparalleled movement of support groups right across Britain and in other parts of the world was born and helped bring about a situation where the miners long struggle came close on occasions to winning.??At the heart of the conflict was the Yorkshire region, where even at the end in March 1985, 83 per cent of 56,000 miners were still out on strike. The official Yorkshire National Union of Mineworkers (NUM) area photographer in 1984-85 was the late Martin Jenkinson and this book of his photographs _ some never previously seen before - serves as a unique social document on the dispute that changed the face of Britain.??As featured in The Yorkshire Times, Sheffield Telegraph and NUJ News Leeds.

Holding the Line, Barbara Kingsolver's first non-fiction book, is the story of women's lives transformed by an a signal event. Set in the small mining towns of Arizona, it is part oral history and part social criticism, exploring the process of empowerment which occurs when people work together as a community. Like Kingsolver's award-winning novels, Holding the Line is a beautifully written book grounded on the strength of its characters. Hundreds of families held the line in the 1983 strike against Phelps Dodge Copper in Arizona. After more than a year the strikers lost their union certification, but the battle permanently altered the social order in these small, predominantly Hispanic mining towns. At the time the strike began, many women said they couldn't leave the house without their husband's permission. Yet, when injunctions barred union men from picketing, their wives and daughters turned out for the daily picket lines. When the strike dragged on and men left to seek jobs elsewhere, women continued to picket, organize support, and defend their rights even when the towns were occupied by the National Guard. "Nothing can ever be the same as it was before," said Diane McCormick of the Morenci Miners Women's Auxiliary. "Look at us. At the beginning of this strike, we were just a bunch of ladies."