The Mike Oldfield Chronology, Second Edition, is a comprehensive look at the recording and release history of the man who, for over 40 years, has created some of the world's most innovative and groundbreaking music. This Chronology covers every aspect of Mike Olfield's recording career, from his early days with his sister in the folk duo The Sallyangie, to his joining Kevin Ayers And The Whole World, through the recording of his albums and his numerous guest appearances. The information is presented date by date in chronological order, accompanied by detailed descriptions of each song version and non-album track, edit, remix, extended version and demo (some released and some unreleased). It also covers Mike's tours and live appearances.

Born without social instincts many people take for granted, brought up in a troubled environment and possessed with an extraordinary musical talent, Mike Oldfield was thrust into the spotlight at the tender age of nineteen. His first album Tubular Bells went on to sell fifteen million copies worldwide and catapulted him into a stardom he was ill-equipped to cope with. From growing up with an alcoholic mother, to his feelings of alienation and struggles with depression, this book takes Mike from his early years, through his staggering fame, his broken marriages, years as a recluse, his rebirth experience at a controversial Exegesis seminar and beyond. Mike Oldfield has been on a journey few of us could ever imagine, and offers a message of hope to anybody who feels they live on the edge of society.

How Mike Oldfield came to be who he is, his drive to become a musician and his personal motivations about his distinguished career are covered in detail in his own excellent autobiography, Changeling, published by Virgin books in 2007. A Life Dedicated to Music deliberately takes a different approach, documenting the events of Mike's career through the information gathered in interviews during 27 years of producing Mike Oldfield fan magazines. The views of the musicians, music industry professionals, assistants and fans closest to Mike have been assembled in chronological order for the first time, with the addition of new content from interviews conducted for this book, resulting in the first comprehensive record of Mike's 45-year career to 2013 Mike Oldfield has consistently delivered momentous compositions with virtuoso performances since the ground-breaking Tubular Bells in 1973. Excelling at every challenge from folk, pop, classical, reggae, heavy rock and video production to computer games, his creative genius and insistence on perfection has ensured his place as one of the World's most successful recording artists.

"Rush is one of rock's most influential bands. Ranked third in consecutive gold or platinum albums after the Beatles and the Rolling Stones, the band enjoys a devoted following by legions around the world and is revered by generations of musicians.

The David Bowie Chronology, Volume 1, is a comprehensive look at his recording and release history. From the time he left school to pursue a career in music, David Bowie was always working. After years of struggling with bands, releasing singles and a debut album, all of which failed to chart, success first came with ñSpace Oddityî in 1969. The 1972 album The Rise And Fall Of Ziggy Stardust And The Spiders From Mars made David Bowie a household name. This Chronology covers every aspect of David BowieÍs recording career. It looks at his singles, albums and rarities. Demos, alternate versions, remixes and edits, side projects and his work with other artists such as Mott The Hoople and Lou Reed are all explored. The information is presented date by date in chronological order, accompanied by detailed descriptions of each song version, guest appearance, edit, non-album track and alternate version. The book also covers his tours and live appearances.

REVISED & EXPANDED 2ND EDITION The Queen Chronology is a comprehensive account of the studio and live recording and release history of Freddie Mercury, Brian May, John Deacon and Roger Taylor, who joined forces in 1971 as the classic line-up of the rock band Queen. Years of extensive research have gone into the creation of the Chronology, which covers the very beginnings of band members' careers, their earliest songwriting efforts and recording sessions, through the recording and releasing of Queen's 15 original studio albums with their classic line-up, to the present-day solo careers of Brian May and Roger Taylor. All of this information is presented date by date in chronological order, with detailed descriptions of each song version, including those both released and known to be unreleased. Every Queen and solo album, single, non-album track, edit, remix and extended version is examined, as are known demos or outtakes, pre-Queen recordings and guest appearances.

The wildly entertaining story of progressive rock, the music that ruled the 1970s charts—and has divided listeners ever since. The Show That Never Ends is the definitive story of the extraordinary rise and fall of progressive (“prog”) rock. Epitomized by such classic, chart-topping bands as Yes, Genesis, Pink Floyd, Jethro Tull, and Emerson Lake & Palmer, along with such successors as Rush, Marillion, Asia, Styx, and Porcupine Tree, prog sold hundreds of millions of records. It brought into the mainstream concept albums, spaced-out cover art, crazy time signatures, multitrack recording, and stagecraft so bombastic it was spoofed in the classic movie This Is Spinal Tap. With a vast knowledge of what Rolling Stone has called “the deliciously decadent genre that the punks failed to kill,” access to key people who made the music, and the passion of a true enthusiast, Washington Post national reporter David Weigel tells the story of prog in all its pomp, creativity, and excess. Weigel explains exactly what was “progressive” about prog rock and how its complexity and experimentalism arose from such precursors as the Beach Boys’ Pet Sounds and the Beatles’ Sgt. Pepper. He traces prog’s popularity from the massive success of Procol Harum’s “Whiter Shade of Pale” and the Moody Blues’ “Nights in White Satin” in 1967. He reveals how prog’s best-selling, epochal albums were made, including The Dark Side of the Moon, Thick as a Brick, and Tubular Bells. And he explores the rise of new instruments into the prog mix, such as the synthesizer, flute, mellotron, and—famously—the double-neck guitar. The Show That Never Ends is filled with the candid reminiscences of prog’s celebrated musicians. It also features memorable portraits of the vital contributions of producers, empresarios, and technicians such as Richard Branson, Brian Eno, Ahmet Ertegun, and Bob Moog. Ultimately, Weigel defends prog from the enormous derision it has received for a generation, and he reveals the new critical respect and popularity it has achieved in its contemporary resurgence.