Wright argues that getting ready for the millennium does not mean getting ready for the end of the world as we know it, and shows that the millennium hype is masking a deeper problem in our culture. By following some ancient words on hope, Wright outlines a practical way for creating a better world as we move into the coming age.

Visionary thinkers of the past and startling projections for the future point the way toward humankind's coming regeneration.

Ready for the Future or Stuck in the Past? Millennials have been condemned as lazy, entitled, disloyal, and disrespectful and needing constant hand-holding. But Crystal Kadakia—a Millennial herself as well as an organizational development consultant and two-time TEDx speaker—shows that not only are these negative stereotypes dead wrong, but each one conceals a positive workplace practice that forward-looking companies must adopt if they are to endure. She illuminates how the advent of digital technology is the crucial root cause of many Millennial behaviors and offers a guide for what our traditional workplace needs to do to attract, engage, and retain modern talent.

As we approach the Millennium, apocalyptic expectations are rising in North America and throughout the world. Beyond the symbolic aura of the millennium, this excitation is fed by currents of unsettling social and cultural change. The millennial myth ingrained in American culture is continually generating new movements, which draw upon the myth and also reshape and reconstruct it. Millennium, Messiahs, and Mayhem examines many types of apocalypticism such as economic, racialist, environmental, feminist, as well as those erupting from established churches. Many of these movements are volatile and potentially explosive. Millennium, Messiahs, and Mayhem brings together scholars of apocalyptic and millennial groups to explore aspects of the contemporary apocalyptic fervor in all orginal contributions. Opening with a discussion of various theories of apocalypticism, the editors then analyze how millennialist movements have gained ground in largely secular societal circles. Section three discusses the links between apocalypticism and established churches, while the final part of the book looks at examples of violence and confrontation, from Waco to Solar Temple to the Aum Shinri Kyo subway disaster in Japan. Contributors: James Aho, Dick Anthony, Robert Balch, Michael Barkun, John Bozeman, David Bromley, Michael Cuneo, John Dimitrovich, John Hall, Massimo Introvigne, Philip Lamy, Ronald Lawson, Martha Lee, Barbara Lynn Mahnke, Vanessa Morrison, Mark Mullins, Ansun Shupe, Susan Palmer, Thomas Robbins, Philip Schuyler and Catherine Wessinger.

Offering unique and in-depth discussions of films that have been released since 2000, Classical Myth and Film in the New Millennium uses various modern approaches--ranging from myth criticism to psychology and gender studies--to analyze popular movies that make use of themes and stories from Greek and Roman mythology, including Troy, The Hunger Games, Pan's Labyrinth, and Clash of the Titans. FEATURES * Provides a critical analysis of thirteen movies, exploring the themes, characters, and plots that arise from Greek and Roman mythology and also from other Western and contemporary traditions * Covers films that today's students may already be familiar with and enjoy, resulting in a relevant and interesting text * Addresses themes central to the new millennium: the environment, the perils of materialism and excessive consumerism, gender oppression and equality, broken families, and the constant threat of violence * Organizes films into five thematic parts--Homeric Echoes, The Reluctant Hero, Women in the Margins, Coming of Age in the New Millennium, and New Versions of Pygmalion--that provide an interpretive framework for examining archetypes * A substantial general Introduction provides a foundation for studying myth and film, and each part includes an introduction and discussion questions

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created. Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed—their themes, their relevance to Greek religion and society, and their relationship to the landscape. "Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater. "Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities. "The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities. "Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes. "Family sagas" explores the dramas and catastrophes that befall heroes and heroines. "A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld. "Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century. Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

Made-from-Bone is the first work to provide a complete set of English translations of narratives about the mythic past and its transformations from the indigenous Arawak-speaking people of South America. Among the Arawak-speaking Wakuénai of southernmost Venezuela, storytellers refer to these narratives as "words from the primordial times," and they are set in an unfinished space-time before there were any clear distinctions between humans and animals, men and women, day and night, old and young, and powerful and powerless. The central character throughout these primordial times and the ensuing developments that open up the world of distinct peoples, species, and places is a trickster-creator, Made-from-Bone, who survives a prolonged series of life-threatening attacks and ultimately defeats all his adversaries. Carefully recorded and transcribed by Jonathan D. Hill, these narratives offer scholars of South America and other areas the only ethnographically generated cosmogony of contemporary or ancient native peoples of South America. Hill includes translations of key mythic narratives along with interpretive and ethnographic discussion that expands on the myths surrounding this fascinating and enigmatic character with broad appeal throughout various folkloric traditions.