THE STORY: NOTE: The version of the play contained in this acting edition is one which was specifically revised by the author for release to the nonprofessional theatre. As George Oppenheimer describes We first encounter Mrs. Goforth in one of her

A classic play by Tennessee Williams in a definitive, author-approved edition.

One of the greatest American dramatists of the 20th century, Tennessee Williams is known for his sensitive characterizations, poetic yet realistic writing, ironic humor, and depiction, of harsh realties in human relationship. His work is frequently included in high school and college curricula, and his plays are continually produced. Critical Companion to Tennessee Williams includes entries on all of Williams's major and minor works, including A Streetcar Named Desire, Cat on a Hot Tin Roof, The Glass Menagerie, a novel, a collection of short stories, two poetry collections, and personal essays; places and events related to his works; major figures in his life; his literary influences; and issues in Williams scholarship and criticism. Appendixes include a complete list of Williams's works; a list of research libraries with significant Williams holdings; and a bibliography of primary and secondary sources.

Premiering in 1944, The Glass Menagerie was Tennessee Williams's first popular success. Today the play is considered one of Williams's masterpieces and is frequently performed. This updated volume is an essential resource for those seeking to deepen their appreciation of this fascinating character study. Book jacket.

The plays of Tennessee Williams are some of the greatest triumphs of the American theatre. If Williams is not the most important American playwright, he surely is one of the two or three most celebrated, rivaled only by Eugene O'Neill and Arthur Miller. In a career that spanned almost five decades, he created an extensive canon of more than 70 plays. His contributions to the American theatre are inestimable and revolutionary. The Glass Menagerie (1945) introduced poetic realism to the American stage; A Streetcar Named Desire (1947) explored sexual and psychological issues that had never before been portrayed in American culture; Cat on a Hot Tin Roof (1955) dared to challenge the political and sexual mores of the Eisenhower era; and his plays of the 1970s are among the most innovative works produced on the American stage. But Williams was far more than a gifted and prolific playwright. He created two collections of poetry, two novels, four collections of stories, memoirs, and scores of essays. Because of his towering presence in American drama, Williams has attracted the attention of some of the most insightful scholars and critics of the twentieth century. The 1990s in particular ushered in a renaissance of Williams research, including a definitive biography, a descriptive bibliography, and numerous books and scholarly articles. This reference book synthesizes the vast body of research on Tennessee Williams and offers a performance history of his works. Under the guidance of one of the leading authorities on Williams, expert contributors have written chapters on each of Williams' works or clusters of works. Each chapter includes a discussion of the biographical context of a work or group of writings; a survey of the bibliographic history; an analysis of major critical approaches, which looks at themes, characters, symbols, and plots; a consideration of the major critical problems posed by the work; an overview of chief productions and film and television versions; a concluding interpretation; and a bibliography of secondary sources. The volume concludes with a selected, general bibliography and a comprehensive index.

One of the most lively and contentious issues in contemporary linguistic theory concerns the elusive boundary between semantics and pragmatics, and Professor Laurence R. Horn of Yale University has been at the center of that debate ever since his groundbreaking 1972 UCLA dissertation. This volume in honor of Horn brings together the best of current work at the semantics/pragmatics boundary from a neo-Gricean perspective. Featuring the contributions of 22 leading researchers, it includes papers on implicature (Kent Bach), inference (Betty Birner), presupposition (Barbara Abbott), lexical semantics (Georgia Green, Sally McConnell-Ginet, Steve Kleinedler & Randall Eggert), negation (Pauline Jacobson, Frederick Newmeyer, Scott Schwenter), polarity (Donka Farkas, Anastasia Giannakidou, Michael Israel), implicit variables (Greg Carlson & Gianluca Storto), definiteness (Barbara Partee), reference (Ellen Prince, Andrew Kehler & Gregory Ward), and logic (Jerrold Sadock, Francis Jeffry Pelletier & Andrew Hartline). These original papers represent not only a fitting homage to Larry Horn, but also an important contribution to semantic and pragmatic theory.